Showing posts with label Doomsday. Show all posts
Showing posts with label Doomsday. Show all posts

Tuesday, 8 April 2025

Doomsday "Never Known Peace" (2025)

 

A few weeks on from discovering Crossover Thrash outfit Doomsday, a new record drops! In fact, Never Known Peace is their debut "full length", a trim, lean, concise thirty minutes of fiery metallic blasphemy! With a tight production in place, the band straddle Slayer worship with a modernized arsenal of slick sprinting riffs and roaring, evil evoking lead guitars. The latter aspect gets nail to the cross. Echoing King and Hanneman's dueling, unhinged guitar solos, the record's ten cuts flow with melodic chaos as the arrival of spurious shredding illuminates the tone, a consistent high point.

Oddly, its high tempo rhythm guitars chug and gallop chops to a lesser luminosity. They serve as the mood's aggressor, continuously grinding out stomping grooves in a menacing formality. Lacking surprise or novelty to seasoned ears, the ceaseless flow of rhythmic assault runs warm. When set up for a big breakdown, it lands somewhat soft. When the rhythm guitars aren't accompanied by face melting leads, things feel thin despite continuously punishing with notable touches of Hardcore dance groove.

 Stepping back from my analytical dissection, Never Known Peace is a heck load of fun. Despite being one mean best, its tone feels fun and uplifting, a dark demeanor for show, not to be taken seriously. The thirty minutes blaze by without a foot step wrong. Its surprisingly consistent, without a dull moment and nothing truly remarkable to rattle off on, although whiffs of potential linger. Only instrumental interlude track Extinction's Hymn gets a mention for its utilization of a sinister synth to add a textural flare to its main galloping guitar riff. A small footnote on a record that sticks firmly to its design.

Rating: 7/10

Friday, 14 March 2025

Doomsday "Depictions Of Chaos" (2022)

 
 
Having recently unearthed a modern scowling scene of Groove laden Thrash, tinged in Death and Crossover, Doomsday stuck me as pick of the crop. Breeding fast, ferocious, fiery bestial incarnations, their hellish forays of 80s inspired Metal re-imagined play a delight to this Slayer fan. With lead guitars wailing demonic sirens and galloping rhythm guitars balancing groove and sprint, Doomsday hit hard.
 
These six songs run an infectious route, endlessly pivoting from one riot to the next. Despite being dramatic, sinister and darkly, with front-man Carlos Velazquez howling graven pains, Depictions Of Chaos is upbeat and fun. The routine stints of groove an invitation to rock out on a hellish ride. Its a vision cast by legends before them, yet this classy updated execution attracts one to revel upon its ripe aesthetic foray into evil.
 
Rating: 6/10