Doomsday "Never Known Peace" (2025)

 

A few weeks on from discovering Crossover Thrash outfit Doomsday, a new record drops! In fact, Never Known Peace is their debut "full length", a trim, lean, concise thirty minutes of fiery metallic blasphemy! With a tight production in place, the band straddle Slayer worship with a modernized arsenal of slick sprinting riffs and roaring, evil evoking lead guitars. The latter aspect gets nail to the cross. Echoing King and Hanneman's dueling, unhinged guitar solos, the record's ten cuts flow with melodic chaos as the arrival of spurious shredding illuminates the tone, a consistent high point.

Oddly, its high tempo rhythm guitars chug and gallop chops to a lesser luminosity. They serve as the mood's aggressor, continuously grinding out stomping grooves in a menacing formality. Lacking surprise or novelty to seasoned ears, the ceaseless flow of rhythmic assault runs warm. When set up for a big breakdown, it lands somewhat soft. When the rhythm guitars aren't accompanied by face melting leads, things feel thin despite continuously punishing with notable touches of Hardcore dance groove.

 Stepping back from my analytical dissection, Never Known Peace is a heck load of fun. Despite being one mean best, its tone feels fun and uplifting, a dark demeanor for show, not to be taken seriously. The thirty minutes blaze by without a foot step wrong. Its surprisingly consistent, without a dull moment and nothing truly remarkable to rattle off on, although whiffs of potential linger. Only instrumental interlude track Extinction's Hymn gets a mention for its utilization of a sinister synth to add a textural flare to its main galloping guitar riff. A small footnote on a record that sticks firmly to its design.

Rating: 7/10

Doomsday "Depictions Of Chaos" (2022)

 

 

Having recently unearthed a modern scowling scene of Groove laden Thrash, tinged in Death and Crossover, Doomsday stuck me as pick of the crop. Breeding fast, ferocious, fiery bestial incarnations, their hellish forays of 80s inspired Metal re-imagined play a delight to this Slayer fan. With lead guitars wailing demonic sirens and galloping rhythm guitars balancing groove and sprint, Doomsday hit hard.

 

These six songs run an infectious route, endlessly pivoting from one riot to the next. Despite being dramatic, sinister and darkly, with front-man Carlos Velazquez howling graven pains, Depictions Of Chaos is upbeat and fun. The routine stints of groove an invitation to rock out on a hellish ride. Its a vision cast by legends before them, yet this classy updated execution attracts one to revel upon its ripe aesthetic foray into evil.

 

Rating: 6/10

Body Count "Merciless" (2024)

 

Now years deep into their triumphant resurgence, the legendary cop killing Body Count return with a fair helping of 90s styled Metal stints to rock, shock and entertain. Serving as a mouth piece for Ice-T's likable angered rants, these loud instrumentals play a fair game. Serving up competent ravishing's of that era's tone, fans like myself can lap it up but lets not be shy, there is little here we have not heard before.

Beyond selecting some preferred cuts from the offering of mid tempo songs driven by aggressive riffs, attention turns to Ice-T's presence. His plain language, dripped in profanities and frustrations, flow relatable and clear to understand. Behind the often grislily lyrics, an undercurrent for peace and prosperity may pass some by.

The packaging is where my critique lands. Fun and enjoyable but the albums best hooks and concepts feel borrowed. From Demo-crips and Re-bloodicans, to the movie concept of The Purge, a helping of thematic concepts have obvious origins. That and an interesting cover of Pink Floyd's Comfortably Numb with David Gilmour revealing his typical unabashed directness. Oddly intriguing but most of the time endearing. 

Pulling in legends like Corpsegrinder and Max Cavalera is a welcome delight on this fiery horror show album. They bring great performances. Its nice to see more collaberation like this which has been sorely missing in the past. Merciless wont reinvent their live show but brings hours of entertainment through some fresh songs with their classic Body Count motif.

Rating: 6/10

Last Wishes "Organized Hate" (2022)

 

 

Conjuring echos vague echos of 80s Crossover Thrash and 90s Alternative Metal, Last Wishes play classic beat-down Hardcore with a familiar flare. I'd avoid baiting nostalgia but all my points of reference reach back to bygone eras. This production packages the music convincingly, feeling as if it would fit snugly into a glorious 90s.

