My Top 10 Music Discoverys In 2025

By design, this was a lighter year for discoveries. Although I've been searching the seas, I've written less often. Despite that, some absolute classics make the list, as well as a healthy helping of acts I've caught on the road. These are probably my two favorite ways to unearth great music. Names you know, ones you don't. Shout out to Soul Blind and Krusseldorf. They made the Top Albums list, I didn't include them.

(10) Qendresa

In her best stride, Qendresa reps a sleek R&B motif echoing Vapourwave with a chopped and screwed approach to the instrumentals. A niche sound turning an otherwise glossy sound to something nightly and chilled. Her best numbers are decent but its the potential for this sound to go further that has me interested.

(9) Slaughter To Prevail

I've known of Slaughter for years but foolishly assumed they were part of the Post-Deathcore race to the bottom. Having given their newest record a proper spin, I can hear the influences of my generation permeating a new strand of metallic brutality I couldn't deny is exciting among a stagnant scene.


(8) State Azure

There are tones of artists in this Cosmic Ambience adjacent landscape. Its hard to stand out but State Azure has done so by maintaining stellar production and showing flickers of creativity and influence to perhaps move the needle in an interesting direction. This manifests on their reinventions of classic 80s track. A novelty to revel in if it peaks your interest.


(7) Enigma

I love these sorts of discoveries! Forgotten acts that have a prominent roll in the unfolding tapestry of the time. With a couple of ubiquitous "advert songs" under their belt, this felt like an unusual story for a band who's origin seems like an unintentional accident. The depth of there catalog is light but very enjoyable.


(6) Thornhill

I got into this band in preparation for seeing them later in the year. Sadly that never came to fruition. Thornhill are fantastic, a Deftones inspired by who despite showing their influences all too clearly, still win one over with their grooves, hooks and big riffs. Experimenting with production and electronics, there is an element of originality emerging here I'd like to hear more of on future albums.


(5) Mudi Sama

The first act from my day at Reading Festival, Mudi is a talented song writer with something raw emerging, yet to be fully nurtured. The current roster of songs feel rough around the edges yet his songs shine bright. Poised to move in several directions, this feels like an artist who's evolution could be huge.


(4) South Arcade

Like a time bubble back to the years of my sixth form days, South Arcade revel in the aesthetic of my youth. A mix of Skater, Rock and Pop reminiscent of No Doubt. I'm convinced they could blow up. Connecting with a young audience and writing anthems out the gate, it will be fascinating to follow them over the next few years.


(3) Prince

A legend needing no introduction, this was the year I finally got around to Prince. Although I didn't get roped into much of his intimidating discography, Purple Rain is a clear crescendo, a peak for all time. I loved getting into it. Prince's musicality feels like it can't be taught, his creative streak and expression is just so self affirming. Love it!


(2) Magdalena Bay

I really struggled with Mica Tenenbaum's voice at first, but having come around to her subdued whispery nature, the creativity of this duo is flows perfectly! Their songs feel like adventures through the fruits of experimental jam sessions, melded into colorful numbers rocking melodies and novelty through its deep aesthetic dressing. Decent songs fleshed out with explorations of sound.


(1) Enya

I cannot express just how much her music makes swells of emotion arise within me. There is something deeply humanistic and beautiful about her expressions. A voice entangled into the instrumentational role both fantastical and rural. Rooted, yet uplifting, her grace often feels like a bridge from earth to the heavens. Utterly brilliant, Enya exists on a realm of her own making. Absolute peak!

Slaughter To Prevail "Grizzly" (2025)

 

Despite the impressive talents of vocalist Alex Terrible, I've suffered the misfortune of writing off these masked menaces as another "race to the bottom" Post-Deathcore band. Their recent collaboration with BABYMETAL lured me in, Song 3 that appears again here, a fiery grind of brutality armed by slams of low end guitar and spurioys manic fretboard noises. On that track and throughout Grizzly, strong echo's of Slipknot characteristics, a total turn on when executed with class, as Slaughter To Prevail do.

Russian Grizzly In America drops in partially lifted lyrics from the iconic opener Sic. That motif and other inspirations occasionally rear an overt head. My linguistically challenged mind initially mistook Rodina for a cover of Rammstein's Mutter. So to does Behelit's massive slams of guitar melded with strings have an uncanny ring to it.

With a knack for decent song writing, this all works in their favor. A shared generation of influential bands rippling echo's through Slaughter's DNA, most notably aesthetics and rhythms Slipknot's Iowa album. Howling pinch harmonics, stomping grooves and a battering percussion to make the late Joey Jordison proud. Woven in between their own ideas, it bridges the gap into this "over the top" Post-Deathcore territory.

Thus Grizzly plays a romp, a wild blast of fun chaotic aggression with the sensibilities of a now classic era of 00s Metal reigning in the extreme impulses. The balance is ripe, ideas fresh. Plenty of headbanging goodness. At a meaty fifty minutes, it rarely tires to entertain. I'm left struggling to figure out my favorites from the bunch, a great sign of a record asking to be played front to back at each turn. A cracking introduction.

Rating: 7/10