Ministry "Hopiumforthemasses" (2024)

 

This sixteenth chapter, proclaimed as their second to last record, Al Jourgensen's Ministry strive onward with their current temperament. Similar in tone and aesthetic to AmeriKKant and Moral Hygiene, the band issue another set of disgruntled social political observations. With vocal snippets and dystopian instrumentals, the hot topics and events of the last few years in American life get a familiar treatment.

Thudding, punchy, repetitive drum beats guide groovy mid-tempo metallic riffs through the barrage of Al's shouted snarls and keen sampling. A subtle collusion of deranged synths and odd instrumentation line the core elements on occasion with a distinctive flavor. Mostly, it falls within expectations, Cult Of Suffering ventures boldly off the track with soulful singing and dreamy guitar chords over a warm crooning baseline.

Otherwise, its been business as usual, fun, predictable but lacking the bite of its predecessors. Aryan Embarrassment struck a nerve with an astute point aimed at paranoid antisemitism. As to be expected, not all messages resonated. Just Stop Oil's fun anthem couldn't stir much compassion for their ridiculous message. Hopiumforthemasses is fair but milder, ending with the tacked on Ricky's Hand. A stiff piece sounding like a re-recording of a lost composition from their Synthpop days.

Rating: 6/10

My Top 10 Albums Of 2021

 
On reflection Its felt like a somewhat uneventful year musically. Now into the second year of this pandemic, the isolation and lack of normality has had me listening to less music and more podcasts. With seventy one records to pick from, it didn't take long for me to sus this list out with only thirteen or so making an impact. Thus the list reflects my taste with only two new artists of which one was more out of my comfort zone than the other. Its always my ambition to find new music each year but given the current circumstances I feel like I'm in a music rut of sorts, listening to to similar sounds.


(10) Hypocrisy "Worship" link

Speaking of similar sounds, its been far too long since I've had a dose of the Hypocrisy sound. Their return was a welcome one, delivering a class set of songs that riffed hard and recycled the vibes they are known for. I can't fault it, I've enjoyed Worship plenty of times since. I can only think of a missed opportunity for the paranoia themes to have more of a potency in our age of misinformation however It is more likely myself that has a different viewpoint from that of my youth when I found them.


(9) Malcom Horne "Infinity Volume II" link

Malcom's music was an instantaneous click for me. The first Infinity volume felt rather varied in focus and quality but had its mesmerizing moments too. This second installment has a focus, music for streamers! Now a regular feature on my own streams, the consistency of this larger basket of songs holds up well and continues to provide chilled classy vibes to relax with.


(8) Little Simz "Sometimes I Might Be Introvert" link

As a big, bold and ambitious record, Introvert has a few bumps in the journey that maybe held it back a little in terms of my personal taste. The good news is that I've enjoyed this one plenty since, which is the recurring point of this blog. The new and novel can often fade from ones conscious with time but this one held up! The rapid narratives and expressive excursions of thought she drives on with the opening songs is still a marvel!


(7) Billie Eilish "Happier Than Ever" link

A strong return for one of musics biggest starts. Happier Than Ever isn't quite as remarkable as When We Fall Asleep, however Billies strength of character and maturity is! Some of the lyrical themes here are so refreshing where Pop music it can often be fraught. I also think the stride for a little more musical diversity may have been a bit and miss but better to stride in new directions than stay in a comfort zone. Looking forward to more in the years to come!


(6) Turnstile "Glow On" link

I've been tempted to put their EP Turnstile Love Connection in this list. Its essentially the best cuts from Glow On, which in its strides to infuse Hardcore with some other influences, wobbled its way over the victory line. Its often the more Hardcore leaning cuts I enjoy as the vibrant energy they exude fades a little on the experimental cuts. One thing is for sure they are still swinging hard and one to keep a watch on.


