Mastodon "Marrow Deep" (2026)

 
Crashing in with the lurching Barbarians Blood, a familiar cast of Sludgy Progressive Metal broods a stormy foreboding. Its gradual encroachment resolves with strides of Punkish groove and Troy Sanders' forlorn cries. With a meaty storm of metallic might finding intrigue through avenues other than barbaric brutality, Marrow Deep marks a lengthy wait for these seasons veterans to return. On first listen this cast of tense gloom laden creativity felt deeply satisfying. Its colorful outbursts of Psychedelia and analogue Synth tangents a keen flash of color in a bleak pan. With repetitious listens, the dance between dreary turbulence and melancholic reprieve tires on the Metal riffing front. Perhaps with curation it could be cast as slack that weighs down.

At a meaty sixty five minutes, Marrow Deep is stuffed with magical relief nestled within its elegiac song craft. Harmonious and rapturous, one gets swept up by its subtle shifts to soft luminosity. The songs never gets carried away with their selves, feeling anchored within a musical context yet reaching into expressive strides between the more dominant sombre tone. This counteracting inspirational source feels mostly drawn from the past, adding a mature touch, a sort of nostalgia Rock akin to Ghost yet more from the 70s Prog Rock lane. The frequent arrival of effervescence guitar solos especially reflect allures to that golden era, yet with their own character firmly intact.

Ultimately, Marrow Deep is a wild vision realized by seasoned musicians. With such resonant craft, its magnetic atmospheres seem daunting in duration. It battles the ever hastening treadmill of life, one's own patience worn thin by its shadier lingering passages... Yet when sat down to ponder the experience, analyze and reflect, it's difficult to actually critique. These twelve songs are all unique characters exploring a grandiose that's subtle and buried within the average of its temperament. It's worth the commitment every single time, a great album experience to get caught up in. That being said, its two concluding cuts feel structurally ambitious for what they offer.

Rating 7/10

Mastodon "Cold Dark Place" (2017)

Hot of the back of the desert sun soaked "Emperor Of Sand", American Sludge Metal rockers Mastodon bring us four songs I hoped were b-sides from their album released earlier this year. I say that because It has grown on me greatly over the months, Mastodon have the experience and talent to write music with depth that lasts. The same could be said of these four songs however, as the title suggests, they have moved on from the warm summery sound into a "Cold Dark Place", with exception to "Toe To Toes", that song would fit snugly into Emperor Of Sand.

Climate, temperature and luminosity are highly suggestive ideas in music. The record certainly kicks off with a chilling tone, its quaint aesthetics let bustling acoustics resonate of a flute line as the song jumps straight into its moment with earthly singing, the two voices chiming with a catchy quirkiness given the sombreness setting. Its a spooky, ethereal place we drift through with an odd moment of Funk as a upbeat jive manages to penetrate this melancholic place as the song unleashes its guitar solos. The groove is rather reminiscent of CKY given the style of singing and flexing riff beneath.

"Blue Walsh" and "Cold Dark Place" are in the same realm of eerie, dark melancholy without any heavy or blunt metallic riffage. Everything is a tapestry of thoughtful riffs layers to resonate and on the first mentioned song, a rather soothing, relaxing atmosphere is conjured with strong plentiful reverberation on the vocals the drifts over the instrumentals like a graceful ghost lost in memory.

Unfortunately, this is Mastodon and so the spell of our three darker tracks are often interspersed with technically dazzling riffs that scale the fret board with pace but in doing so break the spell of this shadowy, chilling setting. The same could be said of the solos too, when the distortion picks up and the more human Rock elements come to the front, it pushes the sombre setting out of mind. I really have enjoyed this record but its kind of bitter sweet as they don't fully embrace the mysterious atmosphere they create on three of the four songs.

Favorite Tracks: North Side Star, Blue Walsh, Toe To Toes

Rating: 5/10

My Day At Friday Download Festival 2017

As I write this now I realize the second day of music has just begun and Ive got to admit I'm both gutted to be missing more music and a little relived to have the comforts of my home. This year I decided to go alone just for the Friday to catch the legendary SOAD who I'm yet to see live. It wasn't my favorite day of the lineup but I needed to cross them off my list and it turned out there was actually a great lineup of acts to see.

She Must Burn

My plans to start with Northlane on the main stage were foiled by ques and so the day kicked off with a small crowd In the forth stage tent. The crowd lights were left on which seemed to make the band a little tense in front of such a small turnout however they rocked hard for those of us who dropped by. Their blend of Deathcore and Symphonic Black Metal was right up my ally and I thoroughly enjoyed every second of their set. Will be picking up their debut EP for sure!

Holding Absence

Following them on the same stage, a young, energetic and thirsty band from Cardiff with a talented front man brought a sizeable amount of fans to fill the tent. Mixing ethereal shoegazing guitars with Deftones inspired metallic tones would of made for an indulgent experience however technical issues rendered the distortion guitars inaudible and unfortunately left a lively, enthusiastic performance a little on its heels, no fault of the band of course.

