Krusseldorf "Laidback" (2017)

For now, our Krusseldorf venture concludes at a lower altitude. Distant are those charmed curiosities that drew me in. Laidback is certainly calm in demeanor, easy on the ears but much of its lengthy runtime circles over dulled ideas and bland aesthetics. It suggests the artist enjoyed the subtle details of its sound design much more than this listener. Lacking melody and groove, the focus seems to lay in the textural craft of these dreary downtempo drives. They Fall conjures a soothing mood with its dreamy warmth. The following Rebuilding Icarus flips the script for a lean cut, darkly intent with sharp brittle beat. From those distinctions, the record drifts into obscurity. Tracks drone on, seemingly fixated on strange Industrial like samples and breathy snippets. These ideas are scant, ruminated on endlessly, A tired slump I didn't enjoy much.

Rating: 3/10

Krusseldorf "Cloud Songs" (2020)

 

Still charmed by Krusseldorf's curious demeanor, we venture further down the rabbit hole. Cloud Songs' titling nods to its lofty ambiguous nature. Quirky compositions, delving into a haze of softness, lazy, relaxed and inviting. These cozy tracks meander through inconsequential landscapes of melting melody and circling rhythms that evoke Pysbient suggestions when percussion hones in on Downtempo templates.

Despite getting off to a strong start, establishing soothing vibes and cruising through chilled melodies, the tides turn in its second act. Dub For Slouchers hits a high as the records best track, cohering the classic Dub baseline to its whimsical follies, ushering in dazzling arpeggios near its conclusion. After this, the mood shifts, dramatic, subtly sorrowful, with a sense of abandon, proceeded by chemistries brewing unease.

Between them, Dance Of The Sleeper revels in that winning Dub formulae again but otherwise the record fizzles out as emotional narratives fail to resonate within the soft obscurities electronic music can offer. This is oddly punctuated by the arrival of dreamy, Ethereal effeminate singing, which had previously done the music wonders. This outing they played into the diminishing flow. Cloud Songs had immense promise but simply drifts out of focus after a strong start.

Rating: 5/10

Krusseldorf "Fractal World" (2014)

Winding back a decade from a recent curiosity Mushroom World, this record plays out in its imaginative shadow. Resting on mellow laurels, these harmless ambient soundscapes exchange sleepy, murmuring lethargic melodies against busied yet often aimless glitchy drum grooves. This percussive aesthetic finds itself in vogue with similar trends of the time. The ten tracks that make up Fractal World, mostly shuffle through subdued instrumental chemistries, painting soft welcoming atmospheres.

 

Devoid of human emotions, songs jostling soothing oddities and ambiguous expressions through its synthetic instruments. The result is soothing, indulgent yet misses a power to make deeper impressions. Lacking definition, music passes by in a pleasant, disconnecting haze, pierced only by the occasional human voice. South Of The Sky Temple is a shining example. An effeminate, Ethereal voicing drops in to contextualize the curious atmosphere with humanity. A magic that could have been.

 

What will proceed finds depth in yielding these strange instrumental textures to a higher purpose but in their infancy, Krusseldorf has only aesthetic charm, missing on purpose beyond the slightly psychedelic mellow hallucinations this chilled out record provides. A fair listen, sorely lacking a magnetism to pull one back for more.

 

Rating: 5/10

 

Sundial Aeon "Analysis" (2014)

 

For a while now, I've found myself drawn like a magnet to what I describe as "inconsequential music". That realization helped this latest discovery click swiftly. Far from the meditative ambiences I usually associate with these inconsequential moods, Sundial Aeon's bustling electronic soundscapes carry a similar sentiment. Mid-tempo tracks drift by with a casual ease as layers of chirping synths harmonize without grandiose melody, scale or direction. Instead we embark on curious escapades through synthetic equilibrium that evokes astral, futurism and technological vibes.

