Mrs. Piss "Self-Surgery" (2020)

Plunging into a world of maniacal self deprecation, Chelsea Wolfe and Jess Gowrie team up for a short collaborative effort. Its sleazy name, grotesque artwork and grim atmosphere make for a wild ride into the depraved. Fulled by Punk adrenaline and noisy instruments the duo put together a mix of Post-Punk, Black Metal and Post-Metal that steps into the bleak shadows but offers a rather grabbing energy in return as its darkly tone is driven by some unexpected great song writing.

Firstly, the combination of Chelsea's haunting voice, hazy like a ghost in the fog with vitriol screams and howls in the backdrop is memorizing in its best moments. The two get loose, toying with reverbs among the barrage of noise. It lets a whole range of approaches light these songs up and the ambiguity fuels the sometimes simplistic, repetitive lyrics, which do not feel as such. Its drives home the filthy themes at play that dip into the ugly and darker corners of the mind. 

Secondly, percussion is king, from the tame, sluggish and brooding sections, up to the fast, energetic, pulse racing patterns, they drive the music forward. Rather than pace keeping, the grooves feel essential, a central part of the composition. Aesthetically they are part of the ugly sprawl of sound, the cymbals heavily clashing in the mix but it plays into the projects charm with enough cushion in its key components to really drive home the deep pushing power they posses.

Behind it all rugged riff driven guitars and powerful pounding bass lines, the occasional synth, brew up the textural treats as they barrage, along with the percussion, walls of dizzying darkness. It puts the record in this unique position of occupying a dark realm without pulling up the usual tropes of blast beats and sinister melodies. Its the ripe chemistry forging an engulfing atmosphere that makes this project work. At just twenty minutes it goes by all to quick. I hope they do more together!

Rating: 7/10

Chelsea Wolfe "Birth Of Violence" (2019)

Singer, songwriter Chelsea Wolfe returns again and with each passing album a new approach is found. This new chapter is a sombre, calm and almost soothing affair. In all its alluring abandon, Chelsea graces us with the haunting softness of her voice. Treated by shadowy reverberations and armed with a desolate acoustic guitar, she strums through the eerie and dreamy atmospheres the two conjure together. Lurking percussion, elements of noise and ambiguity converge on occasion to dial up the mania but much of the album explores the loneliness in voice, mirrored in minimalism where soft airy synths and grave strings may be the only backing.

The records pacing is drawn out as it lingers tortuously on the sadness each song seems to swallow itself in, its temperament dreary and drifting. There is little uplift, light or reprise but despite wallowing in the shadows her beautiful voice gives a sincere weight to the darkness that follows her. It makes for a mourning listen, a doom always present, yet its grace and musical harmony is welcoming. Its a strange dimension, a limbo for all pains to be laid bared and observed but for the listener to remain distant from. Its as if shes shut the lock and thrown away the key.

Birth Of Violence is a finely felt, crafted and expressed experience but for all its stunning harrows, it tends to pass one by in the best of ways. I kept listening to this record over and over. It would always drift towards my subconscious attention, birthing an atmosphere softly dark and painfully warm mood. It was pleasant yet full of suffering. Perhaps that is precisely what she was aiming for, It wasn't until the lens of writing examined my experience that I realized how particular it could be. I couldn't give you a favorite song or stand out moment, the music just exists, engulfs and then its gone with the storm! To say that feels like a conceptual through line.

Rating: 7/10

Chelsea Wolfe "Hiss Spun" (2017)

American singer songwriter Chelsea Wolfe has had my ear for a while now. Her stunning Pain Is Beauty has been a standout record in recent memory but like all great artists, she continues moving forward and evolving with each record, which doesn't always yield success. Her feature on the title track of Russian Circle's Memorial seemed like a perfect match, something I craved to hear more of and her last release Abyss gave us that collaboration. Oddly it didn't resonate with me and this newest release, Hiss Spun, sounds exactly like what I hoped that pairing could accomplish. This time Chelsea features Troy Van Leeuwen from Queens of the Stone Age who composes monstrous Post-Metal guitars to bring weight and atmosphere to Chelsea's haunting presence.

With calms before storms we tepidly breathe, recover and anxiously await the lurking dread that's always present. One song after another has us in its grasp of haunting sorrow, and unsettling unease before unleashing the ugly, disturbed, mammoth walls of sound that drown us in its thick, dense and meaty persuasion of sludgy, wailing guitar noise. They bleed at the seems, burgeoning with gritty texture, turning eerie atmospheres to nightmares in there wake. With a swarming intensity the layers of sound flesh out dizzying moods as floods of Post-Metal guitars descend upon the listener in sudden, violent eruptions, sometimes with a little build up.

