Godflesh "A World Lit Only By Fire" (2014)

Godflesh are a two piece band from England who formed in 1988. Their first release "Streetcleaner" was a landmark in the emerging Industrial Metal scene. It brought the sound to its dark and heaviest peak with Broadrick's unique, unsettling guitar sound building atmospheres intensified by the gritty drum machine and crushing noise driven bass of Green. In later years they experimented with there sound bringing in an interesting Hip Hop aspect through the drum machine before disbanding in 2003. They have been cited as a huge influence on other Metal acts, often referred to as a "band's band". 13 years since their last album its was a surprise to hear the EP they dropped earlier this year, and not so much that it was followed up with this full length.

Initially i was excited, on this record Godflesh have reinvented their sound as well as maintaining what makes them stand out from other bands. Greens bass has the glorious clunky, crunching distortion were used to, its captured here well in a now modern era of recording. Broadrick's guitars are notoriously low and slightly Djenty, most definitely 7 or 8 string guitars at work here. The musical approach is more riff oriented, with Broadrick's discordant, eerie sounds not often the focus as much as the bouncy, thrashy riffs. His voice still has the power it once did and on the track "Towers Of Emptiness" there is an altered double track that has a real demonic sound to it.

The formula works, the sound is dark, hard hitting and vigorous, the riffage is tight and rhythmic, but across several listens i found myself a little tired and distant from the songs. Whats on offer is great, but there is not enough variety and progression to keep me engaged. You could argue this repetition was a key part of their sound in the past, but on this album it doesn't work for me. Its a great album, they certainly has a reason to get back together and make new material, but I can't find myself as immersed as with there previous works.

Favorite Songs: Shut Me Down, Life Giver Life Taker, Towers Of Emptiness

Rating: 5/10

Aeons Confer "Symphonies Of Saturnus" (2013)

In the blink of an eye 10 years passed by wondering if we would ever hear from this band again. 2003's wondrous "Soul Of The Universe" left a lasting impression. With 17 minutes of bliss and 10 years of absence I was both excited and dreading listening to their first full length. Time changes bands, but a decade without a whisper made me wonder if we would have anything left of the original sound. I'm happy to say they still have it, the astral "vibe" is there, but their sound has evolved, they have not been frozen on ice.

The symphonic component of Aeons's sound is the most reminiscent, still providing its subtle influences, acting as the backbone that adds distinguishable character to the rest of the sound. Theres no piano interludes or many leading moments, but they are not absent here. The sound is more oriented around the guitars providing classic thrashy, aggressive riffs that, in unison with the rhythm section, thump and pound crushing groove after groove. The songs are well developed, pretty typical for this era of Metal, but the quality of musicianship and presence of astral symphonics does set them above the bar.

On the vocal front Aeons's is a very different band, with obvious line up changes their new vocalists fit the mold well. Providing many guttural and screaming ranges, theres a much needed variety on display which also comes with some delightful clean leads, comparable to ICS Vortex, that steal the show on "Probe", a song that sounds like it could of been on there 2003 release. Overall its a well written and produced album, but its biggest flaw is its length. Clocking in at nearly 80 minutes the duller moments become more noticeable as the listen draws on. Its great that Aeons are back! I hope to catch them on the road soon.

Favorite Songs: ESP, Probe, Renaissance, 

Rating: 6/10

Dødheimsgard "666 International" (1999)

Today I felt like talking about a record I've been revisiting recently. Must of been around 10 years ago I found this unique little album that fuses the styling of Black Metal with a noisy Industrial sound. The result is distant from its obvious influences and from start to end provides a dizzying, abrasive listen that visits many musical contexts, but also delivers some memorable tunes. The album opens with a bang, a descending, clean piano clashes with a blitz blast beat and brimming guitar distortion that pass into a weary, bleak landscape as Aldrahn introduces himself with clean, poetic vocals that build the mood. Quickly the direction changes as the vocals become demonic and guttural, the intensity builds from the guitars and drums, and the tone for this album is set.

From this point onwards Dodheimsgard, translated "Home Of Death", move through many artistic, avant-guard musical passages that are as enjoyable as they are intriguing and bizarre. There are dizzying, nauseous blast beats and rhythmic groves mixed with abstract sounds and instrumentation that even find room for screeching noise abuse at the end of "Final Conquest". Anything goes, it may seem, but despite how abstract the styles and influences explored in this album are, Dodheimsgard hold it together in memorable fashion. And of course this dizzying listen is parted by piano interludes that provide a needed contrast.

The production is not the cleanest, but its flaws are strengths in this noisy record filled with absurdities, there was little that could go wrong. With such a wide range of sounds, drum kits and even guitar distortions its impressive to think there are no moment in this record where anything feels underwhelming or overlooked. As a whole it feels thorough and ready to fit its purpose, which is musical exploration at its extremes.

Favorite Tracks: Shivra-Interface, Ion Storm, Final Conquest, Sonar Bliss

Rating: 7/10

Earth "Primitive And Deadly" (2014)

Earth are an American Drone Metal band from Washington that formed in 1989 and are considered pioneers in the field of Drone Metal. Over the years there style and sound has changed, evolving into a more melodic and Rock sound than their Drone roots, although still keeping the Sludge / Drone relevant in their sound. 2007s Hibernaculum caught my attention with its slow, sludging groves performed in melodical tones that created contrasting atmospheres of relaxation and intensity, since then i have been enjoying this bands output, and this album has certainly grasped my attention.

Primitive And Deadly sounds lush and vivid, capturing the textural depths of guitars that drone there beautiful distortion in graceful sludgery. The clean melodic leads share the space effortlessly as the two wrap and meld around one another. The drumming ever present, quietly retaining the pace of these slow burners with grace. On 3 this records 5 tracks, Earth introduce a vocal presence with exquisite execution, Lanegan & Qazi bring artistic, poetic performances to the fold, so tastefully done. There is a real connection between the instrumentals and the vocalists that add great depth to this record.

Through these slow burning numbers Earth build enigmatic & psychedelic soundscapes that have an almost rock-like feel to them. Maybe if sped up some of these riffs would sound a bit more so, but there sluggish dragging of these riffs create spacious atmospheres for these chords and distortions to ring out to great effect. Through these spaces the songs progress and build thoughtful and unresting moods that give this album and immersible quality. I'm ever so impressed with this record, I've been lavishing in these tunes. Earth have mastered their sound, and this record is a fantastic step forward for them.

Favorite Tracks: There Is A Serpent Coming, From The Zodiacal Light

Rating: 6/10

Deerhoof "Apple O'" (2003)

Deerhoof are a four piece band from California who have been utilizing a DIY ethic for 20 years, producing 13 albums and various EPs. I recently stumbled across this record which has proven to be a delightful one. My first impression had me thinking this would be a challenging listen, but i gravitated towards it quickly. It has since expanded my view of what constitutes music and musical aesthetics.

