Yagya "Vor" (2025)

Vor feels like a valiant return to fundamentals, that familiar mesmerizing magic spun to a new level of aesthetic excellence. The entrancing hallmarks of Dub Techno remain intact, soothing synths jostle in a haze of dramatic reverb to deliver dense, wondrous atmospheres. A slightly unsettled yet blissful tone bestows one, as inconsequential meandering melodies resonate a naturalistic beauty. The soft power of deep bass and Downtempo grooves aid these suggestions of chilling, tundra landscapes.

 

So to does its snowy cover art. Each song gently broods, easing its way into the dreamy rhythmic sway. Illusive tunes give way to pulsating thuds of bass drum kicks and stabbing wave saw synths. With crafty deception the walls of sound engulf us. Often built alongside northern countryside sounds, the crashing of waves, howling winds and squawking of distant birds, one is persuaded to its visual conjuring.

 

Icy caves, frozen mountains and snow smothered forests, their is no doubt the native Icelandic winter gives rise to these stunning Ethereal experiences. Nothing unexpected in its familiar construct, yet astonishing by the weighty power it holds. Its two halves, Vor and Haust, did suggest a shift in tones on paper but the whole thing flows as one, eight glorious shades of superb and dreamy Dub Techno.

 

Rating: 8/10

Yagya "Faded Photographs" (2023)

 

I recall commenting previously that Yagya's music, a unique blend of dreamy Ethereal Downtempo ambience, had run its course with me. Still in adoration of the peaceful persuasion this composer casts, this newest installment commanded a curious listen. The soft sway of deeply subdued dub percussion meets a timeless array of cloudy synths again for another sleepy affair in the heavens. Business as usual, the sweetest of routines that leaves me with little to say I haven't already in previous posts.

Where Faded Photographs caught my ear was with its vocal collaborations. A real sense of intended chemistry emerged as these delicate, softly sung voices chimed in as if a new element of the Yagya sound. Its been done before but in a few instances, these unions with Bandreas, Benoit Pioulard and my favorite Saint Sinner, turned out a treat! The subtle saxophone expressions from Óskar Guðjónsson another delight.

With a rather constrained temperament and consistent approach to the composition of these eleven songs, the novelty wears off swiftly but a soothing charm does persist. The Serpent stands head and shoulders apart as the records best song. Grappling with foggy unease and eerie stresses, the chorus moves through gratifying shifts as tensions resolve and elevate with beautiful chord progressions. It commanded me to write this post! The record however did become a rather typical affair for a sound thoroughly explored already. I do still enjoy on occasion though, this was one of them.

Rating: 6/10

Yagya "Always Maybe Tomorrow" (2021)

 

With little in the way of a stylistic divergence to be found, Always Maybe Tomorrow is the sort of release I prefer from an artist who I enjoy, yet may not find something new as they remain in their lane. This is a straight forward four track EP of droning dreamy cuts with the typical Yagya sound. Its synths, percussive pallet and ambiguous noises seemingly recycled tones from past projects but in this brief format its a welcome place to revisit. So much so that I'd fail not to repeat myself in describing it.

Each song is a deployment of rich textural aesthetics. Its perpetual deep bass pounding a soothing rhythmic backbone for a one way drive through the varying temperaments of its various instruments. Dense with atmosphere and calming in nature its quite the meditative experience for focus with no human voices to provide any distraction from the entrancing experience of these dreamy drones.

Perhaps I could remark on Standing Still In A River for a more prominent synth melody that repeats on itself endlessly, upfront in the tracks limelight. Beyond that excursion I find myself with little to comment on. This is a very typical set of tracks from Yagya, great to enjoy but not to much in the way of breaking new ground, which I doubt was ever the intent.

Rating: 4/10

Yagya "Old Dreams And Memories" (2020)

Given my utter disappointment with last years Stormur, I almost let this one pass me by but alas I had to find out if the Icelandic musician Yagya would kindle his particular breed of calming magic again. I'm please to report the answer is yes. It is a return to form but also no measure of anything unheard before. After much consumption, it essentially confines Old Dreams And Memories to the playlist along with his other works when seeking the relaxing mood of his soft and dreamy atmospheres.

Toying a little with tense strings on occasional tracks, the usual remedy of dub baselines resonating slow club grooves below cloudy synths gets a little flavor to define it. Many of the usual tones, synths and drum sounds in his pallet resurface alongside these Classical elements, bringing about a sorrowful and saddening tone to otherwise carefree and indulgent sound. Its rainy, glum, yet entrancing and beautiful as  sombre violins usher in a seriousness on its select tracks.