Chelsea's soft and pain felt voice finds its setting here with familiarly dark and harrowing instrumentals of baron percussion, eerie reverberated acustic instruments and piano chords of dread. Its set to new extremes with truly massive guitar distortions as most the songs find a pace to proceed to an unleashing of dense Post-Metal guitars stacked with sludging rumblings of guitar noise that occasionally have a semblance of groove but mostly thunder away a monotone driving of momentum.

 The chemistry is sublime, when it roars Chelsea's voice transforms from the weak, vulnerable, tortured soul to a fierce, empowered beacon of bitter strength. It comes in measures and always with an ear for aesthetics, her voice often discernible in a ghostly wash of reverberation. The compositions all feel linear, expanding and growing in one direction, taking us on a journey through her pain and inner darkness. A couple of tracks don't feel to dissimilar to previous work, her vocal style showing some boundaries in places as they echo old songs.

Hiss Spun is a maelstrom of noise, numbing you with its bludgeoning rumble of sludge guitars that decimate in the eye of its storm. The shadowy calms between hold us captive as the inescapable approaches. A fine record with vision, stunning execution and little to flaw, possibly her best to date? Id say it comes down to taste, I personally love the electronic variety on Pain Is Beauty but adore the overwhelming experience these forty eight minutes of smothering whisk you into.

Favorite Tracks: Spun, 16 Psyche, Vex, Offering, Static Hum

Rating: 8/10

Chelsea Wolfe "Abyss" (2015)

Discovering the music of American singer Chelsea Wolfe last year through her previous record "Pain Is Beauty" was a breath of fresh air. Another reminder that there seems to be an endless source of sound out their that can reach you in many different ways. Chelsea's cold, bleak and shadowy music plays off her sweet somber voice like a spirit calling out from dark and on "Abyss" she takes a big step thematically and musically into her darkest sound yet. Accompanied by several members of Russian Circles the album takes the big roaring Post-Metal sound the band play to new territory with monstrous guitar work plunging us into the abyss.

What I previously liked most about Chelsea's music was the juxtaposition between the brighter melodies and the dark, gloomy tones that played off one another. Abyss is stripped bare of anything uplifting and plunges deep into a wallowing despair of darkness as the Post-Metal apocalypse broods sludgy, gritty riffs of ambiguous noise under a rattling kit and Chelsea's lonely cries. Its a hefty, atmospheric sound, but one that wasn't quite as enthralling as its ambition. The riffage falls savage to its textural ambitions and doesn't make anything memorable with the notations.

This is much the tale of the first half of the record and with "After The Fall" the album picks up with a distinct shift in direction as the distortion guitars drop from the focal point. This second half has a lot more melody and driving moments that still focus on an unforgiving despair. "Crazy Love" utilizes a haunting string section that cascades and descends with a tone of horror and evil under Chelsea's soft vocal inflections. Across the album she reveals the dark and tormenting experiencing of the sleep paralysis she suffers from, which a part of this album deals with and contributes to its haunting theme as she shares with us the frozen wakeful state of shadowy figures and being trapped in oneself.

Abyss is an ambitious and focused effort that I cannot criticize, the production works together monstrous distortion and bleak sounds with a clarity that avoids feeling sterile and the music its captured has its direction but for the most part this particular strand of dark isn't as immersible for me as I would of liked. What I like most about her music is that chemistry where the darker sounds smother the brighter melodies within and the first half of the record was devoid of any of that. I'm hoping its just something I'm not in the mood for right now, as I can hear whats great about this one, but right now it hasn't clicked.

Favorite Tracks: After The Fall, Crazy Love, Simple Death

 Rating: 5/10

My Top 10 Music Discoverys In 2014

Its been a great year for music. I've seen a lot of live music and caught some amazing anniversary shows, like Emperor playing the whole of "In The Nightside Eclipse" ans Nas at Lovebox playing "Illmatic". Also got to see Sikth, Metallica, Eminem, Dog Eat Dog and Limp Bizkit a couple of times too. Theres countless more but seeing two of my all time favorite albums played in full was really something. I foolishly missed out on seeing Linkin Park play "Hybrid Theory" in full and Smashing Pumpkins with Marilyn Manson in London, but no need to dwell on the missed opportunities, next year I will aim to take them all! Beyond live music I've broadened my horizons and discovered more fantastic music, this list covers my top 10 new discoveries over the year, for my top 10 albums of 2014 click here.