Apple O' is a quirky record that defies conventional musical norms with its sporadic and abrasive sound. From track to track there is an ever growing progression between noisy and melodic elements that exist in a explosive and unconventional environment. With odd time signatures and simplistic riffing Deerhoof harness the most simplistic of musical pleasures and package them into quirky songs that flow in there own direction, free of conventional song structure. When you deconstruction the songs in your mind its easy to see what makes these songs works, however there creation has a subtle touch of genius I couldn't see myself recreating.

The riffage on this album is varied, sometimes metalic, punkish or even stadium rock, but its always performed in a brash, clunky, out of tune act that give this record the quirky and sporadic vibe aforementioned. The drumming is fantastic, wild, free flowing and interesting throughout. It may be a little shadowed by the guitar, but its impressive and a highlight. Matsuzaki's vocals are playful and have a childish energy about them, often singing quietly alongside screeching guitars, she provides another quirk to this record with her wordless vocals adding extra dimensions to the intense guitars. Their sound and style on this record is in full effect, theres plenty of memorable moments and the album progresses into a more melodic state before blowing up near the end with the intense track "Adam + Eve Connection", which gradually builds and explodes with distortion. A great listening experience!

Favorite Tracks: Sealed With A Kiss, Flower, My Diamond Star Car, L'amour Stories, Panda Panda Panda

Rating: 6/10

Lycia "Cold" (1996)

Lycia are a Darkwave group from Arizona USA who formed in 88 and have released 13 albums since then. This is the one album I have treasured from there discography, at a glance it pulled me in, and after many listens I am still captivated by its bleak and, no surprise, cold sound. This record is dreary, spacious and artic in design, these may sound like negative observations to those who like there music upbeat and chirpy, but these are all positives, in "Cold", Lycia craft a chilling soundscape that explores the darker side of life and self.

Across nine tracks this slow and bleak record paces itself with a genius that keeps me gripped from start to end. Despite similarities from each song to another, they provide passive melodies, subtle sounds and shadowy riffs that stick in the mind. The chilling sound is shaped through guitars and keys soaked in a vast reverb that bleed into each other effortlessly. The drum kit follows the same aesthetic and its slow, decaying pace and lack of complexity fitting the mood entirely. There are both male and female vocals that provide an important human presence in the experience, they are gentle, distant and sorrowful in nature.

There are some beautiful and effortless progressions in the songs as they gradually build up to crashing bells, subtle eerie choirs and other sounds that really add purpose to these passive pieces. This is a soundtrack for the cold, obviously, but these songs really paint a picture in the mind of countrysides covered by snowy blankets that captivate and dazzle, yet are perilous to humans. The dark and bleak atmospheres this music produces is unique, yet familiar, I enjoy it every time I visit.

Favorite Tracks: Frozen, Bare, Colder, Snowdrop, Drifting

Rating: 8/10

Cannibal Corpse "A Skeletal Domain" (2014)

Cannibal Corpse are a band that need no introduction, having sold over half a million records world wide they are the best selling death metal band of all time. Over the years have developed a cult following that has allowed them to continue touring and writing music for 26 years. This wasn't an album i was especially looking forward too, the last two albums had been a bit lack luster and fell far behind 06s "Kill", however having a lot of respect for this band i had to give it go.

This record was pretty much what i anticipated, 12 tracks of tightly executed death metal in a typical Cannibal Corpse mentality. The recording is crisp, every instrument is clear and powerful in the mix, quite possibly there best sounding record so far. Fishers voice is as menacing as ever, and it all sounds great... but what is wrong?

As good as this album sounds the songs are almost cliché, which is what a lot of fans love. Cannibal Corpse are pounding out there dark and brutal style yet again, but for me its become stale, they are sitting in a comfort zone and repeating themselves. Sure there are some good moments and head banger riffs but its pretty forgettable being almost a repeat of there previous efforts. This band has undergone a lot of evolution over their career while managing to maintain there sound and identity, but in the last few years the expansion of there sound has been missing.

Rating: 2/10

If These Trees Could Talk "Red Forest" (2012)

If These Trees Could Talk are an instrumental five piece Post-metal band from Ohio, USA, who in 2012 released this, their second full length album. The five forge grandiose ethereal soundscapes with a dreamy and melodic sensibility that gives birth to a rich, indulging and relaxing listening experience across the nine tracks of this album.

With 3 guitars alongside the drums and bass Trees's sound is as expansive as it is immersible. It true Post-metal fashion they build rich and progressive atmospheres with the layered instrumentations of the 3 guitars giving them a lot of depth on the melodic front. The bass is somewhat quiet, usually plodding along behind the guitar leads, which do steal the show, however the bass's presence would be missed if non-existent. The drumming is terrific, being ever present in the songs and providing excellent structure, they never steal the show yet are a powerful part of the atmosphere.

From start to end there are plenty of varied moments, but Trees doesn't push the mold or try anything out of its comfort zone, which is quite fitting for their sound as it feels somewhat "complete" within itself. This is a very mature record with an immersible quality to offer. The aesthetic is warm, and slightly muddy. Theres no need for over the top squeaky clean production here, the instruments are given that room to bleed into each other slightly and it compliments the music well. Great record, hoping they will have another record out soon.

Favorite Tracks: The First Fire, When The Big Hand Buries The Twelve

Rating: 6/10

Rollins Band "The End Of Silence" (1992)

This is more than music, this is therapy for those who didn't know they needed it... Rollins Band is the group of Henry Rollins, former front man of legendary Hardcore group Black Flag, and this, their third album, was an unforeseen break through to the mainstream earning them rotation on MTV during the Alternative era. The End Of Silence is a powerful record, raw and provocative Blues wrapped in a powerful, Hardcore, Metalic aesthetic provides an invigorating, inspirational and emotional listen every single time. This is for lifting to your arms ache, running until your knees shake. This is about dealing with it all.

If you are familiar with Rollins, then it will be no surprise the subject matter of these songs are heavy, emotional, introspective experiences as Rollings puts himself under the microscope with brutal honesty. The pains of life and death are embraced wholly here as Rollins dives into his personal torments. His voice is phenomenal, lets make one thing clear, Rollins can barely sing a note, but his scream, his shout, his energy he forces out is monolithic. Here is a man bearing all, giving everything hes got. Both live and on this record, hearing Rollins preform is overwhelming, its as if there isn't a drop of energy left in his body to give. His scream on Just Like You, "My body is scared by age, now you get to taste my rage", Gives me goosebumps every time. Rollins is a blues singer, working out his issues through the music. His honesty has taught me that there is no shame in pain, and you must deal with it to grow.