 

Analysis plays out through a Trance architecture, dialing its temperament towards ambience, backed by often understated percussion. The motifs and themes explored sway dramatically away from dance floor rhythm towards a tone I adore. Pioneered by Carbon Based Lifeforms and further diversified through the likes of Timewave, Andrew Odd and Dreamstate Logic, these introspective, astral vibes fit snugly with my taste.

 

The ten songs found here all swell into welcoming moods, every track meandering through a whirl of instrumental overlap that rarely expressive individual ideas yet becomes bigger than the sum of their parts. Its an entrancing listen, evoking focus and calm through a rather busied wall of sound that relents in its expectant ebb and flows that are navigated gracefully by these two accomplished composers.

 

Rating: 6/10

Krusseldorf "Mushroom World" (2025)

By forces of coincidence, this intriguing album cover crossed my path. What lay in wait has captivated my curiosity consistently. With its many elements coming onto focus, I can unwind details of this spellbinding listen. Reminiscent of Dusted's Downtempo classic, Swedish composer Krusseldorf's electronics collide with that breezy chilled out realm, infusing soft touches of psychedelic charm into its design. Aptly named Mushroom World, is certainly a realm of ideas to loose ones self in. This overt hint could take its hallucinogenic temperament far, such is the power of suggestion.

 

 What I felt was the percussive persuasions of mellowed out beats, driving the music along with an understated power. Classic Downtempo, yet dialed back to let other instruments take focus. From the deep murmuring Dub baselines of Recliner Song to Chromatic Vapors bustle of playful melodies, these mid-tempo grooves lock one in as an mixed bag of oddities take over. Peculiar, disjointed melodies dance. Synths buzz and whirl in bursts of strange color. Ambiguous sounds flash in and out of focus. And densely reverberated audio snippets inject weighty suggestions of "tripping out".

 

 The record starts tame, its ambient leaning songs play wedged between flimsy melodic stints. Textures shine as these zany meddling aesthetics establish themselves. With the arrival of The Midnight Factory, a nightly noir charm begins to linger, a sense of theme builds, crooning as the record stretches into its second half. Unease gives way to kaleidoscopic wonder, with lively synth melodies playing up its mysterious inspirations into a bizarre, intoxicating indulgence. As suggested, its like drinking Tea With The Cosmos in its better strides. Krusseldorf seems to be a freshly unearthed treasure! No doubts I will be digging for more in their back catalog.

 

 Rating: 7/10

One Arc Degree "The Forest And The Milky Way" (2023)

Inconsequential! That's the word I've been seeking. A peaceful setting, absent of self. This describes my current obsession with these meditative Psybient sleepers. One Arc Degree's prior effort didn't resonate quite like this one. With soft touches of Yagya alike dreamy Downtempo droning, The Forest And The Milky Way toys with Cosmic Ambience aesthetics as steady thuds of percussive life pull us through serine soundscapes that swell and contract through luscious layers of shimmering synths. Its sweetest fruits emerge through covert arrivals. The driving kick bass locks in with an emergence of soft snare and quiet cymbals, conjuring a hazy dancefloor energy.

Its construct sequences lengthy songs dwelling on an aesthetic tones. Instruments gracefully dodge melody, lurching in limbo, toying with their own ambiguity. A web of sounds hang in perpetuity, whirling, murmuring, drifting on by without a care. The result is soothing, meditative, blending earthly vibes with astral synths that land in their own strange yet welcoming space. My preferred tracks lure me in to a deep calm, the others pass by without concern. Its a wonderful listen. The moments that spin to my rhythm are entrancing. Its not the entirety of the record but worthy of much merit!

 

Rating: 7/10

Puremusic "Serenades Of The Night" (2016)

 

From algorithmic shuffle, to library, to playlist, Serenades Of The Night has swiftly won me over as another meditative ambient mastery record worthy of stashing away for the calmness it can bestow in an instant. Cutting through many flavors of sound design, Puremusic encroaches on Worldbeat, Downtempo, Psybient, Drones and subtle natural world aesthetics with an easily persuasive, engrossing distinction.

