Arcanist "Avero​í​gne" (2024)

 

An unshakable grin emerged upon arrival of this record. Sadly, a single listen shattered that excitement and its not returned since. Avero​í​gne is a drastic departure from Poseidonis and Hyperborea. Gone is the Berlin School 70s electronic mystique. That esoteric tension has been dissipated, replace by Fantasy melodies and Folk instrumentation evoking ancient cultural charms. In brief stints it find charisma and conjures vivid visions. With other strides, an absence. The occasional clumsy folly of odd ideas spew in bursts, breaking up what spells it briefly builds anticipation for.

The first four songs feels separate. The acoustic guitars, akin to the Diablo soundtrack at its conclusion, define its new direction yet rarely does the music stirs much emotion. Its a meandering mess of ideas that lacks the grip on me to express its own purpose.

With the arpeggio rumble of old school synth, the two part Colossus Of Ylourgne feels like a bridge between the new direction and old. Its dramatic opening upends a monster of tension as fiery choral voices cry with demonic intent. Sadly, this dissipates swiftly, never to return as the music again meanders in many directions, even into a blast beat led Black Metal stint, reminiscent of Blut Aus Nord's Saturnian Poetry.

I've struggled to enjoy this one. Its has its moments but they are disconnected by a slew of ideas that to my memory feel less fleshed out and layered that what came before. You could tell me Avero​í​gne was made by a different artist and id believe it!

Rating: 4/10

My Top 10 Albums Of 2022

 
Reviewing the shortlist, It didn't take me long to pick out ten. Quite a few bands, Slipknot, Puppy & Ghost to name a few, have come through with solid efforts but what were the moments that resonated the most? Novelty tends to be a strong fancy yet sometimes a dose of what you know and love has sticking power. This year didn't produce as many deep impressions, with exception for the top two, clear favorites that are still mesmerizing. I look forward to giving this all a listen again in coming weeks!

 

(10) Frank Klepacki & The Tiberian Sons "Lay To Waste" (2022) link

The re-ignition of Frank's C&C era music has been an absolute delight. Although parts of this brief four track EP may have been clunky and obtuse. Its spirit melds that Industrial Metal magic with Power Metal gleams and fantastical RPG VGM themes to a degree that's grown on me. In general its exciting to hear these musicians working on this sound. Even not if exactly what I wanted, together, they have so much potential to appeal to my nostalgia!

(9) Chaosbay "Boxes" (2022) link

A front runner in a post-Periphery era, these Germans made such a remarkable impression with their high octane meld of gleaming melody and hard hitting Djent. Its a juxtaposition that can play to delights on occasion and this EP captured a consistent magic stunningly. Like anthems, its soaring choruses got stuck in the mind and its five songs continue to bestow crunchy, shinny magic.

(8) Malcolm Horne "Mending" (2022) link

Malcolm returns to the top list again with another warm, endearing record of Jazzy Hip Hop beats, now fine tuned for a calmer atmosphere. Mending, crafted for streamers, finds balance and consistency as its flow of gentler crafts keeps one safe while accompanying adventures. This intention is felt so well as the record strides smoothly for its hour duration. An easy pleasure for sure!

(7) Nas "King's Disease III" (2022) link 

Seeming like a routine entry now, the "Goat" returns with an undeniable assembly of rhymes to grip this listener with a dose of the Hip Hop I adore, done to a level of excellence. Its main fault is its strength. That persistent theme. Lacking a little surprise, Nas continues strong with an installment to stand head and shoulders above anything I heard in the scene this year.

 

(6) Sabaton "The War To End All Wars" (2022) link

As a newly indoctrinated fan, I got another dose of exactly what I wanted. Their WW1 themed music got a second stint, recycling the same musical ideas and pumping out more of what works. It can't go on forever but as a result of such, they pulled of another cracking record that gets me fired up again and again. 

(5) Warpaint "Radiate Like This" (2022) link

 

 With so many crooning grooves, gleaming warmth and vulnerable emotive singing, this one read a resounding impression I've gone back to plenty of times. In need of warmth from a sincere, beautiful, endearing place, Radiate Like This has a sweet tone to indulge with. An exploration of prior records has taught me this band like to experiment and explore. I doubt they will repeat this formula, usually leaning to a darker grit. The Ethereal aesthetic here will likely be my favorite of theirs.

 

 

(4) The Weeknd "Dawn FM" (2022) link

You can't escape the Blinding Lights, however the craft of a whole record triumphs here as Weeknd takes on a nostalgic re-imagination of 80s Synth and Michael Jackson's singing style. With that music so rooted from my childhood it was beyond a pleasure to enjoy such a masterful handling of creative vision. In retrospect, the radio interludes are a little on the nose and break up its flow. Its also a record of two halves, the first I find much more appealing.

