My Top 10 Music Discoverys In 2024

 
This years picks were no struggle. I've pivoted away from picking up every record a band I follow releases. You accumulate a lot over the years and being fussy means avoiding acts that are spinning their wheels. This attitude freed up my time for more discovery and thanks to spotify shuffle its easier than ever to unearth new names and projects that peak your interest.

(10) Clown Core

A perfect example of bizarre internet age musicianship reveling in the obscure, toying with the deranged and masking rhythmic appeal with confronting aesthetics. Moments of magic arise from the memish presentation that often feels like an in joke.

(9) Dimmu Bongir

Another project with a comedic premise plays its stoner parody as an excuse to exercise love letters to early 90s Black Metal. Including the Symphonic scene in tone, these two records superbly resurrected the feel-tone of my most enamoured sound.

(8) Labyrinthus Stellarum

Operating within familiar terrain, Labyrinthus Stellarum's breed of cosmic, atmospheric Black Metal plays a delightful fright. Their embrace of exotic synths gives the rapturous music a curious edge whilst pummeling darkly riffs through the night skies.

(7) Sabrina Carpenter

Pop music is in a shockingly good place right now. So many acts cherry pick the best ideas of decades gone by, repackaging them with a level of aesthetic indulgence that almost surreal. As one of the biggest acts, she has the voice to meet this high bar conjuring echo's of greats like Madonna, bringing authentic country roots along too.

(6) Fogweaver

A fine discovery for the Dungeon Synth archives, a tired genre where unearthing quality feels rarer these days. Although I've only covered one record, Fogweaver has plenty more quality records with a particular flavor to indulge with.

(7) Fred Again..

My issue with House music is that I never quite find what fits me, despite loving the rhythm, aesthetics and overall concept. Fred Again.. has captured my interest with his lovecraft of personal moments bottled into beautiful songs. They explore intimacy through samples of snippets from conversations with friends, repeating the motif through ebb and flows that find gratifying swells over and over again.

(4) Willow

Children of success often carry an illusionary burden, the "bar set high" of their senior. However high Will soared with his eclipsed music career, Willow has simply smashed that idea apart. She stands apart, her own entity willing to dabble in all sorts of musical directions and finding a voice that blossoms in many directions, feeling natural and deeply expressive at every exciting turn.

(3) Rina Sawayama

At the peak of my Pop interest, Rina too plays this current game of resurrecting the past whilst casting a broader net of influences. Resulting in delightful rides across the musical landscape, rooted in Pop appeal, Rina's emotive voice and passionate lyrics reach into places I didn't expect, birthing absolute gems like To Be Alive. Its some of the most moving music I've heard in a while.

(2) Graywave

From the moment I heard this artist, it all fit together, a struggling, depressive Shoegaze venture into the dark reaches of moody Metal. Reflexively toying with indulgence and relief from personal woes, the music plays with hints of Deftones and Cocteau Twins. It's Jess's endearing voice and distraught lyrics that tie it all together, making the dense walls of engulfing of sound feel deeply personal.

(1) Spiritbox

I recall listening to Eternal Blue upon release, dismissing it in the process. How foolish! It was knowledge of seeing them live later in the year that prompted me to try again. Its baffling how the magic was locked away. After many spins it started to click. Since then I've become completely engrossed by their unique dynamic, routinely binging their best numbers, eagerly anticipating more! These are now like Metal anthems to me and I absolutely loved their live show. Can't wait to see them again in the new year!

Dimmu Bongir "Dark Medieval Hash" (2024)

 

After running the For All Tid playbook, our comedic stoners return with an incremental progression on the nostalgic 90s sound I adore. Muddying up the parody, Satyricon's debut takes thematic focus in name and cover art alone. With Dark Medieval Has, these musicians start to express their own ideas. Chunky distortion riffs and majestic keyboard melodies not so easily identified, emerge from the evil dusky aesthetic. 

The apple doesn't fall far from the tree, little surprise awaits in construct or design. We essentially embark on another dark venture through the mystical imaginations of these rebellious Norweigns, inspired by paganism, the occult and merciless frozen forests.

Certain songs hit harder than others. Pipens Åpenbaring has a wonderfully esoteric synth melody at its opening. With a rather ambitious climax, the song amasses rich sinister organs. Along its way, a Spanish acoustic guitar is introduced, much like Old Man's Child once incorporated its brittle tone to the Black Metal architecture.

A Witch Is Stoned wins the "best song" competition. A clear favorite with a powerful, magical, mischievous synth hook. The keyboard riff toys with low to high dynamics reminiscent of Dimmu Borgir's Spellbound By The Devil. Its guitar solo, intentionally jarring, scratchy and shrill, also feeling reminiscent of that landmark record.

Dark Medieval Hash has been a blast but also shows this band can do more than just emulate. I hope they continue to expand on this nostalgic revival and perhaps venture into new terrain from that different point in time. If they simply continue with this formula, I will be entertained either way. Great stuff!

Rating: 7/10

Dimmu Bongir "Hvis Pipen Tar Oss" (2023)

 

 

What on earth is this? A stoner's parody of my beloved Dimmu Borgir? Perfect! Well, that's actually so... what comedic kicks are discernible through throaty howls and song titles, like Bongblåst, plays second fiddle to the music. The greenthumb humor is clearly an excuse to revel in early Symphonic Black Metal, which I happen to adore. With a rough around the edges production, Bongir capture the nostalgia in a bottle.

 

Reworking the For All Tid playbook, no surprises fluster this listener. Hvis Pipen Tar Oss plays a familiar beast, writing new incarnations steeped in its ancient architecture. Occasionally they encroach on plagiarism with a riff or melody, most notably with the opening guitars of Røk hans pip. Piano interludes, dingy acoustic guitar breaks and deep heathen vocals drop in Norwegian tongue just like Borgir did in their early days.

 

 Pagan Rips, a reference to Mayhem, holds astral swirly melodies and potent tunes uncannily close to The Kovenant. Its main hook a clear lift from the classic Bizzare Cosmic Industries. A win for this adoring fan but this does question what should classify as a cover or original? The song does eventually deviate in its own direction.

Another standout, Transylvanian Munchies, pays tribute in parody alone, to legends Darkthrone, who didn't venture into the Symphnoic avenue themselves. Its the one song where stars align. Throaty growls groan at just the right intensity to get its comical lyrics across. "And I'm Still Hungry" punchline a silly delight to smirk upon.

These appropriately named musicians Gahll, Tjalladdin and the all too obvious Hashiah, have done a stellar job resurrecting a niche sound with both passion and vigor. The project is clearly a love letter to this forgotten era. Their keyboard tones feel especially well selected, giving the record a soft freshness on that front.

Hvis Pipen Tar Oss has been a delight, a nostalgic reinvention reminding me of recent discovery Këkht Aräkh. Perhaps I should invest more time in seeking out other millennial musicians obsessed with 90s Black Metal. It never occurred to me that comedy could be a convenient excuse to launch such a project. Dimmu Bongir have done it to great effect and fortunately for me, another album lays in wait!

Rating: 7/10