Showing posts with label King Crimson. Show all posts
Showing posts with label King Crimson. Show all posts

Wednesday 30 December 2015

My Top 10 Music Discoverys In 2015

 

Every year is a great year for music, because even if there isn't a lot interesting going on (not the case) there is an enormous ocean of the past gone by to wade through. As always I love to find new artists to listen to alongside the new records coming out from the ones I know. As well as countless good records Ive seen Meshuggah, Korn, Slipknot, Shikari, Devin Townsend, Nas playing Illmatic AGAIN! Download festival was a blast and in the summer caught Cypress Hill, Snoop Dogg, Napalm Death, Death and Opeth! Later in the year Killing Joke, Manson, Deep Purple and Public Enemy! Its been one heck of a year! for my top 10 records released this year click here.

(10) IGORRR

Truly an artist of the internet era, with instant access to a vast depth of music, IGORRR's music draws from many obscure niches of Death Metal, Glitch and Baroque to collide in a frenetic maelstrom of noise assault. Perfect for my taste in aggressive oddities.

(9) Birocratic

Biro initially came across as a Nujabes clone but has managed to define his own style and sound across the course of a few records. Being a fan of Nujabes I obviously liked this from the get go, but it was great to hear Biro develop into its own brand of instrumental Jazz Hop.

(8) B.G.

My exploration of Southern Hip Hop hasn't led me to too many gems, but there's something to B.G's flow and laid back persona that really works, and when paired up with the right beats he makes a reputable impression.

(7) King Crimson

Their debut is a celebrated classic and having finally gotten around to giving it a listen I understand what the fuss is about and can't help but feel there is more on offer in their discography I wish to dive into soon.
(6) The Beach Boys

All I knew of this band were the Surf Rock numbers like "Surfin USA" which I had little interest in. Had no idea there was another side to the band, or more so Brian Wilson who composed the entirety of this record which I have fallen in love with.

(5) Master P

Master P was a name I knew of in the rap world, but this year I learned the story of his entrepreneurship with No Limit records and of the short lived success his label went through between 97 and 99. I wouldn't say he is one of the greats, but his style, the UGH and the crew he brought together he has definitely been responsible for a lot of enjoyable music that has satisfied my craving for more Hip Hop.

(4) Dead Kennedys

I've known about the legendary Punk group Dead Kennedys for years, but finally cracked the case this year with Frankenchrist which really struck a nerve with me. Although its significantly different from there other records its opened the door for me and I hope I'll get into their other records soon.

(3) Killing Joke

What a tough choice the top three has been, at third its Killing Joke, a band who I've heard of many times as an important influence on bands like Ministry, Korn and Godflesh I finally understand their importance and have grown ever so fond of their first two records, however the rest of their discography is proving to be rather patchy. I like their style, their identity which is very niche, a mix of Post-Punk and Industrial Rock with a charismatic voice.

(2) Kraftwerk

Its not strictly the year that Ive I learned about Kraftwerk's legacy and contribution to electronic music but it has been the year Ive really gotten to grips with their music and whats so fantastic and amazing about it. They had the vision to write emotional and imaginative songs at a time when electronic music was still seen as a novelty. The set the foundation for an explosion of synth pop in the 80s and subsequently everything else that followed. What's best of all is their music is fully realized and stands the test of time.

(1) Outkast

I have a soft spot for Hip Hop, so its no wonder to see Outkast here. Growing up I remember hearing B.O.B and Miss Jackson on MTV and this year decided to listen to their discography sequentially. Ive followed the journey of these two talented and articulate individuals who have crafted some of the finest Hip Hop records id never heard... or was waiting to hear? This is why I seek out new music, Outkast are one of Hip Hops greatest acts with a unique and defined sound that fit right into the vibe of the 90s. It was capable of pushing boundaries and I'm shocked its taken me so long to get around to that southern playalistic duo from my youth.

Monday 12 October 2015

King Crimson "In The Court Of The Crimson King" (1969)


I was pleasantly surprised by how swiftly I found my way into this record. Hailed as a classic of an era gone by I was a little hesitant this might be out of my reach. Ive always had a soft spot for Progressive Rock and this record is often considered the birth of the genre, turning away from the Blues roots in Rock and inspiring Classical influences into the scope of their songwriting. What I found though was a luscious warm record that felt like the precursor to much of the lullaby like themes found in early Genesis records. King Crimson are the credited creates of Prog Rock and have been going at it for 45 years with plenty of lineup changes a many intervals of hiatuses.

"In the Court..." is their debut release, a varied record with a lot to offer. "21st Century Schizoid Man" the slightly mad, energetic free jazz swings coupled with a traditional Metal attitude that starts the record of with a bang of announcing trumpets and a wild improvisational mid section of madness. "I Talk To The Wind" takes a u-turn in tone and pace, setting us on a soothing lullaby of innocent, gentle melodies climaxed by a gorgeous flute solo at the end. "Epitaph" brings a somber tone in as we sail to an epic swan song that's illuminated by a dreamy string section and dramatic, haunted synths. 

"Moonchild" mostly consists of a lengthy ambient jam of quiet mustering on the drum kit and sporadic improves on the lightly played guitars and keys. The jam doesn't lead anywhere much and conjurers up images of the band roasted on drugs, lying around tapping on their instruments. The record ends with the title track which is a rather similar sounding song to "Epitah" and delivors some lush vocals harmonies over the ever enigmatic synth and string section.

The records over 45 years old and sounds fantastic today. The drums have a narrow dimension, but the other instruments sound big, bright and free. I especially liked the keys string sound which had a slightly harsh tone yet came across so smoothly with a lot of energy, it reminded me of Genesis's "Watcher Of The Skies". Another band this reminded me off was Messenger, their album "Illusory Blues" one of my favorite from 2014. Definitely heard a lot of the influence that inspired that sound here. Solid record, can hear why its held in such high regard.

Favorite Songs: I Talk To The Wind, Epitaph
Rating: 9/10