$uicideboy$ "New World Depression" (2024)

 

Slick Southern Rap duo $uicideboy$ return afresh. Having built a cult fan base from the ground up, New World Depression marks another benchmark, their highest billboard charting to date! Impressive, but not reflective of the albums substance. Spending weeks with these cuts, Ive felt the sparkle fade gradually. Now accustom with their dreary tuneful sing-raps, slanted Southern cadences and difficult topicality, their routine of snappy beats and weighty rhymes fizzles into just that, a routine.

The closing stretch catches my ear. Covering U.N.L.V's classic Drag Em N Tha River makes for a memorable shift in tone. Stabbing string jabs and a jarring piano riff mixes up the mood. Its proceeded by the records darkest and best track. Us Vs Them ushers in criminal melodies mustering a tone for stealthy mischief as the pair rap devious carefree threats. The Thin Grey Line indulges in a similar mysteria, the beat conjuring conspiratorial vibes for the duo to exchange their sharpest flows.

Mostly dabbling with moody, glum instrumentals, brief moments of insightful lyricism fall between the cracks of boisterous showboating wordplay. Relatable messaging of struggles and drug abuse dull as a result. Previously their words soared. Its either familiarity or the routine I alluded too but New World Depression simply entertains before fading from consciousness. Competent record, but lacking a fresh spark.

Rating: 6/10

My Top 10 Music Discoverys In 2023

 
Another year, another remark on changing habits. Last year I wrote the more posts than ever, this year I wanted to tone that down and be selective. A lot of my discoveries have been through playlist exploration on Spotify, with less getting the album treatment I would then bring to the blog. Despite that, these new unearthed artists have been solid, with perhaps one exception...

(10) Sleep Token

As the currently hyped band in Metal discussion circles, I was strangely not impressed by the metallic elements on display. It was the singers expression, demeanor and passion that slants in other directions. This is what found me about their music. Are You Really Okay? is the one track that gripped me deeply and happens to be the albums least popular. On that song, I hear a intense meaning, with gravity and weight to it. I'd like to hear them lean into that more.

(9) Bal-Sagoth

There were many more records than the one I covered here, Bal-Sagoth have a fun, fantasy slash cosmic breed of Symphonic Metal. I've now found my way in and could of explored their back catalog. It would have been fun to write about but with a narrow evolution across the years I decided to leave this one brief.

(8) Apashe

This record is on the cutting edge of expression, pulling from opposite ends of the musical spectrum and finding genuine harmony. Apashe even pulls in some rappers to rhyme on his Classic EDM mash ups. Its brilliant, one artist I will be following closely in the future!

(7) Marconi Union

Discovered via a podcast on dealing with anxiety, the Weightless composition embodied all I've heard and loved about ambient music's calming magic. I've not gone much further than the one album but this discovery was a blessing and it firmly anchored the idea of having "go to" music for when feeling anxiousness creeping in.

(6) Këkht Aräkh

A love letter to early 90s Black Metal, Ukrainian one man band Këkht Aräkh actually pulls off the impressive act of avoiding nostalgia and capturing the magic of that era. You could slip in some of these songs alongside Burzum and Darkthrone to an unsuspecting friend and they might not be none the wiser!

(5) Gunship

It was a good time to get into this Synthwave act, as later in the year a new record after a five year gap would become a favorite! This duo left Fightstar with a clear musical vision that;s made for some fantastic neon lit nightlife vibes. Synthwave can quite often feel tired and cliche but this pair made it feel fresh again!

(4) Health

I'm late to Health. They have been around for sometime. Somehow I didn't get pulled in to recently and although I'm not head over heals with their sound, it has a real persuasion when its not your soul focus but the mood setter. In that environment, the downtrodden dystopian atmospheres weigh powerful and heavy.

(3) Potatohead People

Jazz Hop has been re-imagined by many with obvious techniques and tropes, so I was surprised to hear this duo escape that fate. Its a familiar feeling yet this pair of producers bring class, adding in expressive instrument leads between the melodic beat loops. Top stuff.

(2) $uicideboy$

Another double act, these two are a calling cry for an overlooked generation. So much topicality speaks to the struggles of those worse off in a supposedly wealthy society. Themes of mental health and drug abuse are so open and honestly spoken about, its hard not to be drawn to the positivity that comes from facing these demons openly.

(1) Janelle Monáe

This is what kicked my year off, Archandroid! Its been with me ever since. I rarely give a 10 to something that isn't from my formative years. Only three records or so records within the liftime of this blog. This album certainly challenged that form, what a fantastically eclectic assembly of lively sounds, driven by catchy, meaningful words to tie its animated energy together. Janelle has since recreated this genius only  in flashes but in this moment its pure class. Bravo!

$uicideboy$ "Shameless $uicide" (2023)

 

Recently Ive brought myself up to speed with this duo's trio of full length efforts. Its been a mixed bag of tricks, reeking with potential yet lacking a firm stride. Unsure of where to navigate next, its seems Ive lucked out! This latest EP, dropped two months back, struck indulgent vibes. Their difficult subject matter lures suffering into mellow relief through dreamy instruments drifting over the steady slam of crunking drums.