 

Armed with throaty shouts, softened guitar distortions and plenty of percussive groove, the aesthetics achieved greatly compliment the music. Gang shouts, two steps rhythms and routinely dropping into half-time all accompany on this feisty ride of channeled anger. The usual topics of loyalty, self empowering attitude and social frustrations get vented through the unchanging scream of front man Corin.

All these tropes may sound antiquated but Last Wishes execute this vision with an arsenal of competent riffs fit for purpose. Its an endearing record, reaching for a specific inspiration and finding it. No remarkable peaks are summited yet it holds its tone firmly for the twenty six minute stint. I happen to be quite keen on this arrangement, it routinely reminded me fondly of classic records from my youth.

 

Rating: 6/10

Municipal Waste "Electrified Brain" (2022)

 

I may be mistaken but I believe Municipal Waste were among the first of this modern nostalgic Thrash Crossover "revival". Its no new trick nowadays, the access and availability of music today has inspirations run amuck in all directions. I was introduced to the American thrashers at Download Festival 2008. Despite a fantastic live show full of mad mosh pits and crowd surfers armed with surf boards, I never brought into their studio records. Having forgotten the mediocrity of Slime And Punishment, It was only a passing curiosity that brought me here.

Electrified Brain had me in its grasp from the first spin. Unlike prior efforts, its crisp, clear and cutting production aided its mission. Along with a fully fledged arsenal of classic Thrash and Crossover riffs, the two push the bands ideals to about as good as it could get. Pulling no unsurprising punches, the galloping speed and chugging chops of 80s Metal was set to to strike a nerve. With filtered cuts rarely exceeding three minutes, the fourteen tracks get to rattle wall to wall off five years of curation.

The main distinctions felt like variety and lead guitars. Although operating within a strict blueprint, the rotating shouts, screams and gang vocals kept things fresh and exciting as the rapid rhythmic abuse was electrified by periodic guitars solos. A handful of song endings struck me as having some momentary but keenly distinct riffs woven in. Perhaps an intentional nod to their eighties Thrash Metal influences? I definitely heard Metallica on more than one occasion.

Despite seeming excellent, its gravitas has dwindled. With frequent spins, my initial excitement has politely dulled. This however feels like a symptom of nostalgic Metal, always competing with your appetite as its novelty wares off. Either way, in times of growing metallic lackluster, it was good fun to head bang again!

Rating: 6/10

Favorite Track: Grave Dive, Crank The Heat

Stormtroopers Of Death "Speak English Or Die" (1985)

 

This classic record has been on my radar for years. Having finally plunged in and gotten to know its flavor of chaos, the year of release endows a context of immense appreciation. Before Slayer unleashed the unbridled fury of Reign In Blood, here stands one of the first Crossover Thrash projects encroaching on that timeless intensity. Stormtroopers Of Death is somewhat of a "supergroup" uniting musician from either side. With an intentionally unsavory and controversial, politically incorrect theme, they converge at a furious intersection of Thrash Metal and Hardcore Punk. The result is a wild, uncompromising assault on extreme music of the time. Perhaps Metallica's Kill Em All was the cutting edge before this? Although it may seem tame today, I find myself stilled stunned this was released in 1985!

Boasting big gritty distortion guitars, the fast and choppy slaps of power chord shuffling gets amplified by a fantastic percussive performance. Charlie Benante is a powerhouse of Hardcore groove and Grindcore blasts as his drumming often derails from mosh stomps into loose thumping rattles of chaos. Its an old-school flavor of blast beats so uncommon now yet it sounds utterly fantastic when unleashed. Its the duality with Scott Ian of Anthrax who, for a Thrash guitarist, gets the Hardcore energy just right. The constant shuffling between moshing grooves and unrestrained extremity is fun and fast. The songs blitz through an arsenal of riffs and ideas that simply excels.

The majority of songs clock in around two minutes. A helping of very short stunts chime in too. The six second Anti Procrastination Song a particularly fun one, an idea preceding Napalm Death's Guinness world record holding "You Suffer". All ideas are explored swiftly, rarely lingered on for more than a grasp of whats going on. They tend to roll into one big wash of frenetic aggression as its pummeling charges roll out the punches over and over again across its twenty one tracks. It does end on a bit of a whimper, limping out on a string of jokey seconds long songs that don't land well.

