Showing posts with label Howling Giant. Show all posts
Showing posts with label Howling Giant. Show all posts

Tuesday 17 August 2021

Howling Giant "The Space Between Worlds" (2019)

Following up on a dazzling four track instrumental EP Alteration, it became swiftly apparent the band are side stepping from their core sound. As part of a growing trend in Metal that is already tiring me, the excitement wore off quickly. Initially spurred on by Ghost, this revivalist sound heard here reminds me of other fond discoveries, Green Lung, Beastmaker and a touch of Baroness vocally. Rather than riding the cusp of whats extreme or current, these songs look back to decades past by to pull together solid fundamentals of songwriting and classic riffage yet for all its excellence, the spark doesn't light a fire for most of the nine tracks found here.

 Ghosts In The Well peaks my interest, stalling the albums starting momentum and general temperament. Its acoustic strum sing along a cold and cautious tone of subtle sombreness. Its a rooted, cultural vibe standing in contrast to the swaths of loose and rumbling groove overdriven riffs that roar through every track. Its brief but welcome as the records aesthetic gets stretched on repeated listens. The soft chime of organs beneath every riff dulls the power of rhythmic guitar ideas, cushioning them into a common corner where one song to the next gets a little bland.

Cybermancer And The Doomsday Express may spice things up with hurried tempos and saw-wave synths but it feels like another idea entirely strung into the mix as its lyrics stand in direct contrast to the rest of the record. They in contrast, continually conjures images of mystic implied rural life from decades gone by and re-imagined, a romanticism of woods, wizards and witches. The vocals do deliver the theme so well, soaring with clarity and conjuring a creativity to resonate of the instrumentals below. Its a keen performance at the front to sell this nostalgic metal ride.

The groove riff that concludes Everlight, its fantastic guitar solos and the creaking Post-Rock build up makes for one wonderful song where the stars align but for much of the record that doesn't happen for me. I don't want to knock the record, My own exposure to this movement has this one feeling a little underwhelming despite clearly being a well written and performed album. To any Metalhead who yet to catch this sound though, it would be a great introduction worthy of checking out.

Rating: 6/10

Friday 11 June 2021

Howling Giant "Alteration" (2021)

This four track EP has been somewhat of an obsession lately. Alteration is a sprawling instrumental epic of guitar led melodic grooviness! Its twenty minute duration graces us on a journey of progressive creativity, warm and welcoming as its mammoth guitar sound explores the rumbling depths of Sludge, Stoner and Groove Metal. Passing by psychedelic realms with a touch of Post-Rock scale, its elastication propels us from the crawls of swaying low end power up to the heavens of expansive lead guitar that swells with spacey melodies and colorful gleams of light.

Its twenty minutes breezes by with each of the songs working a deceptive linear direction as its recurring sections get re-imagined on revisiting. Its quite the feast as deep meaty bass lines, subtle chiming synths and dexterous drumming work around the guitars focal energy, livening up the stage and fleshing out this organic musical force. Its solo illuminate like a voice as its notations gush forth with a cadence reminiscent of lyrics being sung. Its not always in this vein but with surges it feels so.

Enemy Of My Anemone, to me, sounds like the telling track. Its opening lead riff and clever weaving of tune and rhythm feel strongly influenced by CKY... possibly? I am speculating and this is why I wrote about Foreign Objects two days back, spinning this one kept me thinking of Miler & Ginsburg's guitar styling. A Howling Giant is no imitation though, their identity feels rather distinct with its organic, warm and sun soaked temperament. Its a very welcoming style of Metal.

One odd criticism I've taken away is the lack of vocals. Often I am fine with instrumental music but something about these arrangements felt as if there was room for another, human, voice to chime in on the gorgeous weaving of colorful melody and swaying groove these numbers sail through. Other than that its a fine little record that sounds wonderful! Especially that deep bass rumble that comes to life when the rhythm riffs transcend up the fret board into lead licks. Its aesthetic is just right.

Rating: 6/10