Showing posts with label Graywave. Show all posts
Showing posts with label Graywave. Show all posts

Monday, 23 December 2024

My Top 10 Music Discoverys In 2024

 
This years picks were no struggle. I've pivoted away from picking up every record a band I follow releases. You accumulate a lot over the years and being fussy means avoiding acts that are spinning their wheels. This attitude freed up my time for more discovery and thanks to spotify shuffle its easier than ever to unearth new names and projects that peak your interest.

(10) Clown Core

A perfect example of bizarre internet age musicianship reveling in the obscure, toying with the deranged and masking rhythmic appeal with confronting aesthetics. Moments of magic arise from the memish presentation that often feels like an in joke.

(9) Dimmu Bongir

Another project with a comedic premise plays its stoner parody as an excuse to exercise love letters to early 90s Black Metal. Including the Symphonic scene in tone, these two records superbly resurrected the feel-tone of my most enamoured sound.

(8) Labyrinthus Stellarum

Operating within familiar terrain, Labyrinthus Stellarum's breed of cosmic, atmospheric Black Metal plays a delightful fright. Their embrace of exotic synths gives the rapturous music a curious edge whilst pummeling darkly riffs through the night skies.

(7) Sabrina Carpenter

Pop music is in a shockingly good place right now. So many acts cherry pick the best ideas of decades gone by, repackaging them with a level of aesthetic indulgence that almost surreal. As one of the biggest acts, she has the voice to meet this high bar conjuring echo's of greats like Madonna, bringing authentic country roots along too.

(6) Fogweaver

A fine discovery for the Dungeon Synth archives, a tired genre where unearthing quality feels rarer these days. Although I've only covered one record, Fogweaver has plenty more quality records with a particular flavor to indulge with.


My issue with House music is that I never quite find what fits me, despite loving the rhythm, aesthetics and overall concept. Fred Again.. has captured my interest with his lovecraft of personal moments bottled into beautiful songs. They explore intimacy through samples of snippets from conversations with friends, repeating the motif through ebb and flows that find gratifying swells over and over again.

(4) Willow
Children of success often carry an illusionary burden, the "bar set high" of their senior. However high Will soared with his eclipsed music career, Willow has simply smashed that idea apart. She stands apart, her own entity willing to dabble in all sorts of musical directions and finding a voice that blossoms in many directions, feeling natural and deeply expressive at every exciting turn.

At the peak of my Pop interest, Rina too plays this current game of resurrecting the past whilst casting a broader net of influences. Resulting in delightful rides across the musical landscape, rooted in Pop appeal, Rina's emotive voice and passionate lyrics reach into places I didn't expect, birthing absolute gems like To Be Alive. Its some of the most moving music I've heard in a while.


From the moment I heard this artist, it all fit together, a struggling, depressive Shoegaze venture into the dark reaches of moody Metal. Reflexively toying with indulgence and relief from personal woes, the music plays with hints of Deftones and Cocteau Twins. It's Jess's endearing voice and distraught lyrics that tie it all together, making the dense walls of engulfing of sound feel deeply personal.

I recall listening to Eternal Blue upon release, dismissing it in the process. How foolish! It was knowledge of seeing them live later in the year that prompted me to try again. Its baffling how the magic was locked away. After many spins it started to click. Since then I've become completely engrossed by their unique dynamic, routinely binging their best numbers, eagerly anticipating more! These are now like Metal anthems to me and I absolutely loved their live show. Can't wait to see them again in the new year!

Wednesday, 10 July 2024

Graywave "Dancing In The Dust" (2024)

 

Stepping forth from Rebirth, another six-track EP lands Graywave in their darkest territory yet. Dreary in tone, dismal and bleak, these melancholic songs explore downtrodden sorrows in a stormy, engulfing resonance. Recycling a now familiar formula, each song sways from eerie Shoegazing acoustic melodies into a swell of blissful noise. Euphoric in relief from woe, these eruptions remedy the graven, haunting tunes that proceeded. Both halves play infectious, a gripping concoction.