Often abbreviated to S.O.D, I realized the song Pussywhipped was mistaken for System Of A Down back in the file sharing days of Napster, a common issue with the service. It brought quite the smile to hear an oldie from my school days. I always thought it was an early band demo or something along those lines. Its also one of the albums best songs with razor fast riffs switching into big bouncing grooves as the drums batter down hard with snare rolls. I'm left with no illusions about how significant this record is in the landscape of extreme music. I reckon it will only ever grow on me with time. If id discovered this in my youth, I'd probably be worshiping it till this day!

Rating: 8/10

Turnstile "Glow On" (2021)

 

Released just six weeks back, the Turnstile Love Connection EP had me hyped for something special... but when your four best tracks are those already shipped, well it had me initially disappointed. Turnstile, the Hardcore outfit from Baltimore USA, were put on my radar with Space & Time. Their lean and timely infusion of musical sounds normally spun far beyond the Hardcore scene was both a breath of fresh air and a riveting injection of adrenaline to a sound dulled by a lack of progression with time. Working on the same formula as that record, Glow On cushions the musical creativity with subtle use of electronic percussive toms and claps and the irritating cowbell. In the more obvious avenues, dazzling pianos weave between the sharp guitars in moments of melody beyond the rhythmic two-step onslaught.

In its predictable Hardcore persuasion, the band pull the usual tricks with tight and lean power chord shredding, building up to the big groove riffs as the drums cut to the half time and the mosh moments land the songs trajectory. Between its slabs of foot stomping riffage, sprinkles of color and melody intersperse. It often takes the form of Surf Rock, with washy, hazy guitar tones giving off the easy breezy summer vibes. On occasion a heartfelt emotional angle is reached as sung voices get warm and candid, not your usual cut for this aggressive music but they do it so well. Songs like Underwater Boi, Alien Love Call & New Heart mostly cut out the Hardcore, better defining this particular flavor that emerges in fractions on the rest of the album.

A favorite moment for me is not one of brilliance but confusion with Wild Wrld and its uncanny rhythm guitar riff. The bars are distinctly different, sounding like a Metallica outtake from the years of creative struggle around Death Magnetic. Its a mild blemish for a record that spins its formula so well. As I touched on earlier, that initial disappointment wore off. This record is fiery and driven, a band in their moment. For me it looses its edge in the shadow of what came before it, the design a carbon copy yet the feeling is still riveting. After quite a few spins, the best songs still feel like those from the EP. I'm left wondering if I wasn't aware of it, how different would my words on this record would be? I still get crazy excited every time Holiday comes on! What a banging song.

Rating: 7/10

Turnstile "Turnstile Love Connection" (2021)

 After the release of Time & Space Ive been keenly awaiting another album from this keen Hardcore outfit. This blitz of an EP has got me buzzing now! Baltimore outfit Turnstile give an aged sound renewed youthful excitement, frothing with energy and kicking in subtle influences to character their sound and start apart in the crowd.

Holiday kicks things of with its soft murmuring baseline bursting into a riot of sharp power chord strumming. Its somewhat predictable for this group yet lands like a riot, the hooks of Brendan Yates reeling it in, "Now its a holiday", "I can never feel the cold", "I can sail with no direction". There is so much exuberance being exhorted, exactly what he does best. In the opening and throughout the use of an electronic 808 akin drum kit adds a little bark to the rhythm section. Subtle, yet a texture that gives the music a little of that extra character they bring to many of their Hardcore songs.

No Surprise serves as a dreamy soulful interlude to abridge its Grunge number Mystery, fitted out with a brief noisy solo and curious spacey synths in its intro and outro, that later sounding like a space ship taking off. Title track TLC takes the tone back to the bands roots with a strictly fast, hard Hardcore sound with fiery vocals and gang shouts too. Its mid section brings in electronic toms as the music pivots, an odd choice that once again musters a little oddity. It gets explored again as the track devolves swiftly with an experimental vocal cut to end the brief eight minutes of music.