(5) Spellling "The Turning Wheel" link

Spellling was quite the enthralling experience! A chemistry sounds reaching far in different directions and reassembling the influences like a breeze. On one had you can relax with the music and enjoy the wonderful songwriting. On the other you can get analytical and dissect, where a trove of interesting ideas is to be found both aesthetically and in the writing. Great record, sadly I didn't feel the same of Mazy Fly.


(4) Deafheaven "Infinite Granite" link

Of all the records on this list I must confess that Infinite Granite is one I have not returned to but its impression was a remarkable one. The reception was a bit mixed among fans but I was personally blown away as this engulfing musical experience unraveled. The cleaner vocals and 80s influences were a niche touch delivering an organic record with some intriguing extremes.


(3) Nas "King's Disease II" link

As one of Hip Hop's greatest, Nas has been exceedingly consistent in a genre often victim to high starts that trail off. With Illmatic he has a debut that could never be peaked but that hasn't stopped him from delivering quality and his inspirations has been stoked again thanks to fruitful collaborations with producer Hit-Boy. This second installment was a remarkable into some of his best rhymes in decades. Fantastic narratives and insightful expressions give it an endearing impression. I'd be keen to put this in his top three records and with a third installment on the way there will be more to enjoy but this chapter will be hard to top!


(2) Ministry "Moral Hygiene" link

Ministry have been a favorite "later discovery" of mine for some time now. The sort of band that would have fit perfectly into my youthful tastes. AmeriKKant was a welcome return at the time, now a little worn out, this new installment Moral Hygiene tackled the current social political climate again. This time around the mood and tone was class. Musically, it is more varied and interesting, wrapping with a stunning spectacle of an ending as the death toll keeps rising! I was blown away and am still this one!


(1) Lil Nas X "Montero" link

Never had picking my favorite record for a year been so easy. I was simply blown away by this record. Lil Nas X is an interesting artist, with much to say while captivating a mainstream audience in the process. Its not a place I'd expect to find so much musical maturity, yet here it is! A diverse record that balances popular light weight trap beats with a country tang primed to detour into experimental places that blossomed stunning songs. Its a remarkable record, setting a high bar for him, however the quality of songwriting here suggests this is no fluke. A follow up could be just as good!

Ministry "Moral Hygiene" (2021)

My first few spins of this record had me in an astonishment I wasn't sure would hold. With my listening pleasures interrupted by a sickness impairing my ability to hear, I now return to Moral Hygiene with that initial exuberance intact. It would seem that forty years as Ministry has armed these rebellious musicians with a craft and voice to boldly express their social-political dissatisfaction with a vigor that reaches back through the years. The new music pulls up shades of many avenues explored before in their back catalog. The result is magnetic, gradually pulling you into its grasp track by track.

Things start gently, brooding a dystopian atmosphere with chunks of grisly guitar melody, echoing shouts roaring over the marching baseline and shuffling percussion. If not for the distinctive use of vocal snippets it could easily be mistaken for a modern Killing Joke track, a band that massively influenced them. The gears then shift up with Sabotage Is Sex. A busy throbbing baseline drives the track forward with a maddening power and groove as Jello Biafra lends his classic voice to the growing criticisms.

The albums theme blossoms as Disinformation samples former president Trump's voice back into the mix to shine a light on the fake news problem we all face in this polarized time. Typically his words are manipulated as are that of various newscasters. Personally I love the dystopian tone and contrast it stirs in the reflection of Edward Snowden's trusting words. Unsurprisingly there is no holding back when it comes to the political sphere with Greta Thunberg and other key voices in the world being sampled in to contextualize the themes that play out in these broody songs.

The Industrial Metal madness plays out over the next few tracks in its various shades. With each spin I'm grabbed intensely as its lyrics and snippets give me much food for thought and reflection. Then things reach a sublime height of madness with the two closing songs. Death Toll marches a carnival baseline groove through Kenneth Copeland's absurd declarations of interventions by God in the annihilation of Covid-19. Contrasted against the rising death toll... Its just a work of art in my mind.