Every song feels carefully crafted. Dreamy instruments warped in soft reverbs add flashes of ambiguous melody to dense sways of inviting sound. With ebb and flow, intensities steadily muster, expanding from humble origins into succulent swells, expanding scope with entrancing repetitions ever disguising their form with timely subtle iterations and shifting nuances woven into the fabric of its alluring construct.

Highlights include Kama, a fusion of nightly Arabic suggestions, mesmerized by hypnotic rhythmic drive. Warmth strips out all percussion for a dense lavishing of droning synth. No Fairy Tales pushes its drums into electronic territory, conjuring fond echos of classics like Carbon Based Lifeforms. Only Pour L'amour breaks convention for a lonely piano piece that was a little to simplistic to evoke the emotion it aims for.

I didn't bond that much with the proceeding outro track Dawn either but despite this closing drop off, its first nine tracks are well executed and deeply soothing. A lot of this music can depend on mood and apatite yet among my musical ventures, true charm can still shine and I felt as if this record captivated me on its terms, not my own.

Rating: 7/10

Tycho "Infinite Health" (2024)

  

This release marks a significant return to form. Recapturing the blissful breezy magic once felt on Dive, Californian producer Tycho seems to of found his unique summery vibes again. After a string of mediocre records, exploring unfruitful directions, we return to the soothing chilled out Downtempo charms of his landmark debut.

Indie guitar tone licks and colorful exotic saw synths entangle within a gorgeous production. Instruments come lavished in glossy reverberations, swelling with the musics momentum. Gradual builds of feel good energy pivot into salient melodies. Simple, easy and effective, often infusing brief repetitious grooves in their cadence.

 The percussion is class. A fraction Drumstep in tone with Downtempo intensity and plenty of variety in instrumental tones, Its unafraid of lulls and winding down. Its involvement is dynamic, ebbing and flowing with the overall vision, ready to step into the big clap kick grooves to emphasis a songs main stride and momentum.

Most of the potent melodic magic takes place within these firm rhythmic sways. Colored guitar licks have a habit of striking through the dense dreamy electronics like a human voice. Chanting simple mantras by jostling a handful of notes, its rarely a complex affair and its simplicity revels in the aesthetic chemistry. Its cloudy atmospheric layers border Ethereal at times, always nurturing breezy, clam energy.

Infinite Health brings out the best of Tycho again. Unfortunately, it falls short in consistency. Between well built songs drift in milder tracks exploring interluding temperaments. These toned down arrangements tended to dull the momentum, lacking percussive drive and a sense of destination. Its best songs are a delight, so not all is lost! There is plenty of feel good warmth to be enjoyed here.

Rating: 6/10

Andrew Odd "Visions Of Red" (2017)

Wishing to "scratch the itch" from an artist who's discography is unfortunately light, I've rummaged around the mostly one track singles for Visions Of Red, comprised of three soothing space themed songs. Arcadia is a beautiful "pale blue dot" inspired piece. Leaning into the cosmic perspective, yearning string scale the epic expanse of space in a trance like state. A deep yet soft rumble of bass murmurs below, between them heavenly choral voices subtly emerge to peak the musics blissful tone.

Elysium turns a little esoteric, its fleeting voices steeped in mystery as layers of airy choral synths gradually climb an underlying tension. Piano notes smothered in a dreary reverb eventually arrive to resolve this ambiguous enigma. Tharsis leans Psybient. Embracing upfront melody, pronounced synths exchange, brooding towards a sense of eruption. I always anticipate a harder pivot but when the percussion arrives, its toned down, a distant snare kick groove, with narrow aesthetics.

 

 Visions Of Red delivers on this artists ability to cut past the mediocrity this astral music can often slip into, creating three intriguing songs to fire up the imagination. Fingers crossed for more Andrew Odd in the future, their craft is one with distinction.

