Showing posts with label The Future Sound Of London. Show all posts
Showing posts with label The Future Sound Of London. Show all posts

Friday, 30 December 2016

My Top 10 Music Discoverys In 2016


Another year rolls by and the musical journey continues in full effect. There could of easily been another ten artists Id like to see on this list but I had dwindle it down. 2016 Has been hectic with moving and full time youtube but Ive managed and caught some great live shows too, seeing the Savages twice, Korn & Deftones twice as well as their Nu Metal buddies Limp Bizkit. Babymetal, Black Sabbath, Periphery, Cypress Hill, Ministry, Enter Shikari, Bring Me The Horizon and most of all, finally got to see Death Grips! What a year. If you didn't catch my top ten albums of the year you can see it here.

(10) The Future Sound Of London

Although I'm yet to get deeper into their discography but their "Lifeforms" record was a fantastic experience in lucid music that could take many forms. A truly impressive feet of music I am glad to of discovered.

(9) Deafehaven

Their debut Sunbather didn't do it for me, I'm yet to give it a try again but "New Bermuda" really cracked it open for me, their genius revealed on a remarkable record. It would of made my top 10 had I listened to it last year.

(8) The Contortionist

Recommended by my buddy Rendog as one to listen to over and over till it hurts, I certainly gave it a good try, it was only later in the year when the dust had settled that I really grew to appreciate them and their new direction.

(7) Babymetal

Initially I dismissed them as a gimmick but how wrong I was, now I realize behind the front trio, who have great voices, are a set of great musicians pushing Metal in strange and new directions which are to be celebrated.

(6) Echo And The Bunnymen


Again I'm guilty of not getting further into a band but with just one record they have won me over as a terrific band and every time a song comes on shuffle I am always engaged. Making this list I know I'll have to put another on next years playlist.

(5) Kate Tempest

I'm guilty of passing up the opportunity to see her perform live, something to correct next year. Kate's mix of poetry, rap and spoken word is unique and expressive, both her albums so far have been fantastic and I hope she keeps progressing as an artist. There will be many good things to come.

(4) Kauan

Not as impressed with their back catalog but "Sorni Nai" maybe the closest thing to a modern masterpiece I can think of in recent memory. It wont be for everyone but the atmospheric doom based around the legend of the Dyatlov Pass incident it is truly engrossing.

(3) Dusty Springfield

 A household name to many, seeing Dusty's record praised in top lists all it took was one listen and I was hooked, "Dusty In Memphis" has since become one of my absolute favorites. Her voice has so much love and compassion it is always a joy to hear her sing.

(2) Savages

One of our brightest new bands, Savages really won me over with their sublime live shows and records to match. The Post-Punkers re-imagine a moment in time, bringing it back to life with new ideas, charisma and musical creativity it buckets. There records however cannot do the energy of their performances justice.

(1) Dead Can Dance

Ive always had a soft spot for music that reflects time and culture of the forgotten, ancient and perished. Dead Can Dance bring other worlds to life not only through music but through the voices of the duo who sing as if from different cultures and eras of history. A truly remarkable band who I need to continue with given their large output of records.

Friday, 1 April 2016

The Future Sound Of London "Lifeforms" (1994)


Sent to me from a twitter follower I fired up this record on youtube and ever so swiftly did this one reveal its brilliance. As on the first listen and many follow ups I was captivated by such an organic and spiritual musical experience. "Lifeforms" is a gem, a strange oddity of experimentation that abstracts the norm and unites the beyond with the now as if on a psychedelic drug trip, reaching into the limits of the mind. Perhaps its not totally "out there", or anything to blow your mind but given the context of 1994 this record is well ahead of its time, mixing all sorts of sounds into a fluid unravel of imaginative beauty for your soul to explore.

This is one of those records to experience yourself. There are some steadier moments where chilled out, down tempo beats providing a familiar rhythmic setting to nod along to, however its charm lies in a continually evolving tapestry of unusual samples and wandering instruments that find a mesmerizing chemistry in unusual places. Even room for a lofty, dreamy sample of "Cannon In D Major" to drift into the subconscious. At 90 minutes it doesn't outstay its welcome, but continually finds new territory and sound to move through, it could of easily gone on for longer.

Almost every moment on this record is fantastic and there are two moments in particular I'm fond of. As one might guess there is black and harrowing track that delves into dark down tempo ambience with shadowy shimmering synths, cryptic distorted voices and rippling sirens in the distances. It evolves into a short lived steady beat that grooves with an evil menace. In contrast "Dead Skin Cells" brightens the mood with with unusual alien sounds juxtaposed against birds tweeting in the distance while a laid back beat drifts on by. Much of the record ebbs and flows at its own pace, through one oddity after another. A truly riveting experience, one I will continue to dive into as time goes by.

Favorite Songs: Dead Skin Cells, Domain, Spineless Jelly, Vertical Pig
Rating: 8/10