It rolls into TV Song #6 seamlessly to frighten you out of its hypnotic persuasion. Toying with gristly Grindcore blast beats, ridiculous adrenaline fueled instrumentation and noise manipulation, the whole affair ends with a deliberate lack of resolve. Its as if there are no answers to the topics anguished over. The world is in strange place and the solutions are yet to be found. Its chilling but musically thrilling. I'm amazed Ministry came back so strong. At a time when I am thinking of trying to get out of my groove and find new artists, turning this one down would of been an unknown tragedy!

Rating: 8/10

Ministry "AmeriKKKant" (2018)

Legendary Industrial Metal pioneers Ministry, led by Al Jourgensen, are back with their fourteenth album in a journey spanning over four decades! Their last album was released five years ago, around the time when I was really getting into the bands classic records like The Land Of Rape And Honey and ΚΕΦΑΛΗΞΘ. This is my first record as an invested fan, I eagerly awaited its release but had no real expectations and have found myself in awe of how this record encapsulates all my favorite things about this band. AmeriKKKant is as if group have been thawed out, once frozen on ice during their peak in the 90s, coming back with a vengeful spirit of anger towards the post-truth age we currently inhabit.

Al Jourgensen has a track record of disputes with American presidents. His music took aim at both Bush's and now Trump, as well as the current social-political climate coming under scrutiny in his paranoid, doomsday soundscapes that shine a light on the worst interpretations of current affairs. I can't agree with all his views but I have to commend the simplistically of taking samples like Trump saying "Chop Off Heads", playing them against his dark and worrisome music. AmeriKKant opens with an intro track bolstering eerie strings against jolting Industrial noises and haunted pianos. Slowed down samplings of Trumps most infamous phrases set a rather unusual tone that intersects darkness with a touch of foolishness and calamity.

The next two tracks lavishly unfold these feelings as Ministry deploy the best of their unique composition style. Crunching, thumping guitars and crisp, snappy drums lay down the mechanical backbone at a burly, lunging pace. Dissonant sounds, vinyl scratching and manipulated samples play out, setting the optimum tone for Al's angered shouts to cry out between dystopian melodies. Victims Of A Clown turns the pace with a classic, marching, determined baseline that pumps out a groove endlessly through the dangerous atmosphere, reminds me of the esoteric Golden Dawn revolving around Aleister Crowley. Its followed by a maddening noise piece, bombarding the listener with hateful quotes and a barrage of fast, jolting aggressive gun blasts and extreme manipulated samples, a nauseating treat.

Its as if Al is checking of a list of Ministry's best numbers. We're Tired Of It delivers a fast and thrashy track more akin to the 00s era. Its pummeling aggressive guitar riffs assult with a typical barrage of disorienting samples. Wargasm feels like an intentional tribute, its chorus fondly alike to Killing Joke who were a massive influence on this band. Then we have Antifa, the records best song! I'll make no comment on the group themselves but Jourgensen essentially writes the anthem for unchained anarchy and rebellion lashing out at the system. Its hypnotic lead melody dazzles over the tight mechanical drive of palm-muted chugging distortion guitars, its a real head banger.

They have really hit the mark on this album, the sonic intensity is wonderful. The constant barrage of intricate sounds and overload of samples adds a wealth of depth to the hellish, dystopian atmosphere conjured but best of all the use of unexpected instruments like horns and strings deploys some of the records most striking and memorable melodies. I'm in awe of how this albums has covered all the corners of what they did in the 80s and 90s, admittedly it comes in shades among long and droning songs however that is pretty much what I'm in the mood for right now, I want to be indulged in the slower pace and soak in the atmosphere. Its a decent record that happens to be precisely what I didn't know I wanted to hear.