Rating: 5/10

Fred Again.. "Actual Life 3" (2022)

 
Actual Life 3 plays like an emotive snapshot of life passing by. Plainly titled in full with assumed start and ending dates, the candid selfie cover continues a trend in this series. Its an unambiguous touch to illuminates its personal nature. A social intimacy flows, human voices woven into these compassionate expressions, channeled through a dreamy endless night, intoxicated on the club floor. Slick Downtempo, danceable, rhythmic drives power us through warm Ethereal melodies and uplifting nightly energy. Snippets of casual conversation and private exchanges flicker between tender voices singing on relationship struggles with positive resolve. This all feels like a harmonious reflection of Fred's life, illuminating the human connections.

With a steady and gradual building of instrumental intensity, he steers these songs on an organic flow, never static, always inching towards the next subtle shift. Most songs find a swooning swell to amp up the rhythm to a predictable lively climax, yet always gratifying. Its gravitas is one of escape, a seriousness lingers in its mellow passing demeanor. Tensions unwind, providing release and resolve, lingering on a social maturity. Its forty minutes pass an effortless breeze. Fred never overplays his hand and keeps both mood and groove consistent, leaving all its varying degrees of intensity in anticipation of what flows next. Actual Life is one heck of a breezy listen...

Rating: 7/10

Post Malone "Austin" (2023)

 

Returning swiftly from the lukewarm reception of Twelve Carat Toothache, Post Malone returns with a notable progression in his persona and musical identity. Austin, named after himself, is a traditional leaning Pop record that initially disappoints with its generic withdrawal from what made him standout as an artist. Flushing out percussive Trap influences and stepping back from the embellishment auto-tune offered, this new direction withdraws into pleasing practices and sensibilities established for years now.

With a lack of aesthetic novelty to draw one in, Its with repetitions that one gets to know these songs. Humble and sincere, Post revels in his emotions with an authenticity complimented by his voice. Ditching auto-tune for the most part, merits emerge in his singing that prove this talent is beyond gimmicks. The melodic lines and catchy lyrics are illuminating when they land. Backed by subtle swooning instrumentals, the union lands songs sweetly when the stars align.

With less hands involved in the records production, the trio emerge with a cohesive vision pulling on a little kick clap of coffee shop Rock, the shimmer 80s Synthpop and dreamy touch of modern Pop. Compositions are apt, purpose built, across a range of tones all lavished in gorgeous aesthetics. Its builds a summery indulgence of warmth and good times masking an underbelly of sunset reflections on masked pains.

Brushing aside the false start of the self-pity opener Don't Understand and yearning Gospel cries of Something Real, an arc emerges from upbeat to introspective. Early on the best tracks arrive on pacey percussion tempos and cool breezes. As the record matures, the calmer acoustic leaning expressions steadily shift its focus. Its a decent trajectory but given only a handful of songs really pulled this listener in.

I found Austin's lulls to highlight how well its uplifting choruses landed. Early on, every other song croons and grooves on its slick impressions. As moodier acoustics roll in, mediocrity rises. Curation is often a pitfall on lengthy records. At an hour long, its clear a concise expression of Post's warmth would have rocked strong. The reveling on melancholic vibes didn't land with the same infectiousness. This could of been something special but its retained to a handful of songs that stand apart.

Rating: 6/10

Carbon Based Lifeforms "Seeker" (2023)

 

 Thirteen years on from Interloper, now a classic in my collection, I wanted to hear if Seeker retains the infectious charm this breed of spacey downtempo ambient offers. With many consecutive spins, the dazzling repetition of whirling melancholic melodies did not meld to an intensity felt once before. Perhaps the familiarity dulled its impact. Seeker is loaded with wondrous music to inspire awe and astonishment, its astral evoking leading many compositions on a similar trajectory. Humble beginnings gradually bloom into emotional swells contemplating our mysterious universe and the roll we take within in. Far from existential, these emotive arrangements arouse a glorious curiosity, sparking the imagination on a galactic perspective whilst also reflecting inwards, as such incomprehensible scales often stir introspection.

