Dan Terminus "Stratospheric Cannon Symphony" (2014)

Although there is another record to devour in Dan Terminus's discography, this will be the last from me for now. Its his second full length and despite a lack of aesthetic difference it has a distinctly more EDM vibe than the previous leanings to the dark side. As much as I have enjoyed these records, there is something that just doesn't click quite like other musicians have done for me. Like on "The Wrath Of Code" its a warm and enjoyable listening experience, yet I walk away each time without an echo or melody stuck in the mind. 

Much like the albums cover, we tread into the lighter regions of dark music with a record that tingles with a cool frosty breeze as warm and inviting melodies play from the thick and chunky waveform electronic instruments which stack up in varying layers. As if on a drifting glacier, we warm ourselves in the sun of an otherwise frozen hell. As mentioned already, these melodies and leads rarely do much to forge a remarkable moment but simply dance around the broad, deep buzz saws and punchy drum kits that form the songs. "No Escape..." breaths some some life into the record with electronically distorted vocals and cleanly sung lines from two guest vocalists. Even then they are sparingly used on what is primarily instrumental music, something that could perhaps hold it back.

So I don't have too much more to say, some records are like this, its enjoyable in its moment but I don't feel anything deeper emanating from it. Perhaps there is too much reliance on the aesthetics of the instruments, which do set a vivid atmosphere, it is not backed by inspired melodies or musical direction. Instead what does occur seems to plod around in a moment moving aimlessly but looking pretty non the less.

Favorite Track: One Million Dead In 2.7 Seconds

Rating: 5/10

Dan Terminus "Rêverie" (2014)

For my second dive into the small discography of French electronic composer Dan Terminus I thought this short twenty minute EP would be an interesting listen. "Rêverie"is a break from the norm as Dan stated he would have fun, taking a break from the usual dark themes and aesthetics in favor of something happy and upbeat. Luckily for me that form of "happy" vibe isn't overly chirpy, enthusiastic or free of balance, there is plenty of room for other feelings to populate these generally positive songs however Dan can't help but steer to darker leanings at times.

In comparison to "The Wrath Of Code" we have a very similar production style but with more space in the mix to breath as the textural synths are used more sparingly. They still pack a punch with some deep wave forms but the lack of depth in layers frees the listener of the demanding density. Breaking away from the dark sound Dan still has a heavy retro inspiration that paints techno-electro fantasies with colorful dancing synthesizers. The 80s vibes course through these tracks, most noticeable when the Phil Collins style synth toms come punching into tracks with their rigid tumbling tom rolls.

Between the five tracks there is plenty of variation mainly in themes and leads. Most the tracks take on a similar tempo with momentous rhythmic patterns, as if hurtling down the cyber highway, sun glasses and hair blowing in the wind like a bad ass. Unlike the previous record I checked out the leading instruments shuffle through many more passageways and moments, rarely repeating back on themselves which made for much more progressive and organic tracks that held my interest for longer. Its a warm, breezy record knee deep in the retro-electro nostalgic fantasies that could be associated with early home console era in the mid 80s, however much richer in quality and dexterity. Dan shows a different side of himself here, one I think I prefer.

Rating: 5/10

Dan Terminus "The Wrath Of Code" (2015)

Browsing through upcoming releases for games on steam I came across NeuroVoider, a fast paced rouge-light top down shooter with a dark, atmospheric and synth heavy soundtrack. My ears immediately perked up and with a little research I found the soundtrack was made by one man band, French musician Dan Terminus. It was this record, "The Wrath Of Code" and if it was composed with the games soundtrack in mind? I am unsure but my impression is that this is another record, his third, in his discography that the developers picked up to use as a soundtrack for the game.

What was initially striking about Dan's music was a lack of predictability. Despite being relatively mild and traditional in composition style for modern music, I found myself mostly at the mercy of uncertainty to the direction it was heading. I found this experience extremely enjoyable and now after many listens I can put my finger on it. The "Dark" side of this music isn't what I'm used to, normally I gravitate to emotionally darker music, where minor, pentatonic and other such scales prevail. In this music we find a playful retro fantasy of dark cyber realms where the atmosphere create visions of movie-like heros adventuring through the electronic landscape.

The music itself is well realized with lush electronic tones oozing retro buzz saws and sine waves with a balance of harsh and softer tones that meld together in a smooth array of reverb. The atmosphere creeps through from behind with quiet ooh and aah choral synths playing in the distance and cueing the biggest moments between the the songs lead instruments. The drums are quite contrasting, with highly compressed, cutting snares and thudding kicks that lack reverb or cushion. They cut through the mix and it ends up serving as a key component in the records chemistry, the contrast in style holds the music in a unique balance.

Another notable distinction is the manipulation of dense snarly synths that roar and moan like demonic monsters, they crop up in some tracks and do wonders the further enforce the fantasy cyber world scenarios these songs conjure. I feel i should also mention this is an instrumental record, something I neglect to do as it feels irrelevant, it wasn't until writing this that it crossed my mind. "The Wrath Of Code" has been a fresh and entertaining listen however with familiarity it has lulled somewhat. It was nice to find something new, but despite being a well rounded record, there is a lack of gems or stand out moments to ascend this release into something great.

Favorite Song: The Chasm

Rating: 6/10