Favorite Tracks: Twilight Zone, Victims Of Clown, We're Tired Of It, Antifa

Rating: 8/10

Ministry "ΚΕΦΑΛΗΞΘ" (1992)

ΚΕΦΑΛΗΞΘ marks the peak of Industrial Metal legends Ministry's commercial success as well as the musical peak for this classic era their sound with future records steering from the mood and tone of this social-politically charged sound of disillusion and despair with the status quo. Marked by the opening track "New World Order", Ministry create the soundtrack for riot and civil unrest through their mechanically repetitive song constructs of robotic guitar riffs and dystopian guitar leads. It had been many years since I gave this record a listen and hearing a feedback of influence in Killing Joke's "Pandemonium" I had to give it a spin again.

The record starts with two of Ministry's finest songs and sets a contagious attitude of outrage and anger that fuels the experience. Tightly performed distortion riffs churn over and over in a sublime execution of minimalism and repetition that never seems to loose its drive, despite mainly consisting of the same thing over and over, it gets me every time. Paul Barker's machine like drumming goes heavy on the snare with simplistic, pounding grooves that gel with the guitars and amplify there aggression. "Just One Fix" ends with a lead guitar playing a Slayer-esq dark lead that is a favorite moment on the record. Unfortunately from this point forward the album fails to maintain the mood established and only "Scare Crow" comes close with a slow and daunting atmosphere of dread with distortion chords ringing out under haunting leads and Al Jourgensen's eerie screams.

Around these songs a wild inconsistency of ideas obvious in execution make up the rest of the track listing, the fast relentless blasting of "TV II", Thrash Metal riffage of "Hero" or depraved noise horror of "Grace", each songs idea drifts to far from the original tone. Although the recurring use of sampling and mood has some consistency, the guitars input greatly different ideas to that of the opening tracks and are not particularly remarkable in their own right. As a collection of songs they are impressive but out of place with one another and so as an album it really falls short of amounting to anything as the shifts in mood, tone and sometimes aesthetic dispel the magic and potential this one shows in the beginning.

Favorite Songs: N.W.O, Just One Fix, Scare Crow

Rating: 5/10

My Top 10 Music Discoverys In 2014

Its been a great year for music. I've seen a lot of live music and caught some amazing anniversary shows, like Emperor playing the whole of "In The Nightside Eclipse" ans Nas at Lovebox playing "Illmatic". Also got to see Sikth, Metallica, Eminem, Dog Eat Dog and Limp Bizkit a couple of times too. Theres countless more but seeing two of my all time favorite albums played in full was really something. I foolishly missed out on seeing Linkin Park play "Hybrid Theory" in full and Smashing Pumpkins with Marilyn Manson in London, but no need to dwell on the missed opportunities, next year I will aim to take them all! Beyond live music I've broadened my horizons and discovered more fantastic music, this list covers my top 10 new discoveries over the year, for my top 10 albums of 2014 click here.

(10) Kendrick Lamar

I was never expecting to find much in the way of modern Hip Hop, but this artist had what was great about the old and the new rolled into one. It gave me a better understanding and appreciation of the new era. ive since found myself enjoying a lot more Hip Hop from our current time.

 (9) Skee-Lo

Not the greatest of rappers, but Skee-Lo's style and sound is prime 90s, and I love 90s Hip Hop, after expansively exploring this era over the last few years there are not many leaves left to turn over, but Skee-Lo was a hidden gem that had some how alluded me, much like Kriss Kross possibly because of short lived commercial success at the time.

(8) Chelsea Wolfe

Simply a brilliant musician, Chelsea's dark and haunting psychedelic folk paints her a unique sound to my ears that is a welcome discovery, but one I have neglected to take beyond "Pain Is Beauty", must listen to more of her albums in 2015!

(7)  First Aid Kit

I've said a lot about these two already, my favorite album of 2014, and beyond that their other records are enjoyable too. A great discovery recommended by a reader here at the blog.

(6) Depeche Mode

Known about this band for as long as I can remember, but finally had some encouragement to give them a listen and found that I very much like what they are about. With such a large discography I'm sure I will be listening through their albums for some time to come.

