Alice In Chains "Alice In Chains" (1995)

With a distinct shift in style from the likes of Dirt and Facelift, American Grunge and Metal outfit Alice In Chains throw a lot at the wall but little sticks. This self titled release has a clear artistic intention to not repeat themselves, however most of the differing ideas still feel experimental and without cohesion. Most of the music slips into a sludgier, gritty tone with a slow Doom Metal like tempo and atmosphere dominating the vibe. Its on these tracks like the opening Grind we hear a stylistic template that would stay with them to this day. The other half of songs unfortunately fall folly to this lack of glue in the experimentation as some ideas don't gel well.

Its Staley's last studio album with the band and he is somewhat subdued with a lack of those roaring hooks that would soar and sink into you like an infection. His voice is strong and capable but mostly matches the tone of these droning tracks. There are some clear experiments to reach new avenues with his singing, trying different inflections, Nothin' Song being a clear example of both lyric and execution feeling far from the grain. This also extends to Cantrell's riffing style too, mostly its temperate, slowed and washed out grooves creating slow sludgy grooves but these inflections of Country tang and Blues Rock feel off beat when they cut in suddenly.

There is a lot of good, slow moving and moody music here but the chemistry isn't ripe. If this were by another band I may have enjoyed it more however the bar had been set so high. There is also this linger feeling in the music that the band later nailed these sludgy concepts after finding DuVall. Its context given the year may yield it more significance in terms of originality but as we reach the end of this little revivalist journey I am left a little disappointed. It has its moments but at sixty five minutes you have to wade through lengthy songs winding around the main theme to find them.

Favorite Tracks: Brush Away, Head Creeps, God Am

Rating: 6/10

Alice In Chains "Jar Of Flies" (1994)

It seems that between albums Alice In Chains liked to release acoustic EPs, the former being Sap. I had actually gone into this thinking it was a direction change full length, with a mind for curation. Much like the current trend of short, high curated projects, Jar Of Flies has seven songs, a couple with distortion at just thirty minutes. Its all killer no filler and the emotionally wrenching magic it possess leaves one feeling like this should be seen as no side offering but some of the bands best music.

Once again the band let their Americana and Blues Rock influences flourish, mustering humid flows of steady paced and gorgeous, glistening acoustic toned instrumentals for Staley to take stage. He does as he does, pulling on your heart strings with a lonely despair and sorrow, bleeding his quiet suffering from a camouflaged voice. His delivery roars with a vulnerable power that lures you in with its catchy flow yet all that awaits is pain and darkness. The "My privacy is raped" line on Nutshell is particularly haunting. Its a line stuck in my mind for weeks.

Its the beautiful dichotomy of stunning, serine music and searing raw pain weaving this dazzling darkness again. The musicianship is sublime, tones of lucid arrangements oozing with inspiration as ripe guitar leads flow and complimentary instrumentation like the timely use of strings seem to arrive on time effortlessly in these songs. Its not without weak points however, from one to the other their is diversity in flavor and its last two tracks drop off from the path set beforehand.

Swing On This feels like a leftover idea from Dirt hashed together with some swashbuckling acoustics. Before it the soft and delicate Don't Follow with its Country tang guitars and harmonica doesn't quite resonate in the beginning with Cantrell's voice. The first five however are emphatic, Rotten Apple making a mark as their longest track to date. The whole project feels so deserving of a full length, the group nail this style almost as well as their grooving distortion songs.

Favorite Tracks: Rotten Apple, Nutshell, Whale & Wasp

Rating: 7/10

Alice In Chains "Dirt" (1992)

Dirt is one heck of an iconic record. It kicks of with a frightening scream as an eruption of tempered guitar chugging kicks off their most famous song, Them Bones. It jumps straight into gear, a mastery of atonal riffing as the chilling lyrics about ending up as a big old pile of them bones rock the chorus with a morbid honesty. The grungy dark metallic tone is set and Staley will go on to haunt us with some despairing lyricism and chilling performances on this record. Released later in the same year as Sap, the Seattle grunge giants Alice In Chains return with more Metal inflection and a leaner iteration of their unique identity established on their debut Facelift.