The three that make up the instrumentals have a charismatic chemistry that provides the perfect soundtrack to Rollins's intense vocal presence on these tracks. Weiss's bass pounds and grooves in unison with the rhythm section, with a fuzzy, raw sound that can provide a memorable and impressive lead (What Do You Do). Cain's drumming is dynamic and versatile, bringing rocking grooves and maintaining intensity and rythmic groove during the slower bluesy parts. Haskett's guitar approach is an integral part of the bands sound, with his charismatic licks and leads, Haskett has forged a bluesy lead sound so unique and unmistakable. It edges between Blues, Hardcore Punk and Metal, but ultimately is its own sound and brings a real emotional connection with Rollins output. This album is 72 minutes of hard hitting, emotional, intense music that digs deep in the mind. "Life wont break your heart, It will crush it".

Favorite Tracks - Low Self Opinion, You Didn't Need, What Do You Do, Another Life, Just Like You.

Rating: 9/10

The Smashing Pumpkins "Gish" (1991)

The 90s is probably my favorite era of music. The Alternative movement, the birth of Nu Metal and the peak of Hip Hop are three I'm very fond of. Its never ceases to amaze me how much wonderful music was created in this decade, and my latest discovery is The Smashing Pumpkins. I thought for now it would be fitting to talk about there first album, which I first heard this album some time ago. It has taken me some time to appreciate their genius, but now I find myself addicted to a sizeable portion of there rich discography.

Like many of the greats, the Pumpkins have a genius to there sound that muddies the lines we draw to define how bands are supposed to sound. Theres elements of Rock, Alternative, Grunge and Metal that has an almost Gothic tinge to it. In this blurrinesses of influences Pumpkins create a unique identity. I personally feel like a big part of this comes from the downplaying of the guitars, D'arcy's bass is often pounding over the top of fuzzy guitar riffs that could easily be high energy Metal if played in a louder, crisper setting. Its this approach that give the guitars a more melodic vibe and subtle energy that gives them their edge.

The drumming is thoughtful, subtlety moving from fast upbeat tempos with explosive snare rolls to quiet atmospheric pace setting where the songs dictate. The guitars are charismatic and explore many melodic and energetic moments throughout the record. The bass is warm, bold and loud, which I really enjoyed as bass presence can often be overlooked. Billy's voice may not be to everyones liking, but it grows with time at proves to be an emotional outlet that is an important part of what makes it work. Pumpkins are the complete package who over time grew as musicians. This record proves they had it from day one, theres no filler here and plenty of memorable moments to enjoy.

Favorite Songs: I Am One, Rhinoceros, Bury Me, Crush, Snail, Tristessa

Rating: 8/10

Busdriver "Perfect Hair" (2014)

I picked up this album after a positive review from Needle Drop. Instant satisfaction, despite this being an unorthodox Hip Hop record I found it easy to listen to. Both the beats and Driver's flow are eccentric yet so approachable. Upon researching Busdriver I've learned this is his 10th album, the experience and maturity of an artist who's being doing this for 15 years explains the unusual accessibility of such a quirky sounding record.

Driver has a fantastic approach to his verbal articulation, he's got a charismatic energy that shines as he switches between rapping and singing in a effortless and unpredictable fashion. He accents his words with a bold character that gives him a voice that stands out loud. His chaotic flow can be difficult to follow throughout this record, but the tone and style he has speak volumes over the lyrical content itself.

The production is as interesting as the vocal entanglement. Jittery beats are accompanied by some varied instrumentals that have hard and dreamy synths that the drum kicks cut through to great effect. The themes and vibes of these tracks vary well from start to end, yet i find myself attracted to the collaborative producers tracks rather than Driver's, with the exception of "Retirement Ode" which has a synth lead the same as Lord Lovidicus's "A Quest For Silmarlils", pure coincidence of course, but i felt compelled to mention it. All in all a fantastic record which i am throughly enjoying.

Favorite Tracks: Retirement Ode, Ego Death, Upsweep, When The Tooth-Lined Horizon Blinks

Rating: 6/10

Limp Bizkit "Significant Other" (1999)

 

Limp Bizkit could well be described as the champions of the controversial Nu Metal / Rap Metal era of the late 90s/00s. At a time when MTV was still pushing alternative music Bizkit exploded into the mainstream with this, their sophomore album, topping the billboard charts on the back of hit single "Nookie". Bizkit's monumental success was fraught with controversy (Woodstock 99) and not long lived with line up changes hurting their forth effort in 03. Despite selling 40 million records worldwide they have been a love / hate band with front man Fred Durst a controversial figure often at the center of attention. I picked up this album around Christmas of 99. I was torn between Fatboy Slim's "Living Through Chemistry" and SO, which could of been a bitter disappointment, but luckily I made the right choice. Teenage angst is often cited in a negative light as a big part of Nu Metal's success, but 15 years later I still enjoy this record and appreciate what it did for me back then. At an emotionally torrid time while first discovering the world of music, deep bonds are made, I'm thankful that I've held onto them.

On SO Bizkit find their purpose and identity, evolving from the aggressive, bouncy Nu Metal outfit into a group with an immediately identifiable sound. Borland's guitar work is on a new level, pumping out phat, grooving riff after riff that gels with Otto's slamming drumming, which has a rhythmic Hip Hop quality. Rivers is always there as the glue holding the songs together and occasionally taking the lead (Re-Arranged). DJ  Lethal (once of House Of Pain) adds an extra dynamic to their sound with not just scratching, but choice samples that play well into the songs. Borland's riffage on tracks like Break Stuff is unforgettable and a huge part of what makes them so, but Durst is probably the most important part of their success.

Durst's style and attitude made him a figure of attention, his pursuit of celebrity status may have contributed to their success but it also made him a love/hate character in the eyes of many. His lyrical style is easy to attack, Durst is not the greatest of rappers and far from it, however what he brings to the table is the hook. Durst has an uncanny ability to write catchy, memorable lyrics that despite at times being cheesy and goofy, are universally relate-able. Everyones had one of those days, and "Everything is fucked, Everybody sucks" may not be deep, or poetic, but its relate-able, and thats his charm. He can also sing, has a fantastic scream too, and is the special ingredient along with Borland's riffs that gave Bizkit an explosive, original Nu Metal sound that captivated a generation for what now seems like a brief moment. Significant Other is the album that made it happen and I will forever treasure it as an important record that helped opened the door to a world of music for me.