Its aesthetic design and arrangement of electronic instruments is a web of details and intricacies one can get lost in. Timely reverberations and lofty tonalities feed into the themes tapestry. Human voices weave in on rare occasions, often with breathy wordless interpretations and an occasional hint of lyrics. The driving forces are its emergent key melodies and swells of percussion that amass intensity as peaks are summited in a songs climactic pass. Much of this could be applied to previous records yet despite similarity and familiarity birthed from my many spins, Seeker didn't resonate on that deeper level. Its a high bar to reach for and shouldn't deter from the soothing spiritual moods the music stirs. Definitely one for the Temporal Focus playlist!

Rating: 7/10

One Arc Degree "The Ocean Palace" (2016)

 

Lately, I've been on an ambience oriented, cosmic themed, spacey vibe Pysbient kick. Whatever fancy words I throw at it, their is a niche in me for this temporal, meditative music that's been difficult to satisfy. The crossover territory of Psychedelia and Ambient in an astral setting slices like a blade, either immensely satisfying or rather dull. This is one of two recently discovered albums that fall precariously in the middle, leaving me unable to make up my mind. No doubt however, this one will make my "temporal focus" playlist for when in need of a restful yet channeled mind.

The Ocean Palace has a sense of stillness on arrival, as if the astral activity is elsewhere. One observes from a desolate planet, as the stars and skies above bustle with activity. This feeling evaporates as its tracks steadily bloom. Thumping bass percussion builds, each track running a similar trajectory with increasing intensity.

With Kraken Mare the record pivots to its textural offerings, different flavors of dense airy ambience and complimenting illusive melodies. Every songs feels tangled in a web of noise work, quirk sounds and details rumbling in and out of focus on mechanical rotations. It creates a sense of alien activity, not understood but observed. With Hydrogen Times Pi, a strong sense of influence emerges, the echos of pioneers Carbon Based Lifeforms brews as its lead melodies take on a similar character.

As I mentioned, this well fell in the middle, not quite as captivating but certainly not bad. Saturn Rising felt like its defining song and the ambience was pressured by a slamming sub bass drum and rapid clicky noises. Quite the contrast, that birthed an interesting atmosphere. I won't go deeper with this artist but the search is still on!

Rating: 5/10

Yagya "Faded Photographs" (2023)

 

I recall commenting previously that Yagya's music, a unique blend of dreamy Ethereal Downtempo ambience, had run its course with me. Still in adoration of the peaceful persuasion this composer casts, this newest installment commanded a curious listen. The soft sway of deeply subdued dub percussion meets a timeless array of cloudy synths again for another sleepy affair in the heavens. Business as usual, the sweetest of routines that leaves me with little to say I haven't already in previous posts.

Where Faded Photographs caught my ear was with its vocal collaborations. A real sense of intended chemistry emerged as these delicate, softly sung voices chimed in as if a new element of the Yagya sound. Its been done before but in a few instances, these unions with Bandreas, Benoit Pioulard and my favorite Saint Sinner, turned out a treat! The subtle saxophone expressions from Óskar Guðjónsson another delight.

With a rather constrained temperament and consistent approach to the composition of these eleven songs, the novelty wears off swiftly but a soothing charm does persist. The Serpent stands head and shoulders apart as the records best song. Grappling with foggy unease and eerie stresses, the chorus moves through gratifying shifts as tensions resolve and elevate with beautiful chord progressions. It commanded me to write this post! The record however did become a rather typical affair for a sound thoroughly explored already. I do still enjoy on occasion though, this was one of them.

Rating: 6/10

Malcolm Horne "Frost Walker" (2022)

 

Released Christmas day, with seasonal, wintery hints in theming and bowing out on a familiar festive melody, Malcolm Horne gifts us a mini record for the holidays. However Frost Walker's synergy doesn't house that timely cheer. These are rather typical sounds for him. Leaning into the soft and gentle, breezy side of mellow Jazz Hop beats, the instrumentation croons in its gorgeous setting. Roomy pianos, glistening bells, humble organs keys and echos of drifting acoustic guitars shimmer above warm bass resonance. The spacious groove of sparse bass kicks and snare clicks guides tempo, anchoring otherwise lofty music that could almost drift away without it.

