Dødheimsgard "A Umbra Omega" (2015)

I was flooded by a wave of excitement when the news of this record's release made its way to me. Its been 16 years since the band dropped "666 International" and with the disappointment of 2007's "Supervillain Outcast" I should of been cautious, but alas the title and album cover sparked my imagination with hopes of a glorious return to form. On arrival this one went straight to the top of my playlist, but quickly I groaned as it became clear this wasn't going to be my cup of tea.

The aesthetic of the record isn't exactly Black Metal, churning blast beats and droning distorted guitars aside, its a muted, muddy and warm production that dampens the aggression and paves the way for its more flamboyant qualities. On paper it sounds like something id love, long passages of unraveling music that transitions from aggression and evolves through dark, eerie compositions, giving way for a variety of lighter instrumental ideas and intensities that across the five lengthy tracks explore many moods. The instrumentals alone are well performed, indulgent numbers that lack a spark or flair to truly define them. But crashing into the fragile like a knife through butter is Aldrahn wailing theatrics, his tone and delivery dispel the atmospherics and cut the tension. His loose, emotional performances scrape and pull on the chords of pain as his screams, shouts and crys punish the listener with their intensity. I appreciate the performance art in tracks like "Architect Of Darkness", where Aldrahns despairing screams paint the pain vividly, but their was something deathly off between the two as his vocals continually dispelled any magic the song was building.

And the music has magic, there is clearly something at work in these instrumentals when they break from the metallic and into the acoustic, ethereal reverb lead passages, there are a range of musical styles contributing to the unnerving and eerie atmospheres, including the use of additional instruments like ghostly pianos and haunting flutes. It could all amount to something beautiful, but often fell flat, undoubtedly helped along by  Aldrahn and Victonik's theatrics. I will continual to listen in the hope of familiarity overcoming the soreness, but initially its been a lacking listen, at least "brightened" in one sense of the word, by its richer acoustic moments.

Rating: 4/10

Dødheimsgard "666 International" (1999)

Today I felt like talking about a record I've been revisiting recently. Must of been around 10 years ago I found this unique little album that fuses the styling of Black Metal with a noisy Industrial sound. The result is distant from its obvious influences and from start to end provides a dizzying, abrasive listen that visits many musical contexts, but also delivers some memorable tunes. The album opens with a bang, a descending, clean piano clashes with a blitz blast beat and brimming guitar distortion that pass into a weary, bleak landscape as Aldrahn introduces himself with clean, poetic vocals that build the mood. Quickly the direction changes as the vocals become demonic and guttural, the intensity builds from the guitars and drums, and the tone for this album is set.

From this point onwards Dodheimsgard, translated "Home Of Death", move through many artistic, avant-guard musical passages that are as enjoyable as they are intriguing and bizarre. There are dizzying, nauseous blast beats and rhythmic groves mixed with abstract sounds and instrumentation that even find room for screeching noise abuse at the end of "Final Conquest". Anything goes, it may seem, but despite how abstract the styles and influences explored in this album are, Dodheimsgard hold it together in memorable fashion. And of course this dizzying listen is parted by piano interludes that provide a needed contrast.

The production is not the cleanest, but its flaws are strengths in this noisy record filled with absurdities, there was little that could go wrong. With such a wide range of sounds, drum kits and even guitar distortions its impressive to think there are no moment in this record where anything feels underwhelming or overlooked. As a whole it feels thorough and ready to fit its purpose, which is musical exploration at its extremes.

Favorite Tracks: Shivra-Interface, Ion Storm, Final Conquest, Sonar Bliss

Rating: 7/10