Showing posts with label Spiritbox. Show all posts
Showing posts with label Spiritbox. Show all posts

Saturday, 22 June 2024

Spiritbox "Rotoscope" (2022)

 

Succeeding their stunning debut Eternal Blue, this lively three track EP stands apart with a unique embrace of dance groove rhythms and EDM. Stepping aside from Ethereal atmospheres, two step grooves and subtle modern synths intertwine to bolster pummeling Djent guitars. Title track Rotoscope embodies this best, concluding with a burly monstrous break down to contrast its persuasive dance floor energy. 

Sew Me Up hints at heavy, guitars start with a stomp but swiftly pivot into the magic of LaPlante's voice, sailing into heavens. It too finds an outbreak of aggression, led by a rhythm section that syncopates to thuds with aesthetic satisfaction. Hysteria withdraws from these ideas somewhat, feeling like the typical track of the bunch yet ends with an utterly filthy and devastating, disgruntled song deconstructing break down.

From the outside listening in, Spiritbox achieve clear creative distinction here, a succinct snapshot of musical vision yet seemingly unfit to develop further into a full album. Its a curious approach for a Metal band, to focus on singles and individual songs. I'd originally glanced over a lengthy list of singles, assuming they were on an album so now I'm going through it all and this one turned up a couple of gems!

Rating: 5/10

Sunday, 16 June 2024

Spiritbox "Spiritbox" (2017)

 

Four years prior to the brilliant Eternal Blue, then duo Spiritbox arrive fresh on this self titled debut EP showing glimmers of whats to come. Yet to figure out the nuances of their engrossing Ethereal aesthetics, singer Courtney LaPlante spearheads all melodic magic. Melding over a tempered Djent framework, she steers the dense, chunky guitars to tuneful inclinations, an elevating croon in its atmospheric strides.

These remarks speak mostly to The Mara Effect split into three parts. The other four cuts slip into genre norms. Aggressive outbursts led by frustrated shouts conjure atypical riffs. Powered forth by programmed drums, this writing sounds creatively constrained in counterpart to the shimmering sways of ghostly melody heard early on.

The Beauty Of Suffering embodies this as the sways between their two sides of expression feel detached from one another. As the rhythm section descends into a blatant borrow of Meshuggah's iconic Bleed riffs, it becomes all to obvious they are yet to mature their own identity. I'm not sure I would of heard the Spiritbox spark listening to this record first. Cast out of an evolving Djent scene, its not entirely clear what here would separate them from their peers, despite being a decent listen.

Rating: 5/10

Thursday, 11 April 2024

Spiritbox "The Fear Of Fear" (2023)

 

From the outset The Fear Of Fear expresses itself as a heavier incarnation, casting aside the delicate yet persuasive balance of intricate Etheral aesthetics that graced the moody lulls of its successor Eternal Blue. In what feels like two steps back, Spiritbox trade in their originality for trendy heavy tropes and poppy song structures that are all to familiar. When leaning into aggression and brutality, the sways of exuberant Djent abuse takes hold. Slams, breakdowns and stomps arrive throttled and ferocious but tend to swallow up the intricate details other instrumentation offers from the dense lurching shadows. When LaPlante gets to salivate on the throws of her melodic contributions, the tone shifts somewhat in the direction of Bring Me The Horizon's now mercilessly copied Pop Metal blueprint. A sore disappointment.

Despite many repetitious listens, this record couldn't grab me beyond the gravity of its darkest plunges into metallic weight. Sadly, that rhythmic assault has become an all to familiar formula forayed by many bands before them. The record is split about 50/50 between this beast and its lighter side tarnished by a heavier wall of sound tone. These stints of color didn't have the sparkle heard before either, its easy melodic lines and soft ascending singing seem to drift by on cruise control, competent yet oddly forgettable. Sadly, it seems the band lost that unique character they had last time out. At least they are not repeating themselves as artists and trying new things.

Rating: 4/10

Monday, 1 April 2024

Spiritbox "Eternal Blue" (2021)

Somehow once deaf to their charm, I initially passed on Eternal Blue. Returning now a few years later, I've cracked what in retrospect seems so obvious. Music can be a mysterious beast at times but familiarity is often its remedy. Burning these songs into my consciousness, Singer Courtney LaPlante emerges the anchor. Her clean voice sails through turbulence, resolute and ascending. With a firm and graceful tone, she cuts through tensions with swooning melodies and hooks that shape up akin to Dream Pop. On the flip side, I found her throaty Hardcore leaning scream aesthetic less charming. Caught in the throws of timely aggression, its a fiery combo but whenever laid bare to its many calmer backdrops, the strained roar doesn't shape up to well.

Spiritbox's other strength is firmly rooted in aesthetic driven songwriting. Unlike other Metal bands, they are willing the dwell on calm Ethereal moods that flutter by on the wings of shimmering instrumentation, both electronic and acoustic intertwined. As a result, their aggressive Djent riffs play like a natural emergence from the climax of craftily brewed tensions. A reflexive jolt of force, less "riff" more feel. This approach lets the guitars drift in and out of focus, joining an ever morphing landscape of shadowy calms and gripping tensions that follow through on an emotive narrative.

I adore this atmospheric approach to Metal. Between the conventional surges of groove and aggression, Spiritbox shape up nightly mirages of warmth tinged in a dreamy ambiguity teetering on darkness. With a soothing voice, LePlante rescues its darkly direction, yet in another breath her pelted screams plunge us into that chaos. Exploring its ying-yang, both sides of the line are ventured, these songs brilliantly sway across. Picking a favorite among its twelve cuts is hard, a sturdy forty minutes that rarely falters. One of the best "new" Metal records I've heard for some time.

Rating: 8/10