
Xisuma's Musical Journey
Thursday, 3 April 2025
Krusseldorf "Laidback" (2017)

Saturday, 29 March 2025
2Pac "Me Against The World" (1995)
Fuck The World and Death Around The Corner have a fearful 2Pac dialing up aggression, turning to a darker side, foreshadowing his paranoid temperament heard loud on the next records. His anger seems righteous but the cracks in his duality start to fray. These songs contrast the overall upbeat mood. The closing track Outlaw serves as an introduction to the Outlaws crew, a concept he would go on to grow. This direction plays a mild blemish on an otherwise superb record, never failing to woo.
What I've always adored about Tupac is his ability to illuminate the problems of crime, poverty and racism from a perspective often ignored. Retrospectively, Me Against The World is the boiling point before his embellishment of Thug Life loses its potency under the pressures of Death Row records. Given the drama and controversy around him at the time, the stakes are raised. He meets it with his words. Me Against The World is undoubtedly a classic, his most consistent and concise record. A must hear.
Rating: 10/10
Monday, 24 March 2025
Krusseldorf "Cloud Songs" (2020)
Still charmed by Krusseldorf's curious demeanor, we venture further down the rabbit hole. Cloud Songs' titling nods to its lofty ambiguous nature. Quirky compositions, delving into a haze of softness, lazy, relaxed and inviting. These cozy tracks meander through inconsequential landscapes of melting melody and circling rhythms that evoke Pysbient suggestions when percussion hones in on Downtempo templates.
Despite getting off to a strong start, establishing soothing vibes and cruising through chilled melodies, the tides turn in its second act. Dub For Slouchers hits a high as the records best track, cohering the classic Dub baseline to its whimsical follies, ushering in dazzling arpeggios near its conclusion. After this, the mood shifts, dramatic, subtly sorrowful, with a sense of abandon, proceeded by chemistries brewing unease.
Between them, Dance Of The Sleeper revels in that winning Dub formulae again but otherwise the record fizzles out as emotional narratives fail to resonate within the soft obscurities electronic music can offer. This is oddly punctuated by the arrival of dreamy, Ethereal effeminate singing, which had previously done the music wonders. This outing they played into the diminishing flow. Cloud Songs had immense promise but simply drifts out of focus after a strong start.
Rating: 5/10
Sunday, 23 March 2025
Clipping "Dead Channel Sky" (2025)
Leaning hard into their distinct jilted abrasion, experimental Hip Hip trio Clipping return armed with an arsenal of rapid fire razor sharp rhymes, accompanied by cyberpunk dystopian disjointed beats. Its a despairing, paranoid journey, showcasing the unrivaled talents of Daveed Diggs, who blasts vivid lyricism through an effortless cold, monotonous delivery. Poetic and descriptive, he arms this unsettling soundscape of buzzing computer electronics with moments of clarity, cutting through the rumpus and adding a dispirited human element to the already dejected temperament.
Lyrical themes resonate with defeatism, reflecting current social-political concerns. Early on, dexterous rhymes charm through ambiguous, artistic, storytelling motifs. In its second half, clearer concepts are depicted with plainer language. The emergence of AI, growing wealth inequality, the harms of social media, disinformation and internet related corrosive forces. Its in the latter half that these clearer expressions, the conceptual nature of Dead Channel Sky, takes form for this lukewarm listener.
Mediocrity stems from its dredging, drawn out nature, tediously slow burning through cyber-industrial soundscapes. Short interludes and key songs play drowned in an endless string of aesthetic ideas which only reward when converging upon groove and rhythm. This mostly happens at the heels of 90s House rhythmic energy and signature waveform leads from the era's blossoming electronic scene. In these moments, much is borrowed from the past. The dystopian aesthetic a thin veneer atop what works.
Entertained by a couple of spins, the search for depth has alluded me in becoming numb to its admittedly impressive arrangements of dial-up inspired internet glitch-synth. So to did Diggs' rhymes flourish food for thought initially. That persuasion has swiftly evaporating in this artistic vision mostly devoid of the simple pleasures required to bridge the avant-garde. Dead Channel Sky lacks the curation to drive home its vision, instead flooding us with an indulgent revel, not quite to this fans taste.
Rating: 5/10
Monday, 17 March 2025
C418 "Wanderstop" (2025)
Clocking in with a verbose 195 minutes of fresh instrumentation, C418's latest video game soundtrack is understood mostly through its soothing vibes and cosy moods. A safe feeling in which to curl up inside, as its soft fuzzy warmth, painted by classical instrumentation, works claming wonders. Adorning strings, chiming bells, felt pianos, a magical xylophone and lean cello bass, blush harmoniously in delightful ambient reverbs and crafted echoes. All these sounds arrive luscious and clean, with occasional touches of subtle electronic synths woven within its pristine chemistry.
Its a mastery heard before on both Beta and One, now restrained by its core focus on traditional instruments. One will also hear intermittent echo's of the classic Minecraft Alpha soundtrack in its meandering piano motifs. I'm perhaps now re-realizing how much similarity to the likes of The Plateaux Of Mirror this iconic sound of C418's has.
Wanderstop sets itself apart from familiarity through reoccurring themes and melodies that shift with the record. The deeper in you get, those recurrences subside for fresh ones. A few darkly passages emerge mostly between in usual crooning and quirky expressions. All are likely shaped by the timing of their appearances in the game.
Its nice to see Daniel has been busy with no shortage of inspirations. Assuming this has kept him busy for some time, I hope we will hear a new full length original soon. Its been seven years since the last! This however is a separate project, one that stands on its own two feet well and hopefully serves the vision for this game as well.
Rating: 7/10
Saturday, 15 March 2025
Spiritbox "Tsunami Sea" (2025)

