The Smashing Pumpkins "Adore" (1998)

The fourth Smashing Pumpkins album is one I have been anticipating with a touch of unease. Having unexpectedly fallen for this band, I realized its been a long time since I've discovered a musical genius with a body of work to explore. "Adore" is where many have cited things dramatically change, and Corgan himself has described it as "A Band Falling Apart". This album sees the departure of drummer Jimmy Chamberlin replaced by a drum machine, which seems to be a keen talking point of this record. The album cover and band's image at the time is very much Gothic, hinting a shift in sound, which was the biggest surprise with this record, there is simply nothing Gothic about it.

Adore has the Pumpkin's sound, but its a shift in style and execution that puts more attention on their gentler side and Corgan's vocals. Theres an unsettled yet relaxing air to this record, its calmer, dramatic in its own way and has a touch of Ethereal influence in the aesthetic as reveby electronics muddle with the acoustic guitars. At first the drum machine was very apparent, very stale and stagnated compared to Chamberlin's free and energetic drumming, the programming felt stiff, a lack of subtle timing or volume fluctuations and no fills or pattern variations made it feel a little droning at times. On some tracks this worked surprisingly well, but overall my reaction was mixed. At times it felt like the drum machine was intrusive, on others it complimented the track. Throughout it melded well with a warm bass that moved well with these acoustic numbers. The electronic elements are somewhat overpowering of the acoustic guitars, but thats its charm, it served to create a unique sound for this one.

Despite a mixed sound, the theme of this album was very consistent. Its a steady, moody ride, full of love, sorrow and romanticized poetry thats lyrically maturer in nature. Gentle and melodic this album drifts though itself and calms into an almost lullaby like state in moments. For what there was to enjoy about this shift in sound, in came in small quantities, only a handful of songs had the substance to make a memorable Pumpkins track, and the songs in between those just didn't captivate like the first few tracks which made for a promising listen. If the drum machine is a problem or not, its irrelevant, some songs just didn't cut it and "Adore" just doesn't have the arsenal their previous efforts had. Its inconsistent, but it does have a couple of gems.

Favorite Songs: Perfect, Daphine Descends, Tear, Pug

Rating: 8/10

Down To Erf "Down To Erf" (1998)

In the mood for some chilled out Hip Hop I pulled this gem out from my collection, its an 8 track EP from Canadian group "Down To Erf" consisting of rapper Mathematik and a DJ who's name I am unaware of. There is very little information about the group on the Internet and this would appear to be their only release, one which we could consider a lost classic, however time tells a story. This was once a record I couldn't put down, it was at a time when I was rapidly expanding my discovery of the East Coast, listening to records like "Illmatic" & "Lifestyles Of The Poor And Dangerous". It served as a laid back, jazzier rendition of the classic early 90s sound. After a few years It hasn't quite the spark I remember, some of its flaws are more apparent, but its still a personal favorite, mainly for the jazzy samples and grooving beats.

Rapper Mathematik has a soothing flow, a steady pace delivering technical lyrics delivered in a consistent, yet tame manor. His style is approachable and indulging, easy to follow, and his lyrical ideas are on point, but he falls short in a important places. The calm and steady delivery is continually mechanical, leaving little room for variety, a spontaneous change of flow or any energy, charisma etc. From start to end Math follows the same formula which can often have him falling into the background as his style becomes monotone. His lyrics are clever, and serve a strength he couldn't do without. "When I fight, the weapons are the rhymes I write", "Hip Hop bath, cleansing in the words of Math". There are plenty of clever lines scattered throughout this record. There a pleasure, but the lack of variety and ideas beyond his typical flow held him back from doing something truly great.

The record starts off with an estranged mix of samples coming together with a standard beat that quickly fades out to a sub bass kick that brings in a steady beat accompanied by dreamy bass noise and scattered, distant instrumentation that comes and goes. The tone is set well as Math drops in and lays down the vibe for the album. From track to track choice samples of jazzy pianos, bass and trumpets are arranged with strong drum beats that create a great set of instrumentals that could compliment any rapper. The instrumentals are great, but like Maths flow, they do lack variety. Most tracks follow the formula of dropping the main sample or snare to add variety to the beat, never truly breaking up the track and fusing something different into these songs, but that does not take away from the chemistry the samples and beats achieve. A great, slightly flawed record that is still enjoyable and a choice listen for any 90s Hip Hop fan.