 (5) Ministry

I've known about Ministry for a long long time, even listened to ΚΕΦΑΛΗΞΘ a couple of times but this year their music just clicked for me. I brought a 5 album bundle at bargain price and never looked back. Incredible energy and anger in their music, my favorite discovery from my dive into Industrial Music.

(4) The Art Of Noise

"The Seduction Of Claude Debussy" Is a blinding album, it fit a niche for something I had always wanted to hear, a joining of old and new, Classical and Opera colliding with Jungle and DnB. The record itself is no experiment, this is a masterful execution and expression that utilizes the qualities of each and brings them together in unison, beyond the album they have a few other songs I like and have been a rewarding discovery.

(3) Marilyn Manson

I've been familiar with Marilyn's music since my youth, all my friends liked him, but for some reason it has taken me 15 years to get it, but its well worth the wait. Manson has his own genius and he flaunts it through his angry, rebellious music that has plenty of food for thought. I've really connected to his music and I'm eagerly anticipating a new album from him in 2015.

 (2) Marvin Gaye

I was drawn to the TV after hearing extracts from "Kind Of Blue" to find a great albums of past show, after Miles Davis came Marvin's "What's Going On" album. It stuck a nerve with me immediately, and I found myself at the mercy of his soulful voice which appealed to me through the subject matter. He could talk about our deep rooted societal issues, but package them with a warm reflection and positive perspective that spoke to me deeply. I brought the record instantly and it has been spun countless times since.

(1) The Smashing Pumpkins

Undoubtedly my favorite discovery this year, and maybe of the last few. Their a band I've always known of, but really had no idea what their about. After watching a documentary about them, it clicked, and listening through their albums one by one I've realized Billy Corgan is a musical genius and one I connect with. His sound is brilliant and unique, bringing influences from across the spectrum of Rock, Metal, Grunge and Alternative, but blending it all together and painting songs in his own color. I've enjoyed there first 4 records tremendously and theres still more to come.

Ministry "The Land Of Rape And Honey" (1988)

Ministry are a big and influential Industrial Metal group who formed originally as a New Wave duo in the mid 80s, but found themselves quickly gearing towards the EBM & Industrial sound. This could be their most important album as it introduced the metallic rhythm guitar to their sound, a move that has had a resounding effect in Industrial Metal. I've been exploring their music after purchasing there first 5 industrial albums in a cheap package that proved to be an absolute bargain! I chose to write about this album for its significance and my personal gravitation towards it.

"The Land Of Rape And Honey" is a noisy, grisly beast of a record, creating dark, cold, devastating industrial soundscapes that take many shapes and forms across the 10 tracks. Songs like "Stigmata" & "Deity" have great rock sensibility with big riffs, catchy hooks and iconic lyrics "My favorite weapon, is the look in your eyes". Others like "Destruction" & "Flashback" forge unforgiving, industrious sound scapes that build tension and dread. A couple of tracks focus more on the EBM aspect of their sound, for example the title track and "Abortive". The variety and ability for the band to shift between the different elements that build their sound gives this album depth and plenty of replay value.

For the dark and Industrual sound Ministry forge, they also have an unsettling, eerie sound about them too. The synthesizers sound disenchanted, gritty and erroneous in texture and form, along with some processed vocals on particular tracks Ministry create a unique eeriness that i could only refer to Japanese cyber-punk movie "Tetsuo" as a similar vibe. Along with these unusual sounds, the mechanical groove of the drum machine and pulsating base lines give the oddities much needed structure and form that makes the album approachable. The guitars appearance on this album, despite its importance, is not missed on the tracks its not featured on. The ones it does are certainly classic but its a testament to their song writing abilities that all the tracks on this album offer something, regardless of what kits, sounds and guitars are used. Thoroughly enjoyable album, must of been something real special in 88, still sounds fantastic today.

Favorite Songs: Golden Dawn, Destruction, The Land Of Rape And Honey, You Know What You Are, I Pefer

Rating: 8/10