Saor "Forgotten Paths" (2019)

My introduction to Saor was a breath of fresh air beginning with their sophomore record Aura. Out from the now decades old genre of Black Metal that so routinely falls into its own established tropes, Saor introduced a soaring gleam of bright, triumphant, heathen melody to counteract its dark underbelly of blast beats, tremolo guitars and burly, gaunt screams. It may not have been an original twist on the sound but its execution was sublime and deeply inspired by Marshall's Scottish heritage and countryside. The following Guardians record was more of the same and had less of an impact on me. It may be the absence, or more likely the music but this new release has been a very fond listen for me these past two weeks.

The luscious and melodic side of the music feels expanded upon, a beautiful piano interlude middle of the opening title track and a entire song, Exile, dedicated to nostalgic folk sounds half a step away from Fief in the best of ways. This obvious expansion resonates in the lead guitars that gleam and glow, leading every song forward like a light carving the path through the pale on its epic journeys. Soaring with reverb and inflecting glorious melodies it rises high above the fury of beastly screams and pummeling drums, making its most abrasive sections feel bright and inspiring.

Through the loud and obvious instruments, pagan violins and glossy pianos shape tone and mood with a dose of folk and heritage that never leaves the music. Its a constant delight that makes the sound engulfing. Even in their quiet parts the lead guitar once again soaks you in the dazzle of its glimmering light. With three lengthy ten minute plus songs the music can hold this sense of constant beauty and epic without faultering. Bron is the darkest of the three and even it can find this stunning flicker of light in the black as its cultural elements blossom along the songs epic progression. Things really came together on this album and I can't recommend it enough.

Rating: 8/10

Saor "Guardians" (2016)

Ive been awaiting this record for some time, Saor, a one man band, really impressed me with his last release "Aura", a fine record that took traditional Black Metal values to a serine, warm and heart felt setting inspired by the Scottish highlands. It was a mature, seasoned piece of music that took all the mockeries away from the extreme music and imbued it with the sombre beauty of the natural world. It ended up being one of my favorite records of the year. So Saor returns, still a one man band and unchanged in approach "Guardians" stagnates somewhat, repeating the same successes of its predecessor.

Its a noticeable step up in fidelity, richer clarity in the guitar distortion and organized space gives room for the stunning string sections and earthly bagpipes to gleam through the walls of blast beats and guitar shredding. The songs take on grandiose themes and progressions with each clocking in over ten minutes and going through many passageways, soaring high, tumbling lows and climatic peaks in their wake. A little more groove and rhythm feels present in the guitar styling than before but mostly its power chord whirling as the flutes and fiddles inflict human melodies and cultural folk roots into the heathen music.

There are times where deep guttural shouts accompany guitar focused sections and it can drift into a sleepwalk between its grandiose moments. Although aesthetically polished and stronger the music competes with its own style as some parts feel like a repeating formula. "Tears Of A Nation" tips the scales with a break at the six minute mark for a truly memorable moment as the album concludes with a timeless melody, heightened by the continual shifts in intensity that comes from the Metal instruments. Its a solid record but more of the same, which is not a bad thing given the brilliance of this project, however it doesn't surpass the benchmark of "Aura" for me.

Rating: 6/10

My Top 10 Albums Of 2014

The end of the year is upon us, and now its time to write about my 10 favorite albums of 2014. Most of them have been reviewed on the blog which has only been going a few months. Writing about music has given me tremendous focus when it comes to appreciating music. I am now much more organized with my listening habits, I only write about records after I feel an understanding and connection to that without the blog wouldn't have been the same in the past. I'm thankful for this blog and everyones support by reading the articles, Its improved my musical experience greatly and this article will cover my thoughts of each record in brief.

(10) Panopticon "Roads To The North" Link

Delightfully different approach to Black Metal, Kentucky folk influences, an appreciation of heritage and culture made this a colorful and palleted record that is enjoyable on every listen.

(9) Yagya "Sleepygirl" Link

 

Not an especially distinguished or grabbing record, this was just simply what I wanted from this artist, some chilled out super mellow dreamy electronics.

(8) Earth "Primitive And Deadly" Link

A masterful record that saw long running band Earth find their inspiration and direct it into a mature and well developed record that brought vocal elements into their usually instrumental sound. An unexpected and welcome suprise.

(7) Erang "We Are The Past" Link

Erang has pumped out a lot of music in a short amount of time and each record brings a variety of interesting and indulgent music, but unexpectedly this one really stepped up the game with some of his most inspired and captivating music yet. Makes me excited for the future of this project.

(6) Wolves In The Throne Room "Celestite"

Stripping out core elements of their sound and focusing on the abstract synthesizer sounds, the group made a remarkable record that goes on a vivid and mysterious journey through space and time with and eerie and cold undertone. Gripping soundscapes

 (5) Behemoth "The Satanist"

Stunningly dark, evil and well composed. What could of been another run of the mill album for their 10th effort turned out to be focused and ambitious record that despite sitting in a comfort zone, turned out to be monumentally engrossing and heavy.

(4) The Underachievers "Cellar Door - Terminus Ut Exordium" Link

A pleasant surprise to find a Hip Hop record in the modern era I could get into. Very much enjoyed the atmosphere of this record which borders some dark moods at time. Great beats and flows outside of my comfort zone made this an expansive record for my taste.

(3) Saor "Aura" Link

A brilliant record that appreciates Black Metals melodic side, bringing together the abrasive aesthetics with culturally inspired melodies and instrumentation. A pleasure for the ears.

(2) Messenger "Illusory Blues" Link

A Progressive Rock record that draws inspiration from many of the greats while creating its own identity. This record is mature for a debut and paves the way to a bright future for this creative band.

(1) First Aid Kit "Stay Gold" Link

Picking my favorite was as easy as it gets. Since I first heard this record Ive found myself more and more engrossed by these gorgeous songs that are charming and relate-able with down to earth, uplifting and reflectional lyrics that are driven home by the pairs beautiful voices, which put me in a good mood every time I hear them. Simply can't stop listening to this one.

Saor "Aura" (2014)

Saor is a one-man-band project inspired by the landscapes and cultural heritage of the Scottish highlands. This record immediately revealed itself upon my first listen, the rich atmosphere sets an immersible tone for the Celtic folk influences to shine through. Its not to often an album can be instantly appealing, but its always a pleasant surprise. Since my first listen everything that became apparent about this sound has been true of the record and i have thoroughly enjoyed "Aura" the bands second full length. 

The five songs that make up "Aura" are lengthy, passionate epics that don't progress as much as they immerse in theme and inspiration, often keeping your attention locked in. There is variety in pace, instrumentation and composition that keeps a steady mood with great maturity. The reoccurring flute leads are delightful and the instrumental writing is detailed, lots of care has been put into the drums which were a highlight for me, they are never boring, always finding fills and cymbals to color the demanding blast beat nature of Black Metal songs. Alongside the usual arsenal are strings, flutes, bagpipes & violins bringing home the Celtic heart of these songs, there presence in these songs is a work of art and beauty.

The production feels flawless, the mix finds the balance for each instrument to shine without anything feeling overpowered. The strings are both subtle and powerful, chiming in just under the guitars they have a powerful effect on these songs and sit in a place where they can be in or out of focus depending on what your listening to. They help guide the emotional narrative of these songs, where the guitars and drums build the atmosphere alongside them. The unity of all the instruments on this record is stunning, guttural growls and screams add the human element and on "The Awakening" distant cultural chants climax the song in awe. Altogether we have a very complete and defined record that creates a beautiful listening experience every time.

Favorite Songs: Aura, Farewell

Rating: 7/10