Timothy Steven Clarke "Starsiege OST" (1999)

In a similar vein to Frank Klepacki's Command & Conquer soundtracks, Starsige is another video game soundtrack of weird and wonderful Industrial music colliding with Techno, Breakbeat, Cyber Punk, Metal and all with shades of Ambience steering the musical intensity. This is the sort of music you could grow to love after hearing it over and over in the background of your favorite childhood games. The difference is I never played Starsiege, It was recommended to me based on my adoration of the C&C soundtracks. I'd always yearned to hear more music in the Industrial Metal styling of Frank Klepacki and this is the closest Ive come yet. Unlike the back road to bands like Nine Inch Nails and Ministry, here is a record that comes after the likes of Tiberian Dawn & Red Alert that pulls influences from Frank's particular flair and contribution to the genre.

All I know of Timothy is his work on this soundtrack and its squeal. His distinction is in the detailed layering of sounds that stack up in these compositions, throwing all sorts of guitars, synthesizers, drum sequences and samples into overwhelming blocks of deep, textural sound that charge at you with big theatrical directions. That's just some of the tracks though, others dispel the lively energy, creeping into mysterious territory with eerie, unearthly synths brooding dense atmospheres over janky disjointed beats. Thick and blunt with its delivery, many of the synths and oddities are paraded upfront with no measure for subtlety. The resulting songs can often be very alike to some of Frank's own but Timothy gets the chemistry right, emulating a rather wild and fringe sound that will turn off many. The vocal presence, where it turns up, is surprisingly dark, offering alien warped voices and distorted shouts in the vein of Aggro-Tech.

The soundtrack is split onto two discs, the first is rather disapointing, with just six tracks it feels like the projects b-sides, with exception to "SS2" and its thudding, pounding break of the Amen Loop, bordering on Hardstyle. The album gets going on the second disc with the anthemic, blood pumping "You Got". From there on the pace and variety is just fine, constantly mixing up the approach, fluctuating the intensity and maintaining the same mysterious, alien, cybernetic atmosphere. Its a journey, a trip and has totally scratched the itch, one to go on the playlist with some of my other favorite video game soundtracks. Great discovery!

Favorite Tracks: You Got, Newtech, SS4, Purge, Watching, SS1,

Rating: 6/10

OverClocked ReMix "Doom II Delta-Q-Delta" (2008)

 Here's a record I almost passed over but curiosity got the better of me. "OverClocked ReMix" is an online community of musicians who re-imagine the soundtracks of computer games in their own vision. Despite hearing nothing but praise it didn't appeal to me much, but how foolish could I of been? I picked out the Doom soundtracks since its my favorite game and just after a couple of listens I was sucked in! The vibe and atmosphere was very fitting of the game, and the instrumentals had a level of craft and care similar to the C&C soundtracks composed by Frank Klepacki.

As a community driven record there are many musicians at work here, sometimes collaborating but mostly working on their own, each with a level song to rework. Despite a range of aesthetics and approaches, the record has a strong flow as the themes and mood shift through track to track. Even going from chirpy electronic led tunes to pounding on metallic guitars the record flows well with one exception, "31 Seconds" sounds out of place, its indie guitars, bright pianos leads, light drum kit and voice samples had me thinking I was listening to "Public Service Broadcasting". I thought id messed up my records playlist!

The atmosphere is ripe and the songs stroll through with an ambient quality that has subtle leads, chords and arrangements working around one another a typically soundtrack fashion, letting your attention focus to whatever is at hand while these songs steadily build and grow with a few distinctive melodies and moments cropping up in between. The whole soundtrack is a mash up of styles that has many dynamic components working together. You can hear elements of Metal, Noise, DnB and Big Beat around the predominantly Electronic and Industrial tracks.

The chemistry between these styles is executed with a vision and on "Icon Of Sinewave" we hear samples of our hero and the demons that create a dark and gruesome scene of the game before crashing into the main theme which amplifies the grueling intensity before breaking to an uplifting fast tempo beat that reminded me of being "in the zone" playing Doom. The samples could of featured more but it may have been overkill to do so. This is a fantastic soundtrack that produced a couple of real gems I will be returning to fore times to come.