After a lightning start the album rolls into a slick run of songs. Tight guitar grooves stitch together beautiful eruptions of Staley's infectious singing. He soars above with the albums best hooks in its opening numbers. He is illuminating but on inspection a lot of darkness emanates from his harrowing words. Getting past the aggressive riffing of Them Bones and Dam That River we start to slip into moodier atmospheres, culminating with the frankly depressing Down In A Hole. It is a beautifully sad and hopeless song. Sickman offers more wounded lyrical fragility as some choppy metallic riffing shuffles its way in and out of an eclectic song. Its defeatist, the "what's the difference ill die" lyric so disheartening given his demise. Its a theme throughout.

Just when you think it can't get much more interesting the album pivots to anthems as Rooster and Junkhead both play with the mastery of tingling build ups that erupt with iconic choruses. "Here comes the rooster!" and "Whats my drug of choice? Well what have you got?", still gives me goosebumps all these years later. I especially like the guitar solo on the later, a simple complimenting melody to peak the song. Its a classic lead you always find yourself singing along too. With title track Dirt more gut wrenching lyrics and electrifying music is bestowed up the listener. Jerry Cantrell has an absolute arsenal of riffing ideas that keep everything fresh and interesting from start to end as Staley drags us to the depths of his self loathing and despair.

Either side of the Black Sabbath Ironman skit track Ironglad, we have a two tracks you might say are a mediocre records gems. Even as songs you might put at the end of your favorite list they still deploy interesting and unique musical ideas to illuminate them in the presence of so many magnificent tracks. Angry Chair takes a darkened shadowy atmosphere and chops it up, shifting the music between different tones. The album keeps its intensity throughout and end on a soaring high with Would? It again just shows an amazing chemistry within these musicians and Staley once again steals the show with a gift to make is haunted words somehow catchy and infectious. Its monumental, an of the moment album that stands the test of time, bringing together the best of Grunge and Metal and making it their own.

Rating: 10/10

Alice In Chains "Sap" (1991)

Prior to their monumental sophomore record Dirt, Alice In Chains released this five track acoustic EP which I had previously glossed over. Reviving Sap to my playlist, It took me a few spins to get past the change in temperament. Then I found another charm this group possess, a side of them not felt from the acoustic compliment that creeps into their dominantly heavy music. In stripping back the distortion guitars, their Grunge and Groove Metal energy leaves a void filled by a range of influences. Folk, Blues Rock and Country all have leanings on these traditional, acoustic guitar led song styles, blossoming into a different and simply indulgent experience.

Its opening track Brother is almost unrecognizable. I believe it is Staley singing with a soft casual, breathy persona, a polar shift from his normally electric out-poor. Guest vocalist Ann Wilson of Heart harmonizes in a higher octave on the chorus for another unexpected spice. In getting familiar with it, a warm and tender song of sombre acceptance emerges and that emotional reverence flows onward. I believe Ann returns again on Am I Inside. Her small roll adds a keen flavor, much like the bright piano that creeps in under the haunting guitar. Aligned with shimmers of cymbals and brief bongo patters it speaks volumes to their musical ability and inspiration.

The bass guitar lays down some deep, warm rumblings to thicken out these sombre acoustic strokes. It gets a gritty pump of groove going on Got Me Wrong, the only track to deploy distortion guitars. In a strange way you can hear them being pulled back to the more expectant sound but the two styles just pull the slider back and forth, rather than gelling into something bigger. The last track is a joke track of skits, goofs and gaffs with comical musical arrangements. Its quite fun and a peek into a less serious side of the musicians, a nice something to throw in at the end.

