Hocico "Spider Bites" (2017)

Hocico are a Mexican Aggro-Tech duo who have been at it for almost twenty five years now. It was their fifth album "Memorias Atras" released in 2008 that caught my attention. Its one of those "go to" records when in the mood for dark and moody aggressive electronics. Its fully of catchy melodies and pummeling Industrial EDM grooves. Unfortunately it has served as the summit of their success as the band have somewhat stagnated on the same ideas and aesthetics that peaked with that album. Each release since has been more of the same, my interest in their music dulling significantly. "Spider Bites" might be the last time I check in with the group. Its an EP that weighs in at thirty one minutes, not too short of full length but its track arrangement shows two halves that don't make a whole.

Opening with "No One Gets Out Alive" we are thrusted into grip of the harsh and thudding tempo of a linear snare kick drive that incessantly thumps away as jagged synths and layers of flashing buzz saws conjure a menacing setting for distorted, twisted screams to drive home the theme in the songs name. Its an atypical rigid composition where all the instruments are instant on the attack and fall to silence swiftly as the pair so typically compose with a digital mindset of on or off with no room for subtlety. "I Abomination" is another dark banger that's far more appealing. It has depth and texture in the instrumental, dropping the fast choppy melodies for drawn out textural waves that conjure an atmosphere perfect for the main melody and hook to drop in with a classic Prodigy like vibe. "All Beauty Is Lost" is the third of these straightforward clubbing tracks however its toned down resulting in a lot of atmosphere for piano melodies and slower string like synths to create a more inviting enviroment. At nine minutes its no progressive epic, after playing through its motions the pianos are given center stage to go solo and lead back into the same loop, resulting in a needlessly long song but one that's endurable given its calmer tone and interesting piano compositions.

The other three songs represent the between moments that would break up the intensity of back to back club tracks on a full length. "Conjuro" is a noise driven Industrial atmospheric track in which the distorted, reverb soaked vocals take center stage. It sometimes sounds as if key instruments and drums have been removed from what might of been a fully fledged song. "The Secret Window" is the records best moment, an interlude for the groups softer synth sounds to orchestrate a sense of mystery and wonder within a short space as its lead alluring melody plays over and over, deep echoing kicks and whiffs of synths pass it by as the underlying buzz saw slowly intensifies and guides it through the abyss to find conclusion in a break beat. The last track starts out somewhat similar although it detours as a rumbling Industrial base line go up against a slow expansive drum groove while more mysterious melodies play out.

For me this record isn't cohesive, its a collection of ideas of which some are actually quite impressive individually, together they have little direction or consistency. There is no doubting that Hocico are a talented duo with a unique sound however a lack of theme or vision means each song feels isolated. Just as one pulls you in the next will break the spell and move elsewhere. Its bitter sweet, disappointing but there are at least a couple of tracks worth coming back to from time to time.

Favorite Tracks: I Abomination, The Secret Window

Rating: 4/10

The Prodigy "The Night Is My Friend" (2015)

Last year British legends of Essex "The Prodigy" returned from the darkness for another record, something they do every six years or so since their most successful "Land Of The Fat" back in the 90s where they were much more active. I caught the promoting tour which was one heck of an atmosphere to take in, one big party with a crazy light show and Maxim Reality exploring the venue, singing while walking through the crowd. Hungry for a little more I picked up the counterpart EP that finishes the other half of the lyric from title track "The Day Is My Enemy".

It should be known EPs and singles can often be tidbit extras, scraps and left overs brought together to fit the norm. Unfortunately "The Night Is My Friend" falls right into that territory. The opening "Get Your Fight On" is a re-equalized track that wouldn't even get audiophiles excited. A shortened three minute edit of "Rhythm Bomb" is thrown in possibly for radio play. There is only one new song "AWOL" which is pretty banging, another big break-beat with a lot of texture, distortions and typical Prodigy noises. Its plays itself down and builds up that typical dance suspense with an increasing snare leading in the drop which is the hook heard at the opening. Its a short but sweet song.