Sabaton

Grabbing a bite to eat and catching Sabaton from a distance grew my appreciation for the war themed metallers. Their stage theatrics and a tank on stage for the drummer to play from made for a great live show that was sure to win them over more fans.

Code Orange

I may of missed a song or two from this four piece, super heavy Hardcore group. The third stage had moved location from last year and in the rush to find it I didn't get a great spot in the crowd but could enjoy the most wildly energetic and brutal performance of the day. Took me a while to realize all four were trading vocal duties in the absence of a visible front man. They commanded the stage with a ton of movement as they pummeled us with their Post-Deathcore brutality.

Mastodon

I was keen to catch Mastodon who Ive seen quite a few times before. I thoroughly enjoyed their Emperor Of Sand record this year but live it didn't resonate the same way. The crowd didn't seem all that into it and the lack of movement on stage had it feeling a little subdued and routine.

Suicidal Tendencies

Teaming up with the legendary Dave Lombardo, formally of Slayer, these veterans put on yet another cracking show. Their new song Clap Like Ozzy sounded fantastic live and an army of enthusiastic fans ensured it would be a memorable show with mosh pits and plenty of noise.

Baroness

The Grammy nominated outfit, for their "Purple" record, had the most surprising show of all, a small turnout on a big performance slot had me walking all the way to the very front center of the crowd. The group rocked their songs flawlessly and really gave a stellar, inspired performance that sounded sublime. As the set drew on they had the small turnout of fans screaming and cheering their lungs out in appreciation of such an indulgent rocking performance. Almost the days best.

Prophets Of Rage

The days best show goes to the super group of Tom Morello, Chuck D, and B-Real. Essentially Rage Against The Machine with Zach replaced by the Public Enemy and Cypress Hill front men. Their couldn't be a voice more iconic than Chuck D's to replace him and with one of the best rappers alive alongside him the slew of RATM songs had a real kick about them. A few covers and the groups own tracks spiced up the show which commanded the crowd to move from the main stage.

Krokodil
Ive caught them a few times before and not looking for a front crowd spot for SOAD I decided to watch this brutal outfit command a punishing show on the forth stage. They were tight, lean and on point, rocking a handful of songs in their distinct style of heavy.

System Of A Down

Watching videos of them play recently on youtube had really wound down my hype for seeing one of Metal's biggest names. Over ten years since they last wrote new material, System have managed to keep their massive fan base together landing them a headline spot. It was a great show but purely on the merit of hearing so many songs of my youth live for the first time. It was a passable performance, their bassist brought movement and energy to the stage but Serj and Daron stood static like ghosts with a lack of enthusiasm in their facial expression and body language. Serj commented on the condition of his voice has he struggled to sing, finish sentences and replacing his thick, dense scream with quirky voices. It was a tough show for them and really made me feel like their moment as a band has passed. I enjoyed hearing their arsenal of classic songs but Its not something Id seek out again until they sort out their stage presences which was underwhelming.

A fantastic day out. Dead tempted to grab a Sunday ticket and drive back to Donnington but alas I must resume with my day to day.

Mastodon "Emperor Of Sand" (2017)

The behemoths of Sludge Metal, Mastodon, have become quite the reputable group over time, climbing festival bills and delivering record after record. I myself have barely checked in with the band since their classic breakthrough record "Leviathan" and I can't help but feel I'm enjoying this record more than the average fan would. Kicking off with "Sultan's Curse" the opening riff sounds as natural as Mastodon get, immediately identifiable with Brent Hinds verile voice. It doesn't take long for the record to set its desert sweltering, sun soaked tone. The warm undercurrent of broad baselines swell, heated under colorful, tonal guitar distortions that rock and groove, swaying back and forth in there own narrative. A constant switch and swerving of melodic inflections and pumping grooves come to light when the vocals illuminate there direction with earthly, raw yet harmonic singing that's got a rough authenticity and genuine softness too. Its a chemistry that works without force.

The record is always lively, not a dull moments passes as each rolling riff delivers melody and hardness. From crunchy grooves to expansive chords, guitar solos and interludes the adventure is sweet for all fifty minutes. On some tracks the whirling of soft organs can be heard in the backdrop, like mirages in the baking sun. If not for these its mostly a straight forward setting of guitar, drums and vocals, the themes and ideas emerge from the song writing but on "Clandestiny" the song pulls back to a Progressive Rock setting and busts in with vibrant electronic leads, very reminiscent of the tone used by "Contact". A robotic voice mutters as it comes to a climax and for a moment the record is transformed to a different setting. It works but is a rather isolated event in a very consistent record.

It's criminal that I haven't given more time to this band, I believe there strengths as song writers holds this record up however It doesn't have quite the immediate intensity of songs like "Blood And Thunder". This newest record "Emperor Of Sand" is more of a theme, a place, setting, a storey that the band really own. Listening to it alone makes the room temperature a little hotter. I really do like this temperate sun soaked breed of Metal they have put together here.

Rating: 7/10

Favorite Tracks: Steambreather, Roots Remain, Word To The Wise, Jaguar God