 Ruby & Scrim bring their best, strong vocal tunes with sway, elevating their unapologetic raps into breezy melodies. Its a wild wrestle, a mastery of struggle yielded to a cathartic escape through expression. Something retro and summery also lurks among this gritty percussion. Flirting with cheesy, stark synths and cloudy electronic melodies, they conjure a laid back allure among the dark topical chaos.

At the mid point things turn nasty, leaning into violence with gun sounds and grizzly beats, peering into the bleak. The bass bangs with deep sub resonating underneath bussing drum patterns, an apt chemistry to house such grimness. The pair, along with guest for the record Shakewell, lean into nasty gangster braggadocio to great effect!

Some of their sharpest raps arrive among these two shorter cuts, before the moods mellow out again. For me, the melodic sung raps shone brightest. The change in pace works but that's where the magic sparks. I really enjoyed this. When each song clicks, it suits my preference for a cohesive collection of songs over randomized playlists.

Rating: 6/10

$uicideboy$ "I Want To Die In New Orleans" (2018)

 

$uicideboy$ rock a rapid release schedule that signifies a different approach to distribution. Since 2014 over forty or so EPs and mixtapes have emerged. It creates a daunting task in search of there best material, yet its where their most popular songs reside. I'm unsure of the significance the album format offers but this debut arrives with a clear concept to tie in their notoriety with home state Louisiana. Interlaced with locational references, tales and affirmations, the radio and news snippet interludes grounds a grizzly reality, illuminating the harshness of growing up in the south.

Sadly, my experience has been a dull one. On this debut record, both the gritty horrorcore beats and harrowing rhymes lack a sharp potency they land with on later projects. The sullen moody aesthetics and unabashed honesty with difficult subject matter remain in tack. Their vision is evident, a distinct individuality reaching out yet those infectious sung hooks and energized flows are yet to be honed and harnessed.

The record feels tied closer to its cultural roots with many southern tropes lining the instrumental design. Vocally, the pair drift into lazily spoken registers. Dull, softly delivered monotone raps distract from the subject matter itself, unenthused in nature but sometimes seeming conceptually relevant in a defeatist sense of overwhelming struggles. Despite analysis, the stars did not align for this listener. Clearly the foundations have been laid. In this manifestation, their expressions failed illumination.

Rating: 4/10

$uicideboy$ "Long Term Effects Of Suffering" (2021)

 

Following up on Sing Me A Lullaby, My Sweet Temptation, this prior sophomore record has solidified my warmth for this duo. Where the last album swayed in quality, Long Term Effects Of Suffering hits focused! A dreary, creepy crawly mood permeates as slick aesthetics provide the groove and enjoyment. Glued together by themes of personal pains, the sullen, bleak, rain soaked atmosphere sits front and center.

A few tracks offer a slight respite. 5 Grand At 8 To 1, New Profile Pic & Forget It drift into warmer tones with tonal echos of Jazz Hop emerging under its trendy Trap percussion. Then there is Bleach, leaning face first into the flames, embracing the burn, a gritty banger to say the least. Whats left explores a broody melancholy, reminiscent of Emo Rap when wearisome acoustic guitars and glum pianos emerge.

Consistently across its lean thirty minute duration do the percussive arrangements delight. Noticeably apparent on this outing, its snare kick grooves are elongated. Occasionally lethargic and sparse as shuffling hi-hats offer erratic pitch shifting patterns in the space between. Done right here, it challenges the usual 4/4 loop of Hip Hop beats. The cohesion with instrumentals is fantastic despite a strong contrast.

Stars of the show, Ruby Da Cherry and Scrim, offer brutal honesty with their personal struggles laid bare. Its a topicality expected, however consistency really elevated the message. Shared experiences offer relief, forge connection and its hard for their openness not to endear. Last time the stints of braggadocio broke up the flow. This time they forged a fine album that you want to play from front to back each time.

Rating: 7/10

$uicideboy$ "Sing Me A Lullaby, My Sweet Temptation" (2022)

 Hailing from New Orleans, this independent Rap duo made quite the impression. Muddying between Horrorcore and Cloud Rap, their dark leaning beats and heavy subject matter had its familiarity while introducing new ideas to digest. Its mostly the flows of Scrim and Ruby da Cherry who consistently captivate. Their distinctive navel voices and tight rapid flows hit rhythmically with snappy timing. Endeared by creativity, the shuffling of pace and pitch keeps things exciting. Best of all, the pair have an ear for melody, transitioning into catchy sing raps frequently that nail the mood of a song.

Instrumentally, the variety is decent, delving into different Southern styles with echos of Memphis Rap and the sluggish distortions of Chopped And Screwed. The sampling pull on the esoteric and obscure with odd sounds twisted into solid Rap beats. The darkest moments pull on brooding pianos and melancholic strings, the likes more suited to depressing Classical. Great to hear such an eclectic source of sounds. Of course, its loaded with darkly samples and snippets to beef up the grizzly atmosphere.

The subject matter wades through its share of typically misogynistic boisterousness. Between the showboating emerges a handful of tracks with difficult subject matter, addressing emotional ills, mental health struggles, drug abuse and urban trauma. The expressions are endearing, honest and laid bare, tackling the difficulties of life from personal darkness. Although a fantastic introduction, Sing Me A Lullaby, My Sweet Temptation has waned on repetitions but I've found a few songs to return too.

Rating: 6/10