Favorite Tracks: Westside Archvile, Crushing Headache, Silent Healer, Icon Of Sinewave, Ablaze

Rating: 7/10

Carl Karjalainen "Snakebird The Soundtrack" (2015)

 

Having thoroughly enjoyed my recent playthough of the addicting puzzle game "Snakebird" I found myself compelled to pickup the soundtrack, which I was pleasantly surprised to find out its free on bandcamp. The hours spent rattling my brain for solutions had been accompanied by delightfully quirky and innocent melodies that got stuck in my mind. This is often the case with soundtracks, but its a sign greatness when you can enjoy that same music in another setting. Whenever I need to knuckle down and do some jobs, "bits and bobs", the snakebird soundtrack is there to sooth and help me focus on the task at hand.

There is not much information available about Swedish composer Carl Karjalainen, but his music speaks in volumes, or maybe lack of. The soundtrack's gift is in its minimalism, its quiet, and what it crafts with so little. Its not demanding, or taxing in anyway and just a few instruments create little passages of time that drift on by peacefully if your paying attention or not. The percussion quietly shuffles along with muted kick and snare sounds that are not to dissimilar, as ambient sounds of waves on the beach and winds fill a void quietly in the distance. Along with a murmuring baseline, the lead instruments sing out chirpy, harmless leads and define each song with a strong melody.

Its music for a setting, music for a mode and beyond that there isn't too much spectacular at work but there doesn't need to be. There are a couple of songs which go for a bit more depth and it dispels the simplicity a little. The last song feels very out of character, but it was composed for the end credits, an attention grabbing song to signify victory over the game. For me this record is a great "go to" when you need something gentle to focus your efforts elsewhere.

Favorite Songs: Down Below, Sokosnake, Up Above, Space Maze

Rating: 5/10

Tim Shiel "Duet" (2013)

Tim Shiel is a musician and radio DJ who's music I picked up for free on bandcamp after a recommendation from a commenter here on the blog! Electronic can be such a broad term for music, as can Ambient, this is a Ambient Electronic project with a similar feel to C418, however despite some similarities Tim yields his own memorable vibes and soundscapes that i am continuing to enjoy.

Duets is an absorbing listen, a record that can sit in both the back and foreground of your mind, its gentle and relaxing, yet intricate with a sense of detail. The melodic leads are poised in a balance between being the focus, and being part of the atmosphere. The rhythm section his is nicely arranged with many variations and details, sometimes making effective use of wobbles and harsher sounds that splice between the gently crafted rhythms.

This album has an array of passionately engineered sounds and beats composed together with care. As a whole it comes a little short with a couple of the tracks falling behind the mark set by the more memorable tracks on the record. In its best moments its an indulging listen, but at other times its a bit tame. I look forward to hearing more from Tim in the future.

Favorite Tracks: Theme From Duet, Nay, Exchange, Arete II

Rating: 6/10

C418 "Minecraft Volume Beta" (2013)

When this album dropped it somehow went under my radar, as both a C418 and Minecraft fan, it bemuses me somewhat that I missed it, but i finally made the time, and time is certainly what it is. Clocking in at 140 minutes this may be one of the longest album I've listened to, and for all thats good here, its the length that bugs me. I like albums, I like the listening experience, but it is hard in our busy lives to dedicate that time without interruption. Perhaps this isn't an album as such though, I do believe these are the songs that play throughout the game, however my music setting is muted so I wouldn't know any better!

So whats on display in this album? A lot, theres 30 tracks of lush soundtracks for your imagination to drift into. From quiet moody ambiance to quirky melodic leads and dramatic symphonies, there is a vast range of emotion, style and beauty in this record. C418 has a vast range of instruments and they are all crafted with a character that paints his sound on even the most routine of devices. Every composition here is lovely, in its own way.

For all thats good to be said i felt there was a lack of direction or momentum that took these tracks anywhere. Individually they shine, but as a collective the album drifts through many quiet spaces that drown out the more memorable moments. This makes sense, its a soundtrack for a game where the songs will creep in and out at random, and for that its fantastic, but as an album it's not quite what I'm looking for.

Favorite Tracks: Aria Math, Dead Voxel, Alpha, Ballad Of The Cats, The End

Rating: 6/10