I've binged lead single Blur Into One beforehand, Its my favorite Graywave song. Jess' spellbinding performance sucks one in along its cathartic descent from dreamy origins. These other tracks fit snugly around it. Cycle's depressive demeanor marks a perilous plunge, a challenging ride as this shadowy beast finds its darkest corner. Dancing In The Dust amps the energy, deploying a rock steady beat to twist tristful tones into a surreal uplift. A derivative on their blueprint that plays luminous and bold.

That experimentation might be a way to move forward. This obvious formula has done wonders so far yet may eventually run its course. Stitched on to the end of Dark Spell plays a distorted, glitching beat. Its reminiscent of New Order's classic Blue Monday. Utterly inconsequential, yet could possibly hint at something afresh to come?

Either way, this works right now and the aesthetic is engrossing. Calmer spells deliver twisted melodies, beautifully intertwined with feedback and shimmering noises. Its heavy halves plunge with devilish bite. Bass rumbling, distortion guitars swelling and possibly some crafty synths amass into lunging sways of delightful yet burdensome bliss. Jess' sorrowed, sailing voice and damaged lyrics tie it all together.

Rating: 7/10

Monday, 1 January 2024

Graywave "Planetary Shift" (2021)


Enthralled by Rebirth's swelling descents of darkly Shoegazing magic, Planetary Shift has lingered in its shadow like an egg ready to hatch, not yet finding a final form. Fortunately, I've gotten past this notion. These five tracks are further from the dense, engulfing aesthetics of its successor, they reside closer to the "traditional" Ethereal, Shoegaze, Dreampop soundscape. Crooning in the sombre resonance its shimmering guitar chords echo, each song runs a dreamy trip, usually steering into a familiar distress, yet exploring uplifting phrases too, like on the opening Dreaming, which gleams with a kind warmness. The following Swallow toes the line with soaring ascents to glory before a dreary, distant title track sets up its final two stints.
 
The arch peers into darkness on conclusion, as Like Heaven's catchy chorus bleeds a sombre melody to hint at its closing struggle, which Before delves into. Bringing back that alluring engulfing darkness heard on Rebirth, It is perhaps the catalyst for Jess' natural progression. After establishing its verse chorus loop, the later half ignites with a ferocity as she dials the soaring vocals to another plateau. The music swells, riding its decent into a the void. Stunning music, which again starts from a brighter place. This side has much merit but I find myself magnetized to the darker expressions.

Rating: 5/10

Sunday, 24 December 2023

Graywave "Rebirth" (2022)

 
Illuminating attention with an engulfing dreary charm, Graywave, brainchild of Jess Webberley, intensifies their dense Shoegazing Ethereal haze with bustling over drive guitars that swell and shimmer in flushes of bleak beauty. The instruments roar with inviting texture, baselines rumble, showing cracks and grooves, the drums strike with piercing clarity and crispness. Around them a glory of sombre tuneful sounds ripple and shimmer in waves, losing themselves in copious echos and reverberations.

Crudely Dream Pop, oddly catchy by design, these illustrious melodies lure one into its haunting spell. Each track casts its bait, then reels one into thick, heavy surges of descending imminence. Emotions suffer dark and burdensome, yet glimmer with soft introspection. Often feeling like a cathartic release of internal demons and personal grievances that run deep. Its stunning how each song sways in and out of this radiant hell, retaining its alluring colors and selling one on its shadowy descent over and over.

The magic ingredient is Jess' voice who has stunning softness in strength, her gentle tone can ascend and roar with the swells of instrumental gravity beneath her. Its a stunning chemistry from a multi instrumentalist honing in on a purity of self expression. Five fine songs, with the opening Build a masterful ear-worm to binge. This is about as heavy as Shoegazing gets before you call it Metal. To my ears, its akin to Autumn's Grey Solace on steroids. Absolutely loved this, Ive found my next journey it seems!

Rating: 6/10