Favorite Tracks: 9 Teen 90 Nine, Trust?, Nookie, Break Stuff, Re-Aranged, Nobody Like You

Rating: 8/10

Guru "Jazzmatazz I" (1993)

In my exploration of Hip Hop music I'm somewhat bemused that I missed this record. Guru being one half of legendary Gang Starr, the fusion of Hip Hop and Jazz being a favorite of mine, this record somehow managed to elude me until recently. On this record Guru lays out an interesting approach to the fusion, brining in other established and respected musicians in the Jazz scene such as Donald Byrd to accompany him on the record. Initially I anticipated the Jazz aspect to take a bigger role in the direction of this record because of these collaborative artists, however it turned out not to be so.

The Hip Hop formula is prevalent here with drum loops, samples and verses carving each song into 4 minute tracks with the commonplace verse chorus formula. Many of the Jazz instrumentals feel sampled or looped, with only a few spare moments for the guest musicians to take the lead, not quite what i initially expected, but certainly not a problem, this is an enjoyable record, but one that utilizes the vibes and styling of Jazz into the Hip Hop mold.

Guru is average by his standard this record, theres many enjoyable verses and moments throughout, but nothing that quite sparks and sticks in the mind like some of his raps with Gang Starr. Theres also a great guest appearance from French Rapper MC Solaar. Despite not understanding a word he says, his voice and flow are indulging. The shine on this record comes from the beats and relation to the Jazz element, with the memorable tracks made by the instrumentals. Overall a very enjoyable fusion of to style I'm fond of, but far from being anything exceptional.

Favorite Tracks: Down The Backstreets, Le Bien, Le Mal

Rating: 6/10

Tim Shiel "Duet" (2013)

Tim Shiel is a musician and radio DJ who's music I picked up for free on bandcamp after a recommendation from a commenter here on the blog! Electronic can be such a broad term for music, as can Ambient, this is a Ambient Electronic project with a similar feel to C418, however despite some similarities Tim yields his own memorable vibes and soundscapes that i am continuing to enjoy.

Duets is an absorbing listen, a record that can sit in both the back and foreground of your mind, its gentle and relaxing, yet intricate with a sense of detail. The melodic leads are poised in a balance between being the focus, and being part of the atmosphere. The rhythm section his is nicely arranged with many variations and details, sometimes making effective use of wobbles and harsher sounds that splice between the gently crafted rhythms.

This album has an array of passionately engineered sounds and beats composed together with care. As a whole it comes a little short with a couple of the tracks falling behind the mark set by the more memorable tracks on the record. In its best moments its an indulging listen, but at other times its a bit tame. I look forward to hearing more from Tim in the future.

Favorite Tracks: Theme From Duet, Nay, Exchange, Arete II

Rating: 6/10

Arcturus "Sideshow Symphonies" (2005)

Arcturus are a highly respected outfit from Norway who pioneered their own Avant-Garde niche in the Black Metal scene. Starting out with more traditional elements they quickly evolved into a unique and energetic, chaotic showcase of intelligent and deep musicianship that delivered some classic and unforgettable progressive records that have had a resounding impact on my personal experience with music. Their Avant-Garde fusion of Symphony, Black Metal & Electronic styling has been legendary, however this album has been considered a miss by many fans and critics, and for me it is their finest hour. Where other felt they had "toned it down", for me, it was a sign of artistic maturity and an appreciation of powerful and subtle writing.

Sideshow Symphonies nine songs seamlessly drift through an astral journey with absorbing, atmospheric compositions crafted through the subtle and layered music. At every moment in this album many small and detailed elements paint a bigger picture. Whirling distant synthesizers, bright pianos, crunchy guitars and paramount leads, all gluing together effortlessly, with many moments in the album bringing different instruments to the forefront. The album sounds crisp and lush, with the subtlety of the instrumentals being the key element here. There is no competition between any of the instruments. Hellhammer's drumming is sharp as ever providing a strong, yet creative backbone for these songs to reside in.

With all thats good to be said about the instrumentation, Vortex's vocal leads steal the show. This man has a stunningly melodic and honest Scandinavian voice. On the track Demonpainter he brings a lead on another level thats unforgettable. I've had the pleasure of seeing him sing live a few times and there's no studio tricks, its raw talent, and its utilized well on this album which has been a favorite of mine for years. Every time i listen its all to easy to get warped up and lost in the wonderful Sideshow Symphonies masterpiece!

Favorite Track: Demonpainter

Rating: 9/10

The Underachievers "Cellar Door - Terminus Ut Exordium" (2014)

Hip Hop has changed, like all music it evolves over time, and for many fans of the golden/90s era the change is not embraced. Being a 90s fanatic this record gives me faith in its direction and makes me wonder where other acts like these are at. So who are The Underachievers? I have no idea, I picked up this record after hearing about it from the Needle Drop. With this being a modern record I was keen to listen in the hopes of finding something interesting and fresh, and this certainly was to my ears.

When it comes to rapping in Hip Hop its taken a backseat in recent years to the beats, and this record is no exception. AK & Issa are no rap gods, but there not half bad either, they both have a similar approach with fast and fluttery flows that can drift in and out focus with comprehension being a struggle at times. Either its the recording or mixing, or a bit of both, but at times it can be a bit fuzzy. At the same time their vocal style and recording really plays to effect when its done right, with the two dropping some decent verses in places. When it comes to hooks they know what they are doing, theres plenty of catchy ones throughout.

What makes this album shine for me is the beats, and in a way the production too. It's far from being a finely tuned and polished record, theres many muddy moments and inconsistencies, but it all works for effect. The sample selection is choice, accompanied by choppy momentous hi hats, crisp claps and snares and a subtitle bass presence, they build some great tunes with a fresh feeling about them. From track to track this album moves through many moods, from dark and paranoid (Chysalis) too uplifting and ethereal (Felicity), it keeps the listen enjoyable with much variety on display. This is a very enjoyable record!

Favorite Tracks: Luminescence, Caprice, Incandescent, Metropolis, Quiescent, Felicity

Rating: 7/10

Messenger "Illusory Blues" (2014)

I had the pleasure of catching this new emerging band at the union chapel in London supporting Casualties Of Cool. The setting was quite beautiful sitting in the pews of the communal church, the atmosphere in there was rich and absorbing and I found myself captivated by the harmonious aura their performance brought fourth. It didn't take me long to realize this was something special. Immediately after the show was over i headed to the merchandise stall to buy myself a copy of their album. Since then its been stuck in my CD player, and in my mind.

Messenger, and this album, have come out of nowhere to deliver us some exceptional Progressive music thats reminiscent of the great acts, from Floyd to Opeth, Porcupine to Genesis, there are influences to be felt in many moments, but through the similarities, Messenger really hold there own here. On this record they drift through many different musical passages with a strong melodic hold accompanied by some grandiose, honest vocal leads that resonate through the songs. Theres everything from dreamy, ambient passages, to heavy Zeppelin-esque riffs and its all beautifully bound together through some great musicianship, song structure and a great sense of melodic progression.