The voice of what I presume to be a Japanese woman crops up throughout the record. Her soft spoken word creates an intimate feeling of something serious. Given the nature of the music it has less of a manifestation into theme but adds a little mystery to the records vibe. All in all the new songs have provided the Yagya experience again but with nothing remarkable going on. As always this music is fresh on first listen but quickly its ambience and atmosphere confines it to the background.

Rating: 5/10

Yagya "Stormur" (2019)

Excitement and exception falls flat on its face as I rush to pick up a record without a pause to hear it first. Yagya has been a frequent "go to" for a particular mood, the steady pacing, ambient energy and dreamy atmospheres are blissful in the right setting, even calming. This time around the formula has changed, a pivot back towards roots in Dub, Techno and IDM music leaves us with a record more alike a Tangerine Dream album than Brian Eno. The opening couple of tracks have the distinctive soft and airy synths, cushioning the monotone beat and slowly melting into a dreamy atmosphere. It takes off where Sleepygirl left but not for long.

With each track the layer of warm and tranquil synths seem to slip out of focus as the underlying drive of Dub beats seem to become the main narrative. With an unhealthy amount of repetition the musics elongated moments seems to ploy around the microscopic details of the beat and its synths that latch closely. Inflection, tone and volume morphs and transmutes with the occasional kick removal offering up the only variety. Its at this point the songs drone on with that Tangerine Dream quality of winding meandering synths. Its dull, the record may possesses degrees of composure but its long strolls through winding beat manipulation suck out any magic it musters in brief moments. A real disappointment, not my cup of tea that is for sure.

Rating: 2/10

Yagya "Stars And Dust" (2016)

Days before the new year arrived the Icelandic producer turned in his sixth full length record much to my excitement as immediately took to bandcamp to get my copy. The second post I wrote on this music blog was "Sleepygirls", which was over two years ago! That and "Rigning" have been my go to records for calm and meditative music with downtempo beats and dub baselines that can sooth and clear the mind. The minimalist album cover, open to interpretation, had me excited in hope for more of this sweet ambience, which is what we got.

Initially I was disappointed, hoping for something deep, dense and dreamy the "lightness" of the record threw me off. However with each listen I realized it was essentially the same style, familiarity with that layer of atmospheric density striped back. The result exposes Yagya's wondrous spacial feel for melodies, both in the form of synth strings drifting to and from focus and the inconsequential notes that cut through the atmosphere with intimidate echos on tracks like "The Observable Universe". The unconventional melody style creates a mesmerizing sense of depth as patterns and tunes allude one in the ever murmuring synths, swirling in the void.

The formula is somewhat unchanged. Deep resonating dub baselines stroll with the easy going downtempo beats and a similar selection of instruments layer colors on top. Mostly electronic synths, a few piano sounds, bells and voices make there way in too. There's a slight swirl of atmospheric noise happening subtly in the background, sometimes dialed up on the occasion track. Its this element, shifted in composition, that has been greatly toned down from previous records.

The change gives light to instruments that feel as equally mysterious and illusive, only providing the calming, soothing tone rather than a direct narrative. However that illumination was not previously absent, the melodies were conveyed within the thick atmosphere. It leaves me wondering if it gained or lost anything in this transition. "Stars And Dust" is more of what Ive come to expect, once again with its own pallet that doesn't do much to progress the sound. A solid record for a mood of calm or focus but nothing more.

Rating: 6/10

Yagya "Rigning" (2009)

When I started this music blog back in 2014, Yagya's "Sleepygirl" had recently been released just after a big phase I went through with this record. It solidified itself as a "go to" record for a particular mood, the need for calmness or distance, something similar to meditation. Yagya is an Icelandic electronic composer who dabbles in the ambience with this project which has taken several different approaches to Dub Techno, also known as Ambient Dub, and this is the best of them. It really captivated me with its simplicity and ease on the listener, however with that comes a depth of sound and richness that lets every listen feel like you will hear something new. Inspired by rain, every song is accompanied by the sound of raindrops and sometimes traffic or urban noises. It fits so perfectly.

The record plays like one giant song with ten different movements, however these movements do little to move apart from one another, no change of pace or dramatic progressions they all explore the different shades of an idea. Each song has a backbone of deep murmuring base like a heart beat, with a quiet snare, kick and hi-hats nestled in to create the rhythm which always remains consistent in pace with no fills, rolls or breaks. Around them light airy synths faintly set a calmness as deeper, brooding synths sweep in and out of focus with reverbs engineered for what I can only describe as the sounds of clouds drifting through the sky. Other soft leads will pop in to the songs with a slight sense of melody that seems inconsequential, simply existing in union without the need for attention.