Turnstile is in a groove, writing keen songs that have the power and charisma of what came before. The use of alternate percussive aesthetics and moments of electronic and vocal experimentation are peculiar on analysis yet to just enjoy the music, it works and flows effortlessly. Something in the temperament of this group just lets it all work. If these are the "weaker" tracks left out from an up and coming album then we are in for a treat! We are probably in for a treat either way...

Rating: 3/10

Merauder "Master Killer" (1995)

I caught wind of this mid nineties crossover classic from a documentary about the music scene and bands of that era. The second track Life Is Pain perked my ears, catching my attention and upon buying the recorded I discovered a telling track, Downfall Of Christ. It was actually decades ago I first heard this song covered on a split album between Caliban and Heaven Shall Burn. It speaks volumes to how I initally perceived this record, another fractional style of the Thrash Metal and Hardcore union that would go on to shape the sound of Metalcore bands yet to come.

Master Killer is a steady moving, thirty five minutes of personal vented anger. Its wrapped up in a continuous wave of crushing grooves and thrashy guitar chugging that mixes sensibilities from both sides of the isle but more so the metallic. Rosado has a strained shout on him, the vocals groaned with a texture swaying towards the Death Metal spectrum but with enough gusto and frustration to ground his limited range of shouts in the Hardcore feel, which the occasional muted gang shouts reinforce. Its far from charming but his energy serves his purpose at the forefront.

The instrumentals are the selling point. Pummeling drums deploy intense patterns, utilizing double pedals and driving the music forward with intent. The guitar work lays down plenty of fast picking rhythms and punchy power chords but its the groove the two together bring out that really lights up the music. The majority of these components would easily separate into Thrash. Its solo's erupt and dazzle with electric energy too but with the right approach they have aligned to extrapolate this contagious sense of bounce and groove between the lines. Its quite contagious.

This is also a dated record, its percussion rattles loosely, guitars carry a meaty amount of low end noise and takes a moment for the ears to adjust. Its a great record to point at as a key link in the formation of Metalcore but no masterpiece. Although it has no stinkers you can't help but feels these songs could of reached a little further. Song structures are simple with not a lot of reshaping moments. The whole plays like an onslaught of riffs and grooves fit to simple structures. Its fun and energizing but rarely pushes beyond itself. Still a fantastic record, I've really enjoyed it!

Favorite Tracks: Life Is Pain, Downfall Of Christ, Take By Force

Rating: 7/10

Can't Swim "Foreign Language" (2019)

Released as a short twelve minute EP, the emotive Post-Hardcore group Can't Swim of Kansas Missouri take a break in stride from their albums and vent frustrations with this loud and angry outlet of channeled frustrations. It hosts an array of guests, singers who you'd presume are friends of the band, brought on to throw a little spice into this mini project. Ultimately its lyrical themes feel a bit force fed, anger led, a spewing of emotions that don't particularly add to conversational depth but certainly enforce the aggressive tone felt on the instrumentals. Police brutality, wealth inequality, evil and corruption are some of the themes delved into at the surface level.

Their melodic song writing and knack for hooks that I grew so fond of on Fail You Again tend to be the fall back in breaks from intensity. Each song has a angle that tends to push the music towards Crossover Thrash territory. Spews of gang shouts come thick and fast, reminding me fondly of Iron Reagan. A couple of ridiculous break downs play up the fun between the onslaught of thrashing guitars. As a whole it blitzes by fast with a hurtling energy as these short songs burst at the seems in aggressive mania. It does lack depth and feels somewhat novel in the shadow of a sound they execute far better but as a side projects its fun and maybe not to be taken seriously.

Favorite Track: Shoot

Rating: 4/10

Turnstile "Move Thru Me" (2016)

So I thought I was done with the back catalog of Maryland based Hardcore band Turnstile. Then I stumbled onto this four track EP for Pop Wig records. Released two years prior to their major label debut Space & Time it includes a song from that record split into two on Side A and another two fresh tracks to be enjoyed on Side B! It all comes from a different recording session that has a warm "live" feel to it. The drums are crisp, punchy with a healthy dose of reverb that other instruments share to give it this roomy lively feel. Its a big and spacious sound the instruments fill with clarity.

