For his last major release Danny dazzled with a wild unhinged experimental Atrocity Exhibition. Its flamboyant nature and eccentric charm seems to have been turned on its head. This time Brown delivers a lean and fresh collection of songs that feel isolated from one another yet all land a strange dissonance. Selecting oddball instrumentals, his raw voice recording aesthetic adds this layer of separation between beat and rhyme that initially left me not knowing what to make of the project.
With plenty to say, the rhymes in the best moments are unbelievably sharp, witty and well articulated. Layered with elements of comedy, story telling, self deprecation and vulnerability he musters up some engaging flows that topically chop and turn at pace. Brown's cadence often feels a step off the beat, free and loose yet holding its own flow of continuous verbal packages to unwrap. It may also be the percussive grooves mustering this illusion as they are often untypical of a groove to rap along with.
The moods and temperaments of the samples and beats shift all over the place, never slipping into anything too banging or obvious, always focused on the power of subtler chemistry. Run The Jewels turn up to stamp their style on a JPEG beat and Q-Tip produces a couple of my favorite cuts that have the Jazz Hop lean. This wild variety in production aids producer White in delivering striking esoteric and Ethereal sounds that stood out among a lot of great instrumentals. With every listen this record reveals more, its got depth and substance rammed into its thirty three minutes.
Favorite Tracks: Change Up, Belly Of The Beast, Best Life, Uknowhatimsayin¿, Combat