Frost Walker is one for the vibes, a mood setter. Its occasional voicing of soothing saxophone seeming like an ethereal voice in the winds, aching to roar yet subdued on this instrumental voyage. Its pleasantries are welcome company, a warm fuzzy set of songs with the easiest of pacing. As often happens with seasonal suggestions in music, the tone seems flipped to my mind. I hear cool summers days and relaxation. Not as wintery as intended for me but a welcome set of songs to mellow out with.

Rating: 5/10

Andrew Odd "Life" (2015)

Seeking more of the Random Thoughts magic, Life of five years prior has flickers of a neighboring charm. Its opener, the lengthy, tense Spark, and aimless dreamy closer track, Darkness, both brood on airy tensions of lofty synths, uneventful soundscapes mulling over their own individual moments. The three songs between venture out of cloudy ambiances with pleasantly subdued encroachments of melody. Drifted along by spacious Downtempo grooves, deep baselines hum with mono-tonal force to reinforce its persuasive percussion.

Unlike the cosmic vibes to follow, life rests gently with the beauty of earthly things to inspire its mellow moods. Always calming, the chemistry of instruments soothes through its effortless pace and welcoming tones. Airy synths house spurts of aimless electronic melody as its motions stew on the feeling of each track. Wonderfully crafted, they can probably fit a variety of feelings the listener might have. Its spell is fantastic for focus, a delight to enjoy when tasked for work. Its only flaw is a lack of depth with only two thirds of its thirty three minute stay being the sweet stuff.

Rating: 5/10

Andrew Odd "Random Thoughts" (2020)

  

Spotify is sussing my tastes out and the spacey ambience I adore has been served up. Finnish cosmonaut Andrew Odd caught my ear a flavor of deep space I couldn't resist. Hints of Downtempo momentum burgeon from its lurching percussion, brooding awaiting release. Birthed out of deep pursuing bass pulses, long adorning synth strings and cloudy ambiences mull in the void. Minor textures become major melodies in its astral unraveling of otherworldly marvels. Steadily they build, sparse lifeless tunes bloating to wild animations as gusto is mustered to venture forth boldly.

Cosmic storms, celestial bodies and colliding nebula illuminate in the blink of an eye. One drifts by, radiating in observation, then continuing momentum off into distance shadows, unable to change course. These swells of magic best culminate with a drive of powerful percussive grooves. Mechanical and stiff, the repetition aids the moment with a lively presence far from its humble, dreamy origins. Only a feature reserved for three of the five tracks, its more ambient oriented cuts are a fine craft too.

Likely inspired by Carbon Based Lifeforms and others in this spacey realm, the execution outstrips its similarities. These experiences are so well crafted, visions to be inhabited for lovers of these vibes. Andrew straddles an interesting line where his forever expanding soundscapes will go from subtle temporal remedies to mesmerizing distractions yet somehow serve both the background and foreground of you're musical attention span. Riveting stuff, an immediate classic "go to" for my introspective moods.

Rating: 8/10

Malcolm Horne "Mending" (2022)

 

Shedding the antiquities of Jazz Hop's established union of styles, this third stroke rids itself of percussive burdens. No longer hinged on crunking snare kick grooves and subtle boom bap rhythms, Mending arrives at the source of inspiration. An orchestra of instruments croon. Luscious, resonate and gently woven they harmonize at a place of healing. Soft airy reverbs and atmosphere indulge as soothing calm sweeps over every track. Minimal, spacious percussive lines subtly hold tempo, an evolution felt between Infinity & Volume II. With Mending, a conclusion of that trajectory is met. Malcolm accomplishes inspired moods free from shackles of the genres tropes.

The delicacy of performance is a delight. We are spoiled to baselines hinged on texture and feel, over power and force. Many instruments follow suit, perusing, swaying with persuasion. Capturing the essence, a symphony of minimalist parts amassing a serine outcome. Mending's warm calm is evening sunlight, the yawning death of a beautiful day. Cool airs breeze by, so welcoming in its gentle demeanor. This outing is an inspired refinement on the instrumental magic heard twice before.