Favorite Tracks: Rhyme Training, To Each His Own, State Of The Art

Rating: 6/10

Marilyn Manson "Mechanical Animals" (1998)

Having highly enjoyed Manson's breakthrough album "Antichrist Superstar" I was initially skeptical about their other releases which fell far behind the commercial success of Antichrist. I was quickly reminded that sales are no indication of the content as this album quickly grabbed my attention and took me on a ride, before i knew it i was hooked. My preconceptions were shattered and what initially struck me about this album has become very clear after several spins.

On this record the band as a whole move in a much more focused and expressive direction with Manson stepping up his game vocally, his presence is stronger and lyrically his poetry hits home hard with some deep messages and ideas. A couple of moments stuck in my mind, on the track "Coma White" he expresses a sorrowful message about self destructive personalities through an unforgeable chorus "A pill to make you numb, a pill to make you dumb...." its a dark realization delivered in a sing along format that ends the album on a emotional deep. On the track "Mechanical Animals" Manson chimes in beautifully with the soaring guitar riff in a heart in mouth moment. Across these songs his artistic expression is deep and meaningful, delivered with more sensibility.

Instrumentally the band are right behind him, moving the direction away from the metallic Industrial sound, more towards an Alternative Metal / Rock sound with the Industrial element paining intricate sounds and details along side the core instruments. At times the songwriting is pure class, forging charactered songs that compliment Manson well. For example "The Dope Show" has a brooding base line that builds a shady atmosphere with some unusual synthetic sounds, painting a vivid picture in the listeners mind. Theres a lot to talk about as many of these songs have great creativity in the instrumentals. Production wise everything sounds fantastic, in general i was blown away by this album and looking forward to Holy Wood.

Favorite Songs: The Dope Show, Mechanical Animals, Disassociative, User Friendly, Coma White

Rating: 7/10

Photek "Form & Function" (1998)

I found Photek through the song "Rings Around Saturn". It was the only song featured in a football managing game i used to play, it would spin endlessly as i enjoyed the fantasy of taking my team to the top and winning the league. Maybe through this i have attached some positive emotions to this song, but better yet i think its a masterclass track that never gets dull. Maybe over 10 years had gone by and i would still dream of this song, so one day i decided to dig around and find out who's song this was. With music so easily accessible via YouTube it didn't take me long to track down this album, which comprises of two sides, the first a remix of the second half which i have never particularly enjoyed and have always been a little baffled as to the reasoning behind this, the remixes in my opinion add next to nothing to the original tracks. The second half consisting of 6 unique ambient Drum N Bass tracks.

These songs all follow a similar principle, clean cut drum loops and abstract noises, together they create a chilled atmosphere and memorable hooks despite there being no melodic or vocal leads present. This is music striped down to effect. Tracks like "UFO" & "Rings Around Saturn" inject so much into this minimalist form, magic is born from the intricate workings of drum samples that have been broken down and reformed with exquisite detail and glittery rhythms that drill deep into the mind. The is so much soul and craft on display in Rings, with beautiful abstract sounds resonating in and out of focus, providing such a dreary, trancy ambiance that is heavily contrasted, yet complimented by a ever restless drum sequence. UFO offers up some sublime sub bass drops that guide the drums through some eerie and alien sounds. Theres also a fantastic sample of a person reporting they are seeing flashing lights in the sky that really sets the tone well for this track.

All in all there are some sublime tracks here, but a lack of consistency, with just 6 songs and 6 remixes this one really falls short for me on the album listening experience. Rings Around Saturn is a true masterpiece i will never grow old of but the rest of whats on offer just falls short for me.

Favorite Tracks: Knitevision, Rings Around Saturn, UFO

Rating: 5/10