Lastly there are two remixes, "Rebel Radio" gets chopped up, re arranged with a clanging, loud snare harping on through the track reminiscent of "St. Anger". Not appealing and Caspa's remix of "The Day Is My Enemy" isn't as bad but his shuffling Trap hi-hats and Dubstep wobbles don't really fit the sample material, Its mediocre at its best. With just one new song its quite the disappointment, not a release worthy of attachment to the main album in my opinion.

Favorite Track: AWOL (Strike One)

Rating: 2/10

Dan Terminus "Stratospheric Cannon Symphony" (2014)

Although there is another record to devour in Dan Terminus's discography, this will be the last from me for now. Its his second full length and despite a lack of aesthetic difference it has a distinctly more EDM vibe than the previous leanings to the dark side. As much as I have enjoyed these records, there is something that just doesn't click quite like other musicians have done for me. Like on "The Wrath Of Code" its a warm and enjoyable listening experience, yet I walk away each time without an echo or melody stuck in the mind. 

Much like the albums cover, we tread into the lighter regions of dark music with a record that tingles with a cool frosty breeze as warm and inviting melodies play from the thick and chunky waveform electronic instruments which stack up in varying layers. As if on a drifting glacier, we warm ourselves in the sun of an otherwise frozen hell. As mentioned already, these melodies and leads rarely do much to forge a remarkable moment but simply dance around the broad, deep buzz saws and punchy drum kits that form the songs. "No Escape..." breaths some some life into the record with electronically distorted vocals and cleanly sung lines from two guest vocalists. Even then they are sparingly used on what is primarily instrumental music, something that could perhaps hold it back.

So I don't have too much more to say, some records are like this, its enjoyable in its moment but I don't feel anything deeper emanating from it. Perhaps there is too much reliance on the aesthetics of the instruments, which do set a vivid atmosphere, it is not backed by inspired melodies or musical direction. Instead what does occur seems to plod around in a moment moving aimlessly but looking pretty non the less.

Favorite Track: One Million Dead In 2.7 Seconds

Rating: 5/10

Dan Terminus "Rêverie" (2014)

For my second dive into the small discography of French electronic composer Dan Terminus I thought this short twenty minute EP would be an interesting listen. "Rêverie"is a break from the norm as Dan stated he would have fun, taking a break from the usual dark themes and aesthetics in favor of something happy and upbeat. Luckily for me that form of "happy" vibe isn't overly chirpy, enthusiastic or free of balance, there is plenty of room for other feelings to populate these generally positive songs however Dan can't help but steer to darker leanings at times.

In comparison to "The Wrath Of Code" we have a very similar production style but with more space in the mix to breath as the textural synths are used more sparingly. They still pack a punch with some deep wave forms but the lack of depth in layers frees the listener of the demanding density. Breaking away from the dark sound Dan still has a heavy retro inspiration that paints techno-electro fantasies with colorful dancing synthesizers. The 80s vibes course through these tracks, most noticeable when the Phil Collins style synth toms come punching into tracks with their rigid tumbling tom rolls.

Between the five tracks there is plenty of variation mainly in themes and leads. Most the tracks take on a similar tempo with momentous rhythmic patterns, as if hurtling down the cyber highway, sun glasses and hair blowing in the wind like a bad ass. Unlike the previous record I checked out the leading instruments shuffle through many more passageways and moments, rarely repeating back on themselves which made for much more progressive and organic tracks that held my interest for longer. Its a warm, breezy record knee deep in the retro-electro nostalgic fantasies that could be associated with early home console era in the mid 80s, however much richer in quality and dexterity. Dan shows a different side of himself here, one I think I prefer.

Rating: 5/10

Mindless Faith "Eden To Abyss" (2015)

I was engulfed by a wave of excitement when I saw this record pop up in my feed. I can't remember how exactly I found this American band from Maryland, but back in 2012 I got hold of their record "Just Defy" and was impressed with the striking balance of Industrial Metal and EDM the band achieve. Leaning more towards the Neue Deutsche Härte style they fuse mammoth guitars with pulsating dance kicks and Aggro-Tech saw wave electronic leads. As the name suggests "Mindless Faith" muse over critical observations of human behavior when it comes to religion, money and consumerism, with a peril outlook.