Favorite Tracks: Brother, Am I Inside

Rating: 6/10

Alice In Chains "Facelift" (1990)

Recently Ive been on a timely nostalgic, heart aching Alice In Chains kick. It happens every now and then, I simply delve into a riotous binge that gets the adrenaline pumping. This time around I found myself rediscovering their debut record, it felt fresh and in the face, many of the songs seemed almost new and with some thought I realized its probably been over a decade since I last heard it. When discovering the band it was Dirt I was most drawn too and has thus established itself as one of the go to records alongside their post Layne Staley records. Facelift had been left neglected and what a gem its been, sitting here all these years unscathed, awaiting me again.

Its such a powerful debut from a new band helping to spearhead the Grunge movement. From the get go Alice In Chains have the Heavy Metal infusion integrated within their sound. Paired with the harmonization between Staley and guitarist Jerry Cantrell, its a two pronged attack, making a unique breed of rock and roll thunder, fit to move a crowd and also display a genuine emotional side too. The band have a habit of brooding an internal vulnerability and then unleashing it through swooning guitar grooves along with the haunting soar of Staleys notes or even eerie acoustic guitars that build painful tensions and uneasy atmospheres between the soars of energy.

For a debut record, not an inch sounds frail or as if they are finding a footing. The Seattle group fly out the gates with a frightening authenticity. The twelve songs give up a healthy variety and range within the sound. Slams of crunching guitar grooves, scores of erupting, electric solos and all temperaments of established Rock and Metal influence the grunge tone. There is a magnitude in the other direction too as a dynamic mix of darkly acoustics shape up the energetic rock with deeper meanings.

 

Love Hate Love and Confusion explore this shadowy side wonderfully, the loose drumming styles perfectly emphasizing the disjointed and exposed feelings these tracks start off with. Put You Down and I Know Something expose the Southern and Funk Rock styling among many other influences that detail Cantrell's unique riffing. In that aspect its a little rawer on this record but it is still fantastic how despite hearing their roots, one can experience something completely new blossoming from it. Utterly brilliant album, another 90s relic to behold! I love this decade.

Favorite Tracks: We Die Young, Man In The Box, Bleed The Freak, Love Hate Love, Confusion, Real Thing

Rating: 9/10

Alice In Chains "Rainier Fog" (2018)

There is so much that could be said of Alice In Chains and their history. To boil it down to some specifics, they are a a legendary band from the Grunge era with a metallic tint in guitar tone who lost the iconic voice of singer Layne Staley to extreme drug abuse. Reforming a few years after his death they somehow found a vocal harmonization with new singer William DuVall that resonated on the same frequency as Layne. It allowed them to continue along the same spiritual path laid out on prior records and after five years their return with their third album of this second stint for the band.

I have a strong fondness for their last two records, the five year wait has been worthwhile but Rainier Fog pulls no new tricks. It may explore some heavier guitar tones and grooves but very much plays like a band who are comfortable with their identity. They have taken the time to reach in deep and curate the very best of their inspirations and form a fine craft of songs that hold your attention and move your emotions for the steady fifty three minutes the ten tracks make up together. If it does offer any new spice, slower tempos hint at some Doom Metal influences but its a side of them that just seems more prominent for this project.

Its pace is sturdy, slow and soothing yet momentous and empowering. The atmosphere they conjure together is sun soaked with a streak of introspection bordering on melancholy. With a gorgeous production aesthetic Jerry and William weave their vocals around one another to constantly illuminate the music in electric tandem. The guitars relish this opertunity to flex in the directions Alice In Chains are known for, finding some laden, steady grooves and stretching to the slow and sombre acoustic epics with all manor of lead guitar breaks stitching in the details. Its a lively, animated record in the energetic moments they often leads too. When in a more subtle position it still retains these big and strong atmospheres that engulf the listener.

With each listen one comes to know the songs better and as each rotation revolves the character and identity of these songs really lights up, especially the second half of the record. This is the kind of curation that can make a known sound exciting however that may be this records only flaw. Its a fantastic set of songs but has no surprises or unexpected directions. The music in no way cries out for it however it makes me wonder if the band can keep making this well established sound work? They certainly have done this time around but you will know what your in for.

Rating: 7/10