The icing's on the cake here. This album offers a lot to take in for the listener, and after many spins i am still absorbing much of the layered instrumentation. The recording here is befitting with no noticeable issues, however there are a few distortions i suspect where for effect in the heavier, riff oriented moments. This album is exceptional, i am liking it more with every listen and very glad i had the pleasure of seeing them live.

Favorite Tracks: The Return, Midnight, Somniloquist

Rating: 9/10

Biz Markie "Goin' Off" (1988)

"Hey mum, whats for dinner? Go up you nose and pick a winner!" If ever you wanted to set the tone and let people know not to take you to seriously, then opening with a song about picking your nose is the way to go! Silliness aside, Biz might be comedic, but he has a steady and charismatic flow that quickly draws one into the song and the album. Biz ain't no joke, even if the subject matter is.

The golden era Hip Hop is one i have great respect for, considering how much innovation Hip Hop has been through over the years, the formula is always the same, beats and rhymes. Its a reminder that nothing is dated. Biz's flow, with its old-skool vibe, is captivating and witty and the lyrical content is there even if comical at times, theres also some socially conscious rap on the track Vapors which is a standout track on this record.

The instrumentals on this record aren't quite as memorable as others from the era (ie Schooly D's PSK), but they serve the purpose well. Theres also quite a few snippets on this album that have been sampled by post-golden artists which is always a nice listening experience for keen ears. Overall and easily enjoyable album if your into the golden era.

Favorite Tracks: Pickin' Boogers, Vapors, Nobody Beats The Biz

Rating: 6/10

A Tribe Called Quest "The Low End Theory" (1991)

Where has this album been my whole life? Right under my nose. I've had this Hip Hop classic for years, yet it was only earlier this year i gave it a proper listen. And oh my, what have i been missing out on? A lot. I also found out after getting deep into this record that Tribe played their last live shows last year. I had no idea they were still playing shows. I am sore but lets not dwell on that. Lets talk about this wonderful album.

Tribe are an upbeat, positive Hip Hop group from Queens, New York who broke out the year before with the classic "Can I Kick It". This album represents a fitting evolution in the groups sound that gave birth to one of Hip Hops greatest albums of all time, The Low End Theory has the trio bringing there very best to the table. Q-Tip's production on this album is inspirational, every song has fantastic chemistry between the beats and samples that make for some memorable jazzy, grooving tracks that will get you moving (Sky Pager). Theres many choice edits and breaks to keep the beats feeling fresh throughout, which is an art in itself considering the repetitive nature of Hip Hop beats. 

On the lyrical front Q-Tip & Phife Dawg are at the peak of there game with fantastic street wise & socially conscious story telling songs that have many memorable lines that will get stuck in your mind  (Yo! microphone check, one two what is this?) . Collectively there flow is just right for these beats and you couldn't picture having anyone else on these tracks... Saying that, Busta Rhymes makes an welcome appearance on Scenario, the albums darkest track. All in all the chemistry here is on point as a Tribe at there peak deliver a Hip Hop classic.

Favorite Songs: Butter, The Infamous Date Rape, Everything Is Fair, Sky Pager

Rating: 9/10

The Art Of Noise "The Seduction Of Claude Debussy" (1999)

Being a Debussy fan its no surprise this album grabbed my attention. Having recently discovered this band through a dear friend showing me their classic "Moments In Love" song, I researched them and this being their last album, would be my first. Information available on this record quickly sucked me in, promising such a varied range of music genres and vocals from Rakim and John Hurt. I felt I had stumbled upon something great, and I had. As the album opened with "Il Pleure", a piece that gracefully sets the tone, It was sealed for me. After many spins later I can say may initial anticipation was not let down. This album is a stunning work of art.

This record is comprised of many musical styling that fuse effortless in such artistic form that you may wonder how these styles have not met before. The Classical sound here is the main focus, with a strong rhythmic presence of Jungle / Breakbeat that interchanges as the main focus in different moments throughout. Sally Bradshaw brings her Operatic voice into the frame, just another part of what makes this record so great. Her vocals take lead on "On Being Blue", her voice here and throughout is just sublime. Theres also a strong but generalized electronic presence here with all sort of synth & styles just further adding to the depth this album has.

To top if all off the album is wonderfully narrated by John Hurt, a voice many of us know well, who brings the theme of this record in place. Theres also room for legendary rapper Rakim in this album. I felt his appearance a little underwhelming, although his classic calm and collected flow was there, lyrically it fell a bit short for his standards, but then again this isn't a rap album and he fits in here just fine. All in all this is a stunning album, one I'm sure over time will be a classic in my books.

Favorite Tracks: Dreaming In Color, On Being Blue, Metaforce, The Holy Egoism Of Genius

Rating: 9/10

C418 "Minecraft Volume Beta" (2013)

When this album dropped it somehow went under my radar, as both a C418 and Minecraft fan, it bemuses me somewhat that I missed it, but i finally made the time, and time is certainly what it is. Clocking in at 140 minutes this may be one of the longest album I've listened to, and for all thats good here, its the length that bugs me. I like albums, I like the listening experience, but it is hard in our busy lives to dedicate that time without interruption. Perhaps this isn't an album as such though, I do believe these are the songs that play throughout the game, however my music setting is muted so I wouldn't know any better!

So whats on display in this album? A lot, theres 30 tracks of lush soundtracks for your imagination to drift into. From quiet moody ambiance to quirky melodic leads and dramatic symphonies, there is a vast range of emotion, style and beauty in this record. C418 has a vast range of instruments and they are all crafted with a character that paints his sound on even the most routine of devices. Every composition here is lovely, in its own way.

For all thats good to be said i felt there was a lack of direction or momentum that took these tracks anywhere. Individually they shine, but as a collective the album drifts through many quiet spaces that drown out the more memorable moments. This makes sense, its a soundtrack for a game where the songs will creep in and out at random, and for that its fantastic, but as an album it's not quite what I'm looking for.

Favorite Tracks: Aria Math, Dead Voxel, Alpha, Ballad Of The Cats, The End

Rating: 6/10

Sabaton "Heros" (2014)

Sabaton are a Power Metal outfit from Sweden with a focus & inspiration on true war stories from the two world wars and other conflicts. Hero's is there 7th album since there inception in 99. I decided to give this a spin after a recommendation from a commenter here on the blog. What i found was a decent record, but it is unable to turn me onto Power Metal, which i have already struggled to click with.

This album was a refreshing break from the magic and fantasy themes so commonly explored in Power Metal. War & patriotism  is a bit of a touchy subject for me, however i found the lyrical content to be focused on the tales of soldiers who gave there life's for a cause, and this for me was enjoyable, however on "The Ballad Of Bull" i found myself a bit bemused. "Sometimes war is killing, sometimes its saving lives, its the judgment of fate, its nothing that man can dictate" No, just no. War is killing, war is made by man.