Nothing is perfect and for all the praises, Mending does serve its conventions to sooth and relax with formulas. On inspection, the looped nature of compositions emerged, highlighted by instrumental drop ins and outs, a key song structure utilized. Lead instruments are often absent, leaving space in the music for a voice to shine through.

The moments where a guitar solo steps up are grooving, variation aids its purpose. Like before though, they cropped up before fade outs. Grander directions would be very welcome but perhaps not as suited as one might imagine. Lastly, the Synthwave and 80s Synthpop influences are amiss. Constellations treats us to this charm again but its brief stay perhaps signals the style no longer has a place. Quite a shame as I enjoyed this take greatly yet its absence makes sense given what Mending is, a cohesive record of introspective healing. This is definitely my favorite of the three.

Rating: 8/10

Malcom Horne "Infinity Volume II" (2021)

 

 Smooth, sweet and soulful, this secondary installment of Infinity pairs the modern Low-Fi influenced Jazz Hop aesthetic with a classy voice through exuberant musicianship. Malcolm litters these dreamy beats with gushes of emotional expression, always emerging through subtly and captivating fondly as a voice. Each of its twenty seven cuts are rooted in the timely pairing of percussive grooves and jazzy persuasion, foundational to its flushes of warm sunny color that ooze from guitars, synths and the like, giving many of the loops a real sense of unique identity.

Its other edge comes from its backbone of looped beats. Born less of sampling and more of instrumental arrangement, its texture and aesthetic is a consistent dazzle of breezy easiness and soothing reverbs, taking us to an easy space to escape all worries and leave ones mind at ease. With this, more love and care can be heard as little accents and notations arise from multiple instruments to compliment its main direction. M.A.D. is a keen example, its fluster of melody jumps between instruments with the tang of a guitar lick nestled between, the resonance is simply lush.

At a whopping ninety one minutes, Volume II excels at finding its target audience. Where Volume I fumbled in its inconsistencies, II focuses very much on the chilled out and lounge alike styling of its sound, channeling the music into a very streamer friendly lane. As a lone record it one could yearn for a little more progression or evolution to take off for new heights, especially when a swooning guitar solo drops in. Of course restraint is placed with these songs being fitted for smiley backgrounds.

Despite that, Volume II is actually rather engrossing as a lone experience. When paired with an activity, focus arises as the meditative quality of its easy flow and steady pace locks one into a mental groove. My only negative take aways are some of the sudden cut offs, Lemonade a criminal culprit of sapping away the buzz just as that charming lead guitar was wooing away. I'm also left missing a little of the punchier Synth tones heard on the first record. Otherwise its a fine collection of lush songs with a strong human expression some of these other Jazz Hop beats miss out on.

Rating 7/10

Plini "Impulse Voices Remix" (2021)

Uncommon but more so unexpected, Australian musician Plini has collaborated with three producers to bring us an intriguing remix EP of crossovers with the Electronic music scene sound. Often a recipe for disaster, on this outing it seems the two styles pull in the same direction, with guitars and synths of the original music being lifted into the bass and percussive designs of Downtempo, chilled out, laid back Electronic music. I must remark, my memories of these Metal adjacent remixes are somewhat scared by the early naughties attempts of Limp Bizkit and Linkin Park with full remix albums. Over the years many other collaborations have come by with varying success but are yet to make footing as a common feature.

In this scenario the vibes match and make for a fine indulgence with the breezy moods and easy nature of the intersection. These are easy, summery songs, hard not to like. Despite that, I find it difficult to give this project merit beyond chemistry as its energy rides almost exclusively of the melodies of Plini. Dayce brings a powerful thumping, steady Dance beat with 90s hi-hats and airy reverberations. The bold bass and rhythmic glitchy grooves add a contribution but not one of remark. The following tracks play it even safer, limited to drums as the main creative contribution. Production techniques with fade ins, outs and frequency cut fades make transitional designs sparkle but again, the musics charm is all with the original material. Ultimately, these songs end up feeling purposeless in the shadow their source and fail to bring anything beyond a shift in tone.

Rating: 3/10