Showing posts with label Lorna Shore. Show all posts
Showing posts with label Lorna Shore. Show all posts

Wednesday, 2 November 2022

Lorna Shore "Pain Remains" (2022)

 

With the huge springboard of viral success from last years To The Hellfire single, Lorna Shore have ample opportunity to stake claim in Metal's legacy with this new full length, Pain Remains. Leaning heavily into their breed of attention grabbing breakdowns, the lush orchestral thematic extremity on display gets smitten by sudden barrages of unmitigated brutality. Opening with a symphonic piece echoing Death Cult Armageddon vibes, its dark fantasy orchestration swiftly falls mercy to sporadic, murderous crashes of cold and cruel aesthetic abuse. Brazen pummels of lightning blast beats and unearthly demonic gutturals intrude, lunging its musicality into blunt, primitive howls. Carnal and crude in nature, its offering are slim past its inception.

And thus a truly interesting elevation of symphonic extremity gets subverted. The mighty, triumphant and mercilessly aggressive union has its fantastical themes abruptly diminished by these unconnected inhuman roars from an unforgiving abyss. Identity is lost as synths are stripped out, so to do melody and rhythm fall wayside to simplistic noise barrages. Seeming worlds apart, the immersive lather of strings, trumpets and horns integral to world building, slips into a void, in favor of brutal tropes.

For this listener, a sense of identity and direction for these songs failed to manifest. Where progressing with musical ascends and crescendos might be expected, all I found was the sudden dissolution of magic in the wake of its breakdowns. This was likely the intent, that all roads lead to their ugly abandon of over the top extremity. For me its a novel trope that undermined everything else. Fortunately its final three part title track ads a little saving grace, the best songwriting on the record where they have an opportunity to shine. But at the end of a grueling slog of intensity, it too wains.

Rating: 4/10

Thursday, 15 September 2022

Lorna Shore "...And I Return To Nothingness" (2021)

 

In the coming weeks there will be entries here moaning my pains about the dull, repetitive state of modern Metal. Coincidentally, I decided to finally check out one band garnering a lot of attention within the scene. Lorna Shore have had viral success with their abhorrent demonic breakdown ending To The Hellfire. Bloated by filth, absurd screams and obnoxiously rapid blast beats, the monstrous conclusion was simply an obvious increase of Deathcore extremities that came before it to my ears.

My reluctance to dive deeper has not been without warrant. The breakdowns are the least appealing presence presiding within this EP. Each song finds a couple of breaks to murder tempo, unleash beastly gutturals and assault with nihilistic percussive blasts that sounds like precision machine gun fire. Its execution is exquisite with octane aesthetic however the trendy technique is just flash in the pan for this "Deathcore veteran". When new and novel, its a riveting blast but any meaning seems knee deep.

Fortunately, everything else to my taste. Shades of Blackened Death Metal collide with evil symphonic theatrics in the vein of Orchestral Black Metal, once pioneered by Dimmu Borgir. While I'm name dropping, this record felt like an aggressive succession to Shade Empire's brilliant Arcane Omega. Foul winds blown over fantastical landscapes flirting between devilish darkness and Tolkien like fantasy realms.

The production is sublime, letting a lot of densities dance as its instruments throttle alongside luscious symphonies. The tandem is extreme, hanging in a balance other bands might butcher. Yet they navigate the fantastical landscapes with an aggressive flight that's exhilarating in its stride. Melodies are sweet and adventurous, balancing out extremity and developing theme. Its terrific chemistry backed by great songwriting. I'm left rather excited for their next album, set to drop in a month and a day!

Rating: 5/10