Everything is calm, serene and the tone so beautiful it compliments its inspiration, the rain, which pours down in every song. Downtempo beats quietly shuffle along with plodding baselines and around it an enormous sense of atmosphere enriched by the layers of synths that feel endless yet come together so gently. There are all sorts of little details worked into these soundscapes, brief melodies, an inkling of vocals and sometimes the sounds of people in the distance, just buried under the deep sound. Its an impressive record for its inspiration, construct and execution and one you can go to time and time again. The only flaw I could give it is my attention span, at one hour it stretches, however its mood is rather intoxicating. In the beginning tracks I am completely sucked in and with a lack of progression or change from song to song that charm isn't as strong by the middle tracks. All ten songs are very similar but its a complete treat for those who get a kick from this engrossing form of ambience.

Favorite Track: Rigning Þrjú

Rating: 8/10

My Top 10 Albums Of 2014

The end of the year is upon us, and now its time to write about my 10 favorite albums of 2014. Most of them have been reviewed on the blog which has only been going a few months. Writing about music has given me tremendous focus when it comes to appreciating music. I am now much more organized with my listening habits, I only write about records after I feel an understanding and connection to that without the blog wouldn't have been the same in the past. I'm thankful for this blog and everyones support by reading the articles, Its improved my musical experience greatly and this article will cover my thoughts of each record in brief.

(10) Panopticon "Roads To The North" Link

Delightfully different approach to Black Metal, Kentucky folk influences, an appreciation of heritage and culture made this a colorful and palleted record that is enjoyable on every listen.

(9) Yagya "Sleepygirl" Link

 

Not an especially distinguished or grabbing record, this was just simply what I wanted from this artist, some chilled out super mellow dreamy electronics.

(8) Earth "Primitive And Deadly" Link

A masterful record that saw long running band Earth find their inspiration and direct it into a mature and well developed record that brought vocal elements into their usually instrumental sound. An unexpected and welcome suprise.

(7) Erang "We Are The Past" Link

Erang has pumped out a lot of music in a short amount of time and each record brings a variety of interesting and indulgent music, but unexpectedly this one really stepped up the game with some of his most inspired and captivating music yet. Makes me excited for the future of this project.

(6) Wolves In The Throne Room "Celestite"

Stripping out core elements of their sound and focusing on the abstract synthesizer sounds, the group made a remarkable record that goes on a vivid and mysterious journey through space and time with and eerie and cold undertone. Gripping soundscapes

 (5) Behemoth "The Satanist"

Stunningly dark, evil and well composed. What could of been another run of the mill album for their 10th effort turned out to be focused and ambitious record that despite sitting in a comfort zone, turned out to be monumentally engrossing and heavy.

(4) The Underachievers "Cellar Door - Terminus Ut Exordium" Link

A pleasant surprise to find a Hip Hop record in the modern era I could get into. Very much enjoyed the atmosphere of this record which borders some dark moods at time. Great beats and flows outside of my comfort zone made this an expansive record for my taste.

(3) Saor "Aura" Link

A brilliant record that appreciates Black Metals melodic side, bringing together the abrasive aesthetics with culturally inspired melodies and instrumentation. A pleasure for the ears.

(2) Messenger "Illusory Blues" Link

A Progressive Rock record that draws inspiration from many of the greats while creating its own identity. This record is mature for a debut and paves the way to a bright future for this creative band.

(1) First Aid Kit "Stay Gold" Link

Picking my favorite was as easy as it gets. Since I first heard this record Ive found myself more and more engrossed by these gorgeous songs that are charming and relate-able with down to earth, uplifting and reflectional lyrics that are driven home by the pairs beautiful voices, which put me in a good mood every time I hear them. Simply can't stop listening to this one.

Yagya "Sleepygirl" (2014)

Yagya is a producer from Iceland whos approach and execution of ambient electronic music is unlike anything else on offer out there. His style is as distinct as it is lush and dreamy, you could describe this as "ambient techno" with some influences of dub and ethereal sounds, but in between these familiarities is where something unique emerges.

Sleepygirl is exactly what i wanted from a Yagya record after being slightly disappointed with 2012's "The Inescapable Decay Of My Heart" which has actually grown on me a fair bit overtime. 12 tracks of sleepy, dreamy soundscapes guided by steady paced bass drums kicks that fuse with some minimalist leads that resist evolution and keep you locked in the space between the sounds. The inclusion of some vocals in places are well received as they fit into the ambiance much better than Yagya's previous effort. There are no negatives for me here other than a lack of a standout "moment" or favorite track, but then thats really not what this record is about.

A final note, i especially like the album cover on this record. To look at art is to be held in its moment, never moving or progressing and i feel that is a quality of Yagya's music that is reflected by this cover, which keeps me intrigued as to the meaning of the two triangle sections of cloud.

Favorite Song: None

Rating: 6/10