(10) Kendrick Lamar

I was never expecting to find much in the way of modern Hip Hop, but this artist had what was great about the old and the new rolled into one. It gave me a better understanding and appreciation of the new era. ive since found myself enjoying a lot more Hip Hop from our current time.

 (9) Skee-Lo

Not the greatest of rappers, but Skee-Lo's style and sound is prime 90s, and I love 90s Hip Hop, after expansively exploring this era over the last few years there are not many leaves left to turn over, but Skee-Lo was a hidden gem that had some how alluded me, much like Kriss Kross possibly because of short lived commercial success at the time.

(8) Chelsea Wolfe

Simply a brilliant musician, Chelsea's dark and haunting psychedelic folk paints her a unique sound to my ears that is a welcome discovery, but one I have neglected to take beyond "Pain Is Beauty", must listen to more of her albums in 2015!

(7)  First Aid Kit

I've said a lot about these two already, my favorite album of 2014, and beyond that their other records are enjoyable too. A great discovery recommended by a reader here at the blog.

(6) Depeche Mode

Known about this band for as long as I can remember, but finally had some encouragement to give them a listen and found that I very much like what they are about. With such a large discography I'm sure I will be listening through their albums for some time to come.

 (5) Ministry

I've known about Ministry for a long long time, even listened to ΚΕΦΑΛΗΞΘ a couple of times but this year their music just clicked for me. I brought a 5 album bundle at bargain price and never looked back. Incredible energy and anger in their music, my favorite discovery from my dive into Industrial Music.

(4) The Art Of Noise

"The Seduction Of Claude Debussy" Is a blinding album, it fit a niche for something I had always wanted to hear, a joining of old and new, Classical and Opera colliding with Jungle and DnB. The record itself is no experiment, this is a masterful execution and expression that utilizes the qualities of each and brings them together in unison, beyond the album they have a few other songs I like and have been a rewarding discovery.

(3) Marilyn Manson

I've been familiar with Marilyn's music since my youth, all my friends liked him, but for some reason it has taken me 15 years to get it, but its well worth the wait. Manson has his own genius and he flaunts it through his angry, rebellious music that has plenty of food for thought. I've really connected to his music and I'm eagerly anticipating a new album from him in 2015.

 (2) Marvin Gaye

I was drawn to the TV after hearing extracts from "Kind Of Blue" to find a great albums of past show, after Miles Davis came Marvin's "What's Going On" album. It stuck a nerve with me immediately, and I found myself at the mercy of his soulful voice which appealed to me through the subject matter. He could talk about our deep rooted societal issues, but package them with a warm reflection and positive perspective that spoke to me deeply. I brought the record instantly and it has been spun countless times since.

(1) The Smashing Pumpkins

Undoubtedly my favorite discovery this year, and maybe of the last few. Their a band I've always known of, but really had no idea what their about. After watching a documentary about them, it clicked, and listening through their albums one by one I've realized Billy Corgan is a musical genius and one I connect with. His sound is brilliant and unique, bringing influences from across the spectrum of Rock, Metal, Grunge and Alternative, but blending it all together and painting songs in his own color. I've enjoyed there first 4 records tremendously and theres still more to come.

Chelsea Wolfe "Pain Is Beauty" (2013)

This "review" is premature, i often like to reach a point with a record where i feel the music well and understand it. Right now I'm excited and drunk on the nectar of a new sound, a new niche has been carved in my mind. I don't yet fully understand it, but I'm entranced by its beauty and want to share it with the world.

The music of Chelsea Wolfe was recommend to me by a friend and all i know of her at this point is her music. She's got a stunning, ghostly voice with much passion and sadness that drifts like morning fog trough instrumentals so curiously poised between contrasting instrumentation that paints its own eerie and haunting place in time. This record has as a listening experience has been fruitful with 12 deep, rich and varied songs that are a pleasure for keen ears.

Juxtaposition is the theme that hits me hard on these tracks. There is a unique balance in the song writing, where the uplifting, more positive instruments can be offset by a contrasting sound or use of re-verb / low-fi recording techniques to create an eerie and unsettling undercurrent found throughout the songs in this album. Chelsea's ethereal voice soaks these tracks with emotional deeps that give me goosebumps every time. The instrumentals here are unlike anything I've heard before, and her voice trumps it all.

Favorite Tracks: We Hit A Wall, The Warden, Sick, Kings

Rating: 8/10