This four track doesn't showcase Turnstile's emerging eclecticism, all the songs are meat and bones Hardcore with a crunch and their curation for the best riffs and grooves. The songs new to my ears are on just about par with their current form. Move Thru Me deploys some gang shouts between pinch harmonics as big tom drums and guitar leads builds up the songs momentum through its two repeated sections to an almost big slam of the main riff at the end that's just an iteration of a drum pattern.

Its a somewhat lack luster conclusion but the following Fuck Me Blind makes marks with its dissipating lyrics of ideas, boundaries and liberties. Effeminate vocals feature in the "wash it all away" section as the song shifts into summery pop and grunge vibes of the 90s for an uplifting finish to an otherwise fast and energetic listen of aggression and empowering Hardcore attitude. Its a great little find to squeeze more from a band I am highly anticipating another great record from whenever that may be. Turnstile have definitely been a favorite new discovery for me this year!

Favorite Track: Fuck Me Blind

Rating: 6/10

Turnstile "Step 2 Rhythm" (2013)

 Kicking off with a flavorful shimmer of western guitar tint over big theatrical chords, Step 2 Rhythm gets moving with a lick fit for a 90s tv theme song, just energeized. It switches back and forth between this uplift and the grit of guitar throw downs as the Hardcore riffs shred their power chord grooves. Its the first sign of an eclectic direction for the band and in brief instances it rises again through exotic Metal guitar leads and the outro. Otherwise thats about it. Despite this direction potentially manifesting into what I adore about Turnstile, this short twenty minute EP doesn't quite have the energetic charm of is successor Pressure To Succeed within the Hardcore department, which it primarily plays in tune to.

The opening stir of emotions is to early in its infancy to become anything other than a notable derivative at work. This is a straightforward record for the most part. The band go hard on guitar led grooves of power chord chugging set to slam on the floor as the drums crash in with appropriate half times and the vocals cry out with fiery aggression. Its fairly atypical and the reality is these feel like the b-sides to a better volume of work. Canned Heat bangs when the slam kicks in with a big group shout. Bar that one moment much of the songs felt reasonable but far from the magic Ive heard so far on other albums. It leaves me with little to say other than its been a fun listen but not to much to take away in comparison.

Rating: 5/10

Turnstile "Nonstop Feeling" (2015)

One of the years wilder records has been Turnstile's cracking Space & Time. As the months rolled by its weight has grown, the blossoming familiarity of these infectious songs has had me on the binge many times. Its will probably make my favorite albums of the year list and so Ive been prompted to go back and give their older records a try. Upon first checking out the Maryland based Hardcore act, I found these older songs to be a little stale but understanding their intent and musicality better now this previous record sounds like a whole new beast! One i was totally wrong about.

Their vein of Hardcore is so clearly rooted in the guitar groove and Crossover camp, baring some momentary resemblance to the likes of Biohazzard. They have two things that make them stand apart and have gone on to master with Space & Time, curation and eclecticism. Firstly the band have a lot of riffs in the arsenal that they churn through. Its exciting and energetic but with short songs and linear structures they burn through a lot of fantastic composition swiftly, leaving your appetite ripe for another spin. There is something to be said about hearing the same riff over and over in the context of listening to a record three times, or the verse chorus structure.

On the second note, the band shake up their sound with passageways that deviate from distortion guitar led riffage. Sometimes colorful inflections diversify the tone and with a couple of songs they drop the core identity entirely. Its always an organic transition that seems shaped up to dull the monotony that half an hour of straight Hardcore can bring. Bleach Temple's effect soaked guitar leads are uncannily akin to a Killing Joke record and it perfectly fuses a chugging guitar beat down and gang shouts. With clean melodic singing Blue By You transforms into a Pop Punk song, the decent sort of course. The influences they show off manifest wonderfully.

Another thing that has struck me about this band is the lyrical maturity. Ive heard some lines that resonate with me greatly. The angered approach to real emotion reminds me fondly of the Rollins Band and some true wisdom shapes up in the words "There is no such thing as truth. We all have a filter. Got to let it through". This record sounded deceptively straightforward at first. Turnstile continue to impress me, I hope more of their back catalog reaches this level of flavorful  artistic output.