For me, the music behind the theme was pretty decent, but nothing special, there were not many moments that "blew me away" or stuck in my mind, and the leads/solos are pretty forgettable. The highlights for me were the rhythm guitar which was always solid, and the vocals! Joakim Brodén has a really distinctive voice, and i enjoyed the way his Swedish accent would leave its mark on some words, yet not others. It added a nice flavor to his mark on this record. Overall, pretty enjoyable but Power Metal still doesn't quite do it for me.

Favorite Tracks: Resist And Bite, To Hell And Back

Rating: 4/10

Photek "Form & Function" (1998)

I found Photek through the song "Rings Around Saturn". It was the only song featured in a football managing game i used to play, it would spin endlessly as i enjoyed the fantasy of taking my team to the top and winning the league. Maybe through this i have attached some positive emotions to this song, but better yet i think its a masterclass track that never gets dull. Maybe over 10 years had gone by and i would still dream of this song, so one day i decided to dig around and find out who's song this was. With music so easily accessible via YouTube it didn't take me long to track down this album, which comprises of two sides, the first a remix of the second half which i have never particularly enjoyed and have always been a little baffled as to the reasoning behind this, the remixes in my opinion add next to nothing to the original tracks. The second half consisting of 6 unique ambient Drum N Bass tracks.

These songs all follow a similar principle, clean cut drum loops and abstract noises, together they create a chilled atmosphere and memorable hooks despite there being no melodic or vocal leads present. This is music striped down to effect. Tracks like "UFO" & "Rings Around Saturn" inject so much into this minimalist form, magic is born from the intricate workings of drum samples that have been broken down and reformed with exquisite detail and glittery rhythms that drill deep into the mind. The is so much soul and craft on display in Rings, with beautiful abstract sounds resonating in and out of focus, providing such a dreary, trancy ambiance that is heavily contrasted, yet complimented by a ever restless drum sequence. UFO offers up some sublime sub bass drops that guide the drums through some eerie and alien sounds. Theres also a fantastic sample of a person reporting they are seeing flashing lights in the sky that really sets the tone well for this track.

All in all there are some sublime tracks here, but a lack of consistency, with just 6 songs and 6 remixes this one really falls short for me on the album listening experience. Rings Around Saturn is a true masterpiece i will never grow old of but the rest of whats on offer just falls short for me.

Favorite Tracks: Knitevision, Rings Around Saturn, UFO

Rating: 5/10

Napalm Death "Diatribes" (1995)

Napalm Death are a legendary, British and massively influential band in the world of extreme music, I'm quite unsure as to when it was i first discovered there music, but over the years i have grown very fond of there music and have found their discography to be quite varied. In the early days they were pushing the boundaries of sound with their sonic noise oriented Grindcore, and over the years they have dabbled with Death Metal, Grove Metal and other extremes. This was a record i had initially avoided after reading negative reviews, but having now grown to love this record i realize the negativity mainly stemmed from fans unhappy with a change of direction in the bands sound.

The album is not the most sizable of shifts in sound from 93's "Fear, Emptiness, Despair", a much darker, punkier vibe. Diatribes shifts to a clearer, more approachable mix, the drums are calmer (for Naplam) and adds some real kick to the grooving riffs that pop up throughout this album. Groove Metal may be the best genre to describe this record but doesn't give Napalm much credit for the variety this album offers.

There are many grooving head banging moments, but also its fair share of snaking riffs, atmospheric tracks like Cold Forgiveness and general variety in approach and style from track to track that gives this one a lot of replay value. Theres plenty to enjoy here for a fan of Metal and i have to mention a track "Finer Truths, White Lies" from the Greed Killing EP. Probably there best track of this era, a real bouncy thumper. I have no idea how i didn't make it onto the LP.

Favorite Tracks: My Own Worst Enemy, Just Rewards

Rating: 6/10

Fever Ray "Fever Ray" (2009)

Its always good to challenge yourself musically, In a search for some music out of my "comfort zone" i actually discovered something perfectly suited for me. This is Swedish singer/song writer Fever Ray's debut and only album, and its a work of art! Having recently discovered she is one half of The Knife i have certainly found something new to listen too, but lets talk about this record first.

This album represents an artistic craft of sound and soul, there is an air of ambiance and minimalism that is built out of detailed constructs of layered instrumentation extending through the rhythm, bass and synth in perfect unison. It produces some beautiful and memorable atmospheres that brings new understanding with each listen. Fever's voice glides over the gentle, absorbing instruments with a raw, charismatic charm that drives home the winning formula this album has.

This album provides many "moments" both lyrically and musically on this album, the lyrics are almost child like at times with Fever often focusing on the simplicity of wants and needs, with no consequence of reality. They make for some relate-able and memorable lines. There's also some great simple synth leads and hooks that jump out of the track and strike with such great timing to really drive home the tracks when they are at there peak. Fantastic songwriting.

Favorite Tracks: When I Grow Up, Triangle Walls, Concrete Walls
Rating: 9/10

Abnormality "Contaminating The Hive Mind" (2012)

In the Death Metal scene today there is a constant flood of new and emerging bands that, in my opinion, don't really offer much to the genre, or particularly go anywhere new or interesting. I thought Abnormality were one of those bands, I found there song "Monarch Omega" when browsing through the endless music videos youtube offers. Despite really enjoying that song, it took me some time to give this album a shot due to my prejudices with the scene.

Having finally got around to giving it a listen, i found was a solid record, one that doesn't try to be anything more that what it is, but delivers some memorable tunes. There is a very enjoyable creative approach to the riffing here that borders experimental at times, but doesn't stray to far from the bounds of the genre. It's a pretty typical Death Metal album, but it has an edge that will make you return when in that whiplash mood.

The recording of this album is crisp and clear, but nothing special, the guitars can be a bit muddy at times but overall the cohesion is good on these tracks, the drum kit has an especially punchy tone and a strong and pummeling presence in both the mix and the songs. Overall this is an easily enjoyed record.

Favorite Tracks: Monarch Omega, Taste Of Despair, Shooting The Messenger

Rating: 6/10

Casualties Of Cool "Casualties Of Cool" (2014)

Casualties Of Cool is a concept album by Devin Townsend & Ché Aimee Dorval. Being a big Towsend fan i was pretty excited for this album, however i have found myself distracted and have only gotten around to listening to it properly this week! At first listen i was quite impressed, but with further listens i found this record to lack the depth that would bring me back to listen again.