(3) Ocean Grove "Up In The Air Forever" (2022) link

In another case of "all I want is a repeat". Ocean Grove deliver the goods with another fantastic chapter. Re-imagining the Brit Pop, Grunge, Alternative Rock and Metal of the 90s with a splash of 00s pop too, its appeal ran deep. Little advanced beyond its original concept plotted last record. Perhaps this time a little less aggression and metallic tone but in that absence the catchyness and energy goes a distance. Another cracking record of back to back great tunes.

(2) Arcanist "Hyperborea" (2022) link

I'd consider these Dungeon Synth adjacent spaces a spot for both genius and low-effort clones to emerge. Discovering the better is always a delight for a genre I feel still as much to offer if done like this pair of records has been. My top two this year both take the biscuit in going the distance. With touches of Berlin School and vivid imaginations for fantastical journeys, each offers a vastly different experience yet steeped in powerful musical exploration, they both bare freeing structures and a musical ethos for exploring unchained dynamics between instruments.

(1) Old Sorcery "Dragon Citadel Elegies" (2022) link

As part of my streaming music arsenal, Old Sorcery edges out through its familiarity and repeated listens. If felt obvious early on yet as the months roll by its fantastical character and sense of adventure persisted. Old Sorcery has always felt like an artist with a unique voice but in this conclusion of the Castle trilogy, it's matured greatly. Perhaps The Hand Of Merlin soundtrack helped with that development as Dragon Citadel Elegies instrumental composition feels expanded. Either way, this is one artist to keep an eye on!

Arcanist "Hyperborea" (2022)

 

 Through forages of retro psychedelia synth know as Berlin School, and an artistic encroachment upon the forgotten dusty crypts of Dungeon Synth, Arcanist firmly caught my attention with their stunning debut Poseidonis. My knee jerk reaction to Hyperborea waned after a sour taste induced by spurious inclusions of esoteric Black Metal and sludgy abominably Doom Metal. As successive repetitions settled spirits across its four epic songs, I grew to love how musically ambitious this record is.

Unwilling to rest on laurels, Hyperborea brews its story telling with cinematic stride to journey vast and various musical landscapes. Unruly lulls of Dark Ambience hold over its forays into Medieval and Heathen acoustic folk. The aforementioned metallic spurts scale the summit as its valleys are navigated by captivating synth solos in the spirit of Progressive Rock. Best of all, The Coming Of The White Worm's plunge into the cosmic has another delightful reminiscence of my treasured Oscillotron.

A flow of engulfing atmospheric magic gushes forth, with sudden splashes of color, wild twists and dramatic soars along the way. Despite having different temperaments and aesthetics, the music is guided wondrously as these distinct musical spaces get woven together in a single narrative. It has the pay off only an album experience can offer as one traverses its eerie, bespoken wanderings into lavish drips of exotic synth. Ending on a loud and frightening conclusion, I am often startled, awoken to start the adventure over again. Its has been one of the best musical experiences this year!

Rating: 9/10

My Top 10 Music Discoverys In 2021

 As mentioned in yesterdays Top 10 Albums Of 2021 post, I've been in a rut! There is however a rather nice list of artists here, even if the short list was just as small. Three of these are a regular features on my Twitch streams too! So on that front I'd say its a success. I have decided however to be far more fussy when it comes to listening to the same bands still pedaling out the same old music. Its time to give a little more focus on whats fresh and new! I say this often but this time I have a plan of action that starts with reduction.


(10) Secret Stairways

The exploration of Dungeon Synth continues to be an interesting one. Its roots before the online explosion of Bandcamp records a decade ago seems to have fans unearthing lost relics. These newly surfaced cassettes have us enjoying a deceased musicians work from a time before there was much of an audience to enjoy it. An interesting sentiment but the music is good too!

(9) Tetrarch

Initially I wrote this band off for its formulaic creation of era inspired Nu-Metal. A lack of originality doesn't necessarily mean bad music. It can be a tough thing to look past but with time passing from my initial assessment, I've found myself really enjoying this record and getting those nostalgic youthful chills too!

(8) Chevelle

Very much of the Tool inspired camp, the reference point has helped me find a way in! Its a new breed of metal for me and with little else of familiarity, I've really enjoyed this bands take on the Progressive and Alternative Metal sound. Originality is not a strength but the whole approach is fun and exciting for me right now.