Favorite Tracks: Gravity, Can't Deny It, Bleach Temple, Addicited

Rating: 7/10

Iron Reagan "Dark Days Ahead" (2018)

If your looking for a fast and furious eight minutes of fist pumping mania, then Crossover Thrash outfit Iron Reagan have got your covered. Well beyond the heyday of Hardcore and Thrash Metal music meeting in the mid eighties, the five piece thrashers from Richmond Virginia revisit the sound with a modernized aesthetic, unrelenting intensity and bloodthirsty attitude. This is the best of them Ive heard so far and its a little jarring to think such high quality tracks wouldn't make the album cut.

From Authority to Watch You Die, the band lay down a furious pace spurred on by a thunderous snare that ricochets off lively, razor sharp distortion guitars, thrashing power chords back and forth, dizzying around the fret board. With songs lasting between one to two minutes they blitz through the riffage without circling back to the verse chorus formula. It propels the music forward, which is already running itself in a race of the cliff. Gang shouts and throaty yells of frustration and anger just further this rebellion of youthful energy and anger.

In the short space it occupies, the music finds degrees of techniques that span both edges of the Crossover sound. My favorite song, Patronizer, brings out some classic Slayer riffing style that leads into a wonderful explosion of ferocity as the gang shout cries out "pat-ro-niz-er". The following track also utilizes some of the Thrash Metal veterans sounds, its suits this band so well. Its five songs all offer something great and ultimately its too short for its own good! Can't wait for the next album.

Favorite Tracks: Patronizer, The Devistation

Rating: 4/10

Madball "For The Cause" (2018)

Kicking off with distortion guitar feedback fading in, the pounding drums ramp up the energy as the sticks make their way around the kit, striking the rising toms, signaling whats about to land. New York Hardcore legends Madball jump straight into the action with all the hallmarks, gang shouts, thrashing riffs and slamming grooves fit to get the crowds moving, spinning in circles, hardcore dancing and jumping of the stage. One can hear it all but that's because we have heard it all before. For The Cause is the bands ninth full length in their now thirty year career.

This blog will be short and sweet, their isn't too much to talk about from my perspective because the record does so little wrong yet so little new. The band pull together with a tight set of songs that deploy all the same riffs, techniques and cliches a Hardcore fan could want. Its got energy, attitude and aggression the likes of which we have heard time and time again. The lyrics circle the same topics of pride, strength and integrity spun through different analogies and formed into hooks. Not even the presence of Ice-T makes much an impact in this straight forward record.

Once Id got my Hardcore kick from the record its repeated spins left little impact on me, a lack of experimentation or aiming beyond the scope leaves these songs feeling weak beyond the ability to hit that certain vibe, which it does well. The records biggest strength is production, everything is crisp, cutting, sharp and lean, with the right Hardcore flavor. The drums are especially snappy with a gorgeous clapping snare that hits hard without piercing through. Unfortunately my enjoyment of For The Cause was limited by the records own limitation within a sound the stick very strictly too.

Rating: 5/10

Turnstile "Space & Time" (2018)

Hailing from Baltimore USA, Hardcore Punk outfit Turnstile are set to make a splash with this fantastic sophomore album released through the reputable Roadrunner Records. Despite playing in a genre that's approaching its forth decade the five piece group bring a healthy dose of youthful vitality to give every thrashing of a power chord and striking of the drum kit a sense of urgency and meaning. From the get go its a grabbing listen set to suck you in and spit you out ready to take on the world! At just twenty five minutes its a short and sweet thrashing that leaves one rejuvenated.

With a crisp, finely cut production, Turnstile's charisma is squeezed out with succulent, appetizing guitar tones, ripping with a bright, blinding distortion the lets every riffs intensity breeze by. The hard thrashing of chords, leaning into Crossover territory at times is a constant driving force but its not where the band charm, or should I say charm the most, these riffs slam hard! With keen compositions they interpolate aesthetics, disrupting and rerouting the intensity that's all to obvious with the straightforward Hardcore approach. Each song finds its moment to steer the ship in smart yet slightly unconventional directions to much avail.

On the heated, angered Generator this direction becomes obvious when the song seems set to erupt yet falls back into a shoegazing calm of aesthetic guitar effects and sampled drum loop that then swiftly jumps out into a chomping guitar riff illuminated by fantastic vocals and a swell guitar solo. For the other songs that dabble in this play with unexpected directions it is often the vocals that play a key role as the fiery shouts and screams seem a distant memory in the wake of smooth, gleaming vocal lines that rise above the instrumental. It has to be said the screams are fantastic tho, and very akin to a young Tom Araya of the legendary Slayer.