"Eden To Abyss" develops the groups sound further into its electronic side with the big crunching guitars drifting behind the synthesized leads that sound thick and dense. There presence is richer and decorates the tracks with layers of tinkering industrial noises that latch around the main drum beat while aggressive leads run the show. The bass kicks thud and pound away like the heart of the track, continually aligning a dark rhythmic energy underneath that makes you want to move. Singer Jason delivers his words with steady passing as his rough distorted delivery bleeds into the track, making for a nihilistic sound.

Aesthetically the group have made a stronger, bolder record with louder instruments, ramped up aggression on the synths and made a more appealing vibe however its not quite there on the songwriting front. On "Just Defy" track after track rolled by making a resounding impression, often peaked by the lyrics. On this one the lyrical themes didn't hit as hard and often the songs drift into themselves and loose their hard hitting momentum. The more ambiance oriented moments are enjoyable but its pounding tracks like "Shit Show" that make the record work. Despite some criticism, there is some improvement and progression between records and overall makes for a very enjoyable listen if your looking for dark and heavy Industrial EDM.

 Favorite Tracks: Shit Show, The Fluffer

Rating: 6/10

The Prodigy "The Day Is My Enemy" (2015)

The Prodigy are a British trio of electronic musicians who need no introduction to residents of their native country. Here in the UK they are a household name, with big albums and singles like "Firestarter", "Breathe" and "Smack My Bitch Up" in the 90s they establishment a huge presences for themselves alongside the Brit Pop era of that time which saw a fair few musicians, bands and pop groups flourish with a wave of popularity. This album marks 25 years the three have stuck together and is only their sixth full length record, having slowed down their output since their most popular release "The Fat Of The Land". The group played a pivotal role in defining the Big Beat genre which mixes elements of Hip Hop and post-Detroit rave scene sounds like Jungle, Techno and Drum & Bass. The name clearly suits the genre which revolves around massive loops backed and reinforced by various styles of synthesizer leads and electronic sampling.

"The Day Is My Enemy" is a generous serving of vibrant, industrious, energetic songs that give their fans exactly what they want, more hard hitting breaks, hooks and jittery melodies to rave too. Beyond that their little thats expansive or experimental about this record, The Prodigy are writing sharp songs that meet the expectations of their niche. Through out the record there are hints and inklings of similarities to previous songs, which is to be expected. Overall it does an impressive job of keeping their sound fresh, with exception to "Destroy" which felt like an intentional throw back to the 90s, and one of the records best songs with its thumping bass kick, shuffling snares and pitch shifted hits creating one heck of a hook.

Production wise, their experience and knowledge shows. Theres very little to talk about beyond the stunning clarity and balancing of instruments in the mix, it makes for a lively record that gives you a feel for the live experience. The record very much suits a mood and apatite but with little to expand on what The Prodigy are known for it can feel all too familiar. With a lack of new ideas or moments that take you by surprise it leaves a desire for something new. Its strength is its rigidity and so is its weakness. The Prodigy stick to their guns and shoot to kill, but they could do with a new target. Great listen but very much scratches an itch thats been treated before.

Favorite Songs: Ibiza, Destory, Wild Frontier, Medicine, Wall Of Death

Rating: 6/10

Monstercat "018 - Frontier" (2014)

I wouldn't say I'm a fan of dubstep. Theres much i like about it, for example the aesthetics of the grooving bass wobbles, squeaky clean production and in general the flexibility of electronic music. However most dubstep i have listened to as felt so stale and limited, i would call it "skrillex worship", mainly mimicking the techniques used in his records with not much artistic intention. This record is certainly not that, which was what i expected when it started of with a poppy tune with an uninspiring drop, however as the songs progress through compilation there is a nice variety of dub styles and some very enjoyable tracks with the occasional swing into the drum step genre. What was enjoyable for me was the variety and presence of true musicianship in a genre plagued with amateurs using VST presets. There are a couple of darker tracks with some distorted guitar too, something i always gravitate to. Overall this listen made me feel like I've been looking in the wrong places for electronic music.

Favorite Tracks: Moving On, Breakdown, Night After Night, Gunmetal Black

Rating: 4/10