This record has a warm and loving tone soaked in re-verb and ambiance that very much compliments the voice of Dorval, however beyond the tone and sound there isn't much going on musically that is really interesting to me. Having listened to Ki & Ghost many times over i wonder if Devin's ambient charm has worn off on me with this record, but i don't think its that, there really isn't a lot of substance in the songs.

The opening track "Daddy" shows everything this record has to offer, but every track after this just continues in the same vibe with no "moments" like in this track where Dorval comes in with "Two by two they pass you by". Its the only part of this record that sticks in my mind, and with the 14 tracks that follow it doesn't happen again for me. Lovely sound, but something was missing in the musicianship for me.

Favorite Track: Daddy

Rating 4/10

Chelsea Wolfe "Pain Is Beauty" (2013)

This "review" is premature, i often like to reach a point with a record where i feel the music well and understand it. Right now I'm excited and drunk on the nectar of a new sound, a new niche has been carved in my mind. I don't yet fully understand it, but I'm entranced by its beauty and want to share it with the world.

The music of Chelsea Wolfe was recommend to me by a friend and all i know of her at this point is her music. She's got a stunning, ghostly voice with much passion and sadness that drifts like morning fog trough instrumentals so curiously poised between contrasting instrumentation that paints its own eerie and haunting place in time. This record has as a listening experience has been fruitful with 12 deep, rich and varied songs that are a pleasure for keen ears.

Juxtaposition is the theme that hits me hard on these tracks. There is a unique balance in the song writing, where the uplifting, more positive instruments can be offset by a contrasting sound or use of re-verb / low-fi recording techniques to create an eerie and unsettling undercurrent found throughout the songs in this album. Chelsea's ethereal voice soaks these tracks with emotional deeps that give me goosebumps every time. The instrumentals here are unlike anything I've heard before, and her voice trumps it all.

Favorite Tracks: We Hit A Wall, The Warden, Sick, Kings

Rating: 8/10

Panopticon "Roads To The North" (2014)

Black Metal has a strange characteristic, diversity. For a genre so dark, aggressive and rebellious, it is quite amazing how varied its sound is and how many other styles have been successfully fused with it. Maybe the musical boundaries it pushed were big ones. Either way it is often i am listening to a new Black Metal record and hearing something new and interesting. This record is a great example.

Panopticon brings some unique diversity to the "folk" element which is no stranger to Black Metal, however here the folk isn't viking or Norwegian as we have often heard it, Panopticon is from a mining town in Kentucky and brings the sounds and instruments of their culture into the extremes in perfect harmony. The opening of the 3 part epic "The Long Road" an instrumental folk piece, brings you into the heart of a mining town, only for the drums to tear into a blistering blast beat in part 2... and it works!

This record not only fuses the folk element into Panopticons sound but each of the songs bring riffing styles and techniques from all across the metal spectrum. The opening track brings riffage reminiscent of the Metalcore / Deathcore era from a few years back and there are moments of Melodic Death Metal throughout. This record displays fantastic musicianship and has me seeking out further material to enjoy. A recommendation to any Black Metal fan who likes the less traditional sounds it can bring.

Favorite Tracks: The Long Road, The Echoes Of A Disharmonic Evensong

Rating: 7/10

Aeons Confer "The Soul Of The Universe" (2003)

This may just be one of the best records you've never heard in the world of symphonic black metal. Aeons Confer are a German band who's brief activity in the early 2000's yielded 2 EPs, this one being the first. Clocking in at just 17 minutes across 6 tracks this record delivers 3 blistering, thrashy and aggressive tracks that execute a sublime balance between the progressive metal elements and the symphony that moves from the background to the forefront effortlessly. Along side these are 3 symphonic interludes that really thicken listening experience and enrich the astral theme this band deliver.

This EP is a tight execution of some very well written songs that have stuck with me as a favorite for over 10 years. When i discovered this record Aeons Confer were a localized band with a website i some how managed to stumble across. Since then they have been a lost gem, unable to obtain there second EP release in late 03 they have been a band i often check back in with and search the web in hop of finding there second release.

It seems very fitting that on this day that i write my thoughts on a record, that has given me 10 years of listening pleasure, that a search reveals they have got it back together and released a new album and the Mirror Heart EP on bandcamp. I am very much looking forward to hearing them both :-)

Favorite Songs: All

Rating: 8/10

Opeth "Pale Communion" (2014)

This review will be short and sweet. Over 20 years Opeth have delivered 10 fantastic albums, all staying true to there unique vibe that is immediately identifiable. This being there 11th album, is one i had strong hopes for, and they were certainly met.

This album is their second without the death metal element that once made them stand out from other bands and the reality is its not missed. Opeth know how to write music, whatever pallet it is with. Pale Communion sounds like a mix of Heritage and Wateshed, with a more matured sense of pace and progression. In a nutshell, its exactly what you'd expect as an Opeth fan.

Favorite Songs: Moon Above Sun Below, Goblin

Rating: 4/10

Erang "Another World Another Time" (2013)

If i remember correctly, I discovered the music of Erang through a PM on youtube. This was just when Erang released his first album and it is always nice to get a recommendation, but its something a bit more special when you can communicate with the artists directly, one of the many great things about this internet age. Since then i have closely followed and enjoyed everything hes released.

I picked this album to review because its my favorite, make sense right? Its also the most important Erang record from my perspective. On this record the musical themes and sounds of  the "Tome era", the ambient, eerie dungeon synth, evolve, flourish and become much more matured. This progression continues with the next two albums, but for me here is where it started.

Dungeon Synth is an unrealized genre, for its untimely history and nieche. I find it difficult to describe in words where this music goes, probably because it is "other worldly" and ancient. The appeal is in the mystery of what and where these forgotten places are, and Erang on this album and beyond really expands on where this genre can go.

Favorite Tracks: The Kingdom Of Erang, The Foresters Grandson, Forever Lost In An Endless Dream

Rating: 6/10

A.C. "Prophecy For Profit" (2011)

I was standing outside a venue with friends, waiting for Public Enemy when A.C. approached me and my friends asking if we wanted to buy his CD. I was pretty reluctant after having brought some awful records from MCs at gigs before, but he was persistent and sold us a CD for next to nothing. The next day i remembered about this, put the CD on and was genuinely blown away. 

The UK hip hop scene has a vastly different sound and approach to the states where hip hop originated, and its a sound i have never strongly gravitated to. With this record A.C. has taken the raw style of a British MCing and found a balance with Dead Man Walkings sample heavy 90s-esque beats. The result is genuinely impressive, a unique British hip hop sound not far from the golden era.

Between the sound there is plenty of substance, DMW delivers plenty of memorable beats to accompany A.C.s social-political commentary and memorable lines. This record is fantastic but as a whole there are a few week tracks, but the good ones shine like stars. Id also recommend checking out the video to "Sometimes I Wonder" its filmed on his camera phone, kind of impressive in its practicality.