In other instances its less obvious, like the frantic piano stabbing that elevates the fast pummeling riffage of High Pressure, adding a real sharp intensity for a brief moment. It always seems like their is a quirk up the sleeve, a slightly unusual idea to give a very structured sound a sense of freedom and exploration as the songs steer themselves into exciting moments with plenty of mini guitar solos to lead you into the fun. It comes from all angles with creative drum grooves and clap sounds dropping in to abstract the norm in opportune moments too.

Space & Time is such a fun, vibrant and youthful record that is simply brimming with excitement as its aesthetic and compositions continually dazzle and erupt with aggressive energies that are steered away from dark places. Thanks to its creativity, the anger is often uplifted as brooding guitar riffs find a touch of bounce and groove, ready to steer things upwards as the songs take their usual shifts into interesting places. One thing to note, the introduction of these more melodic, warm musical voices greatly out shine the songs more routed to the norm. Fantastic record with some clear winners in the track listing!

Favorite Tracks: Generator, I Don't Wanna Be Blind, Can't Get Away, Moon, Time & Space
Rating: 8/10

Suicidal Tendencies "Get Your Fight On!" (2018)

It would seem that Suicidal are in a stride. The legendary Crossover Thrash outfit from Venice beach have graced this decade with dedicated touring and a couple of albums, of which this short EP is warming us up for another album to come later in the year. Their last effort World Gone Mad was a reasonable release but for an old band sticking to their roots there was little too surprise with. If they wanted to wet the appetite with this EP then there isn't much in sight of originality or creativity beyond doing their sound again. Consisting of a Stooges cover, three new songs and two re-recordings from singer Mike Muir's solo project Cyco Miko. The EP is brief and fun for a couple of listens but that's about it.

 With new tracks Get United and iAuthority, the band stir up a warm atmosphere with jiving baselines prowling and acoustic guitar riffs in the main sections. It creates a rather musical and relaxed setting for Mike to get angry with his passionate shouts. The full on guitar distortion comes in with an exotic color in the chorus, flavorful and punchy however on Nothing To Loose and S.E.D. its business as usual with fast chomping Hardcore beats and dizzying thrash guitars with Mike throwing down is usual eccentric vocal inflections. With just a singular moment of interest through Get United this EP offers little other than what you'd expect, if its the same old Suicidal your looking for then you got it right here.

Favorite Track: Get United

Rating: 3/10

Biohazard "Urban Discipline" (1992)

After "Tales From The Hardside" sucked me into the Crossover Thrash world of NYC's Biohazzard I couldn't help but check out their sophomore full length which critics often site as their best record. Where State Of World Address captured my interest, their prior release Urban Discipline owns it. Filled with fist thumping grooves, lively gang shouts and the aggressive "in your face" raps of front men Evan and Billy, Biohazzard get us fired up with adrenaline soak tunes to stomp along with.

Demanding self respect with an attitude, words come from the inner strength, street hard mentality to point the finger at societies woes with a voice of reason to shine focus on apparent hypocrisies. Every song has a stance to hold ground and grit your teeth as guitars slam in with Hardcore dance floor movers between power chord thrashings to pull intensities from two avenues. Most the songs play off this dichotomy as gang shouts often throttle us from the lineage of chord arrangements to low end chugging slams.

With a rather chromatic, dated production the songs benefit from a consistent, slightly dulled tone that doesn't over emphasis musical shifts with bombastic, audacious instruments. Instead the muted clarity lets the gear shifts creep up on you with the next riffs magic taking you by surprise. Even after plenty of spins I find them catching me off guard as the music outpaces its dated production. The base drum kick would be all but lost if not for heavy syncopation and the snare has a harsh rattle but the drums still rock the grooves and hold the music together.