Front loaded by a heavy assault of elasticated eight string guitar grooves melding with the subtle texturing of eerie atmospheric synths, cracks emerge as tracks occasionally mellow into doleful melancholies. Ride The Wave plays a keen example, cloudy mediocrity overcomes its hurtful emotional resonance. This sombreness leaves me with that aforementioned sense of needing more time to internalize its curious yet depressive persuasion. In conclusion, Tsunami Sea has one to many songs that drift by, failing to wrangle me into its allusive charm, unlike Eternal Blue was able to do.
To sing its praises, Tsunami Sea pushes the envelope of their sound. Seeking subtle inclusions of percussive sounds from the 90s explosion of electronic music, songs arrive fleshed out with links to tie its textural depth through the sways of intensity. Meager drum grooves holdover transitional moments a seamless fit. So to do hidden layers of trancey electronic synths weave in subdued soundscapes around the mostly metallic music that occasionally drifts into a Shoegaze and Ethereal territory.
The construct is masterful, giving listeners added depth to explore on an intensive listen. Seemingly straightforward, the instrumental ideas struck are enriched by this tapestry of passionate sound. Elevating the core of their musical identity, its a step in the right direction. On its best tracks, undeniable. As a whole album, the experience dips in spots. There is much to be enjoyed here. I hope it continues to grow on me.
Rating: 7/10
Friday, 14 March 2025
Doomsday "Depictions Of Chaos" (2022)

Monday, 10 March 2025
Old Tower "The Trench Pilgrims" (2025)

Commissioned for the "Grimdark Compendium", Old Tower lends their craft to a presumably fitting tone for table top game Trench Crusade. Its setting in 1914 explains the quirky archaic musical sample that aids this five tracks opening Introduction. The sample disappears into a gloomy fog of atmospheric synth and chilling horns echoing a haunting wreckage left by battles carnage. From here, we descend into darkly meditations, spiritual yet steeped in an eerie inclination. Chorals led by loose and worldly percussive instrumentals chain us to its rhythmic trance. The subtle entrance of Berlin School synths paint a suggestion of something cosmic lurching beyond.
Rating: 7/10
Wednesday, 5 March 2025
Saor "Amidst The Ruins" (2025)

Monday, 3 March 2025
Krusseldorf "Fractal World" (2014)

Wednesday, 26 February 2025
Sundial Aeon "Analysis" (2014)

Tuesday, 25 February 2025
Willow "Ardipithecus" (2015)

Tuesday, 18 February 2025
Gelure "Inner Sanctum" (2025)
The purist pleasures of these peaceful yet esoteric atmospheres has affirmed Gelure's elevated stature. My initial fondness for The Candlelight Tomes and Into The Chesfern Wood has matured with much exposure. Those arcane magics have delivered time and time again. Returning refined after a few years break, the character depicted pitches partly Medieval, churchly, with a dash of Tolkien Fantasy grandiosity. Cultural stringed instruments yielding folksy melodies ground its era. Saintly chorals, vibing on soft cloudy synths, bewitch one in a captivating calmness. Swaying between these masterful constructs, we venture upon scenic swells, conjuring natural beauty, fantasy landscapes and occasionally battles through the crashing of gong cymbals, deep laggard drums and triumphant horns. At its opposing end, sleepy subdued melodies, smothered in reverberations, upend darkly mystic moods, both soothing and curious.
The words Dungeon Synth barely crossed my mind before writing out these inspired thoughts. Gelure has ascended its shackles, arriving upon a grand stature, crafting beautifully mediative music adrift from a genre awash with low effort imitations. Inner Sanctum indeed evokes introspective refuge. A haven of sorts through its spellbinding ambience. Best of all, its eleven minute finale surrenders to metallic convention. Modern percussion houses its historic instruments in the rapture of blast beats and fiery groove to venture upon Atmospheric Black Metal's alter. The initial mellowed tremolo guitars hide its extremity well, masking what is to come. At the eight minute mark a truly epic power chord riff gratifies to no end. With monumental sway, its repitions toy with dazzling tunes and tempo deceleration, in a stroke of genius.
Rating: 8/10
Sunday, 16 February 2025
Krusseldorf "Mushroom World" (2025)

Saturday, 15 February 2025
Blut Aus Nord "Memoria Vetusta I - Fathers Of The Icy Age" (1996)