(7) Arcanist

Another Dungeon Synth record but this one is way more inline with what I'd like to hear. A new taken on the genre that infuses "Berlin School" synth ideals and paints an exciting soundscape with its progressive songs that move together on a journey. It was a short but sweet journey and is now very much one to look out for future releases.


(6) Cocteau Twins

Not a new discovery but an intentional deep dive into an artist I knew of two records already. Sadly, the plunge into both an extensive amount of EPs and albums went a bit sideways as fatigue quickly set in. I will pick up the journey again at some point. It was however a really nice experience to get a bigger picture of a band with timely influences felt in the decades that followed them. Treasure is still an all time favorite of mine but now I got to add a few more songs to the list.


(5) Pop Will Eat Itself

As a huge fan of Metal and Hip Hop it is practically an embarrassment to have never stumbled on this British act before. There 80s crossover of the two opposed sounds is just wonderful! A true moment in time capturing the energy, spirit and culture of that era like a musical time capsule. Its dated in the very best of ways!


(4) Gelure

Having had permissions to stream this artist, my love of the music really settled in as its relaxing ambience and warmness creates a wonderful relaxed state that comes along with waffling about whatever is on your chest for hours on end. It suited the experience so well my worry now is that I might listen too it too much. A good problem to have!

(3) Jim Kirkwood

Another from the streaming list, Jim has been on a "Dungeon Synth origins" list of mine for years. Finally pulling that trigger, I have now discovered wondrous world building music that has an ancient nostalgic charm, built on those classic keyboard tones without the steering into darkness that is all to common now. The Tolkien themes and general vibes of the music is very Dungeons and Dragons and that stream of imagination is my cup of tea!

(2) Lena Raine

To extend the simply enigmatic music of C418 and his Minecraft soundtracks would of once sounded like an impossible task yet Lena has stepped into that space wonderfully well. Reflecting many of the old ideals and injecting some of her own personality, it seemed likely her genius would extend beyond contributions to the soundtrack. That has certainly turned out to be true and I am now deadly excited to check out her debut album!

(1) The Alan Parsons Project

For all the Progressive Rock I was raised with, The Alan Parsons Project was not a part of that picture. It is however a perfect fit for that era and thus I've had the odd nostalgic experience of discovering new songs that remind me so fondly of my childhood music. Its as if I knew these songs already. A novel and rare experience that I've treasured working my way through the three records considered to be his best. I think I'll has a couple more to the playlist at some point next year!

Arcanist "Poseidonis" (2021)

 

Fortune or chance, whatever your fancy, had me stumble onto this record that speaks to a particular niche I've been into as of late. Perhaps it is more likely this luck was bestowed by internet algorithms figuring out our inner workings from the mass of data our listening habits feed it. Akin to Old Sorcery and Jim Kirkwood, this French artist Arcanist steps right into a sweet spot, close to the middle of a cross section between the gloomy Dungeon Synth but more so psychedelic 70s Electronica. The latter here being described as "Berlin School" is something I will have to research into further.

For me, this record feels shrouded by its own mystique. Slow, brooding and atmospheric, the excitement of its animated crescendos feel sparse and rare. Their magnificence often eclipsing the magic of its soothing build ups which conjure a majestic calmness through luscious interweaving electronic instruments offering both texture and melody to engross with. Distilled in unsettled atmospheres of creeping mischief, its synth tones and keyboard notes echo a little in the vein of Progressive Rock, most notably a similarity to Contact and the nightly chill of Oscillotron.

Its two part, seventeen minute epic, The Death Of Malygris, bursts this welcoming temperament apart as we plunge into the horrors of nightly creatures. Woven percussion and dense buzzing baselines usher in nightlife Synthwave vibes, vaguely reminiscent of Dead With The Dead but vastly more artistic. Its a wonderful execution of elements that play out an eventful journey leading into to big thematic theatrics with its densely orchestrated introduction to the second half. Here, a brief crossover between the records opening vibes. It then dismantles itself into an eerie Black Ambient horrorshow.

Its final track leaves me unsatisfied, a curious experiment in tonality and melody, shifting from one distinct arrangement style to another, neither of which ever feel comfortable. It fizzles out to the fading embers of an airplane engine drone that ends quietly. As a whole, its a stunning adventure but one that ends with the adventurer lured deceptively, lost forever in endless caverns of ruin. On paper an intriguing way to journey a record yet for me it never quite works? A small quarrel, Poseidonis is remarkably wonderful album, a nightly, mysterious and esoteric journey forged through the fantastic tonal ideas of an era long gone by.

Rating: 7/10