Favorite Songs: Real Grafters, Sometimes I Wonder, Allow That, Music Ain't The Revolution

Rating 7/10

Monstercat "018 - Frontier" (2014)

I wouldn't say I'm a fan of dubstep. Theres much i like about it, for example the aesthetics of the grooving bass wobbles, squeaky clean production and in general the flexibility of electronic music. However most dubstep i have listened to as felt so stale and limited, i would call it "skrillex worship", mainly mimicking the techniques used in his records with not much artistic intention. This record is certainly not that, which was what i expected when it started of with a poppy tune with an uninspiring drop, however as the songs progress through compilation there is a nice variety of dub styles and some very enjoyable tracks with the occasional swing into the drum step genre. What was enjoyable for me was the variety and presence of true musicianship in a genre plagued with amateurs using VST presets. There are a couple of darker tracks with some distorted guitar too, something i always gravitate to. Overall this listen made me feel like I've been looking in the wrong places for electronic music.

Favorite Tracks: Moving On, Breakdown, Night After Night, Gunmetal Black

Rating: 4/10

Gustav Holst "The Planets" (1916)

One of my favorite all time compositions. This is a masterpiece you may not have heard of, but would certainly know a fair few songs from as they are commonplace in many big movies. Often in cinema classical music is the guiding drive for emotional and climactic scenes which many viewers seem to under appreciate. If you like classical or not, we could probably all agree in this day and age its not popular... The point i am trying to make is that its unappreciated by an audience who may not realize how often they hear it (movies & television). I don't think there is a more approachable and likeable piece than "The Planets" if you are ever curious in listening to classical.

So onto the music itself, the concept of this music is no secret, as the title would tell you, here we find 7 compositions deeply inspired by mysteries of the planets beyond our own. What i love most is that the themes don't focus on mystery and wonder, but dive into themes of exploration, conquest, honor and pride. When i listen to Holst's sounds i feel like he has been to each of the planets, and through the music is able to tell us about each of them. I can close my eyes and see the planets up close and personal. Truly a work of art.

Fun fact: Pluto was discovered in 1930 but Holst had no intention of composing a new piece for it.

Favorite Tracks: Mars, Jupiter, Neptune

Rating: 9/10 

Skee-Lo "I Wish" (1995)

When i heard Skee-Lo's "I Wish" single on youtube i instantly liked the song, it was a simple straight forward radio friendly hip hop song with good production and decent rapping, i didn't seek out the album straight away as the vibe of the single gave me the impression that Skee-Lo was in a record deal to push a radio friendly record for sales. When i finally got around to getting the album and giving it a listen i was more than presently surprised, Skee-Lo is a talented rapper with a very warm and likeable flow. His lyrical content is decent but his honesty in tracks like "Never Crossed My Mind" & "Top Of The Stairs" is a really nice break from the more common image oriented "boasting" found in rap.

What makes this record a hit for me is the production. Behind Skee-Lo's likeable sound is some tight and approachable production from Walter Kahn who does every track on the album. The vibe overall is more 90s west coast, with ghetto whistles and sequenced beats, but there is a welcomed variety of hip hop sounds everywhere in this album, even an east coast track "Waiting For You" & a jazz-hop track "This Is How It Sounds". The sampling choices are great, i especially enjoyed hearing some Isley Brothers in the mix.

Skee-Lo & Walter together have made a really approachable and enjoyable record here with no filler. A recommend for any hip hop fan.

Favorite Tracks: Superman, Come Back To Me, Crenshaw

Rating: 7/10

Yagya "Sleepygirl" (2014)

Yagya is a producer from Iceland whos approach and execution of ambient electronic music is unlike anything else on offer out there. His style is as distinct as it is lush and dreamy, you could describe this as "ambient techno" with some influences of dub and ethereal sounds, but in between these familiarities is where something unique emerges.

Sleepygirl is exactly what i wanted from a Yagya record after being slightly disappointed with 2012's "The Inescapable Decay Of My Heart" which has actually grown on me a fair bit overtime. 12 tracks of sleepy, dreamy soundscapes guided by steady paced bass drums kicks that fuse with some minimalist leads that resist evolution and keep you locked in the space between the sounds. The inclusion of some vocals in places are well received as they fit into the ambiance much better than Yagya's previous effort. There are no negatives for me here other than a lack of a standout "moment" or favorite track, but then thats really not what this record is about.

A final note, i especially like the album cover on this record. To look at art is to be held in its moment, never moving or progressing and i feel that is a quality of Yagya's music that is reflected by this cover, which keeps me intrigued as to the meaning of the two triangle sections of cloud.

Favorite Song: None

Rating: 6/10

Dimmu Borgir "Spiritual Black Dimensions" (1999)

For my first post it would be only fitting to start with my favorite record, When i was a teen i was into the nu-metal and hip hop that MTV & VH1 were pushing at the time, but curiosity got hold of me when a friend in an online community pushed me in the direction of extreme metal, Dimmu Borgir, Meshuggah & Emperor for example were some of the bands i started taking an interest in. I was completely taken back by the extremity of force and aggression used in this music, it was unlike anything i was used to and it didn't take me long to become fascinated with it. This record was my 2nd or 3rd Borgir record i ordered from nuclear blast over the internet, and having only heard the opening track before i was quite shocked by the wall of sound that bombarded my ears at first listen, it took me a few more to adjust and behind that symphonic wall of sound was a musical masterpiece that, by my speculation, goes unnoticed even within the bands own fan base.

This album is 9 tracks of dark and blissful, majestic musical compositions that inspire awe and wonder every time i listen to it. The themes and sounds explored in this record are other worldly, and resonate a vibe of a place lost between life and death, it goes to a place no other record does. The music is directed by some powerful and deep lyrical content that really melds with the music. The overall sound of this album is crisp and warm with that "wall of sound" feel. The guitars are solid and packed with fantastic riffage, Astennu's lead guitar work on this record ads a haunting and chaotic flair, something i miss in later Dimmu records. To accompany all thats good I've said so far, the piano and synth work on this record is sublime and is the backbone of what makes this such a special listening experience, there are countless "moments" in this record of which Mustis's elegant key work is usually the highlight. The song structure across this album is mixed, and it feels like the band know exactly what there doing when they chose to progress or stick to simpler structures. Overall there is plenty on offer on all fronts here.

I doubt anyone reading this will enjoy this record as much as i have, but i assure you there is something very magical happening within those waves of sound bombarding your ears... let me leave you with a quote from my favorite song on this album, and of all time :-)

"Oh, dreadful angel of mine

Enrich me with the vastness of your being

Rigid father, teach me how to comprehend

I'll commit myself to understand

 For i am the accomplice"

Favorite Songs: All

Rating 10/10