At the front of the music the thuggish rapping duo have remarkable charm when it comes to energy and passion as their liveliness makes mockery of the flat sung notes and narrow shouts the two pull off. My favorite song "Business" is loaded with off notes as they push beyond their vocal range. The fantastic lyrics, heartfelt charisma and intense guitars make it a personal highlight for me. "Music's for you and me! Not the fucking industry". The production dulls its glowing energy somewhat but can't stop it from being a real skull cracker in the opening half. It lets itself down towards the end as it draws out with various ideas and experiments that don't quite work out as well.

 Favorite Tracks: Chamber Spins Three, Business, Man With A Promise

Rating: 7/10

Biohazard "State Of The World Address" (1994)

It must of been around ten years ago that I picked up a couple records from the legendary Biohazard of NYC. I didn't get that far into their music and given their city it should be no surprise to hear they pulled elements of Metal and Hardcore together with a wealthy influence of Hip Hop, something you'd guess I'm dead into. Their thuggish street attitude and hardcore raps lined the Crossover sound with what was to be commonly know as Rap Metal before Nu Metal had yet to happen. Watching Noisy's piece on Post-Malone a segment with the rapper miming the words to "Tales From The Hardstyle" had me gripped, after learning it was Biohazard I have been binging on this record!

This record has a ton of energy, hurtling towards you through the lively guitars ripping Hardcore and Metal grooves on bruising distortion tones. Lined with a crisp and cutting drum kit the stage is set for vocalists Seinfeld and Graziadei to raise the stakes with shouted lyrics and raps, often blurring the lines between the two. Their best flows often cruise over the grooviest sections of riffage in the songs and plenty of gang shouts help bolster the street mentality that can be heard throughout the record.

A couple of tracks really blaze the trail but despite the lively setting and arising attitude a lot of the songs falls back on mediocre riffs that get a little dull after many listens. A couple of odd ideas crop up in the track listing. "Failed Territory" sounds entirely from a different band, an enchanting Spanish guitar leads us into an dark, haunting orchestral interlude that would be more fitting on a Cradle Of Filth record with its dark and illustrious keys clattering echos of Chopin's Funeral Macrbe. The intro to "Love Denied" also stars with dramatic, melancholy keys that might think you were being led into a heartache ballad if it wasn't for a an obtuse guitar solo grounding the theme in its Metal setting.

Both those moments felt out of place but otherwise its a really fun record with a fair weight of heavy topics between empowering strength and mentality focused Hardcore messages. Its been a great re-introduction to them but reading up on the band their prior release "Urban Discipline" seems to be their crowning moment so that's what ill be checking out next!

Favorite Tracks: Down For Life, Tales From The Darkside, Five Blocks To The Subway, Lack There Of

Rating: 6/10

Municipal Waste "Slime And Punishment" (2017)

Its the sixth release from legendary east coast outfit Municipal Waste. Formerly viewed as "revival crossover" their sixteen year tenure has established them as one of Crossovers best. Last time I checked in with them was back in 2007 where they were riding a wave of hype that produced wild festival shows with fans literally bringing surf boards to crowd surf at the bands command. It was quite the memorable show but since then I never stayed tuned in with the band, after five years of silence it seemed like a good time to give them another whirl and see if their upto the same old tricks.

"Slime And Punishment" is a fast and fun, thrashy blast of party hard, headbanging aggression that's not to be taken seriously. They have hardly evolved in ten years and the addition of a second guitarist doesn't seem to have given their sound any new edge. There are not many parts of this record that utilize two tracks, beyond a backing track for a guitar solo its mostly unable to break away from linear guitar work. Just another riff fest of crossover that brings far more thrash in the guitar work with all the classic chugging rhythms and grooves, power chord shredding rearranged to create another set of mosh friendly tracks for the energetic live show.

Tony Foresta's strained shouts bring the hardcore edge with a constant barrage of gang vocals chiming in along side him. "Parole Violators" presents a missed opportunity as a breakdown riff leads into some comical role play between a corrupt sleazy cop and skate punk, painting a hilarious image of an oldskool corrupted authoritarian attitude, the sort you'd see in movies reflecting times gone by. This album would of have a real wild card up its sleeve with more of that comical edge. Unfortunately its just another rapid riff fest of head bobbing fun, composed, performed and produced with a routine level of excellence from experienced metalheads that lacked a spark to really get me into it. Solid album but didn't offer anything I haven't heard done before.

Rating: 5/10