A long overdue followup on No Way Out, I've finally picked up Harlem World, Mase's solo debut. He'd made a soft impression, a voice fit for variety in the mix but unsurprisingly tame on his own. The casual carefree laid back spoken raps didn't amount to much across a lengthy CD filling record. Although it went multi platinum, its legacy feels like a byproduct of the era. Mase runs through the typical themes apprising his status, playing himself as a ladies man and taking shots at his haters.
His cadence is smooth, easy on the ears but rarely does his words muster up the energy to really grab your attention with standout rhymes. Harlem World mostly rolls by a pleasant ride on average beats spliced with goofy interludes. Stated as such in a lyric, the albums best tracks are simply recycled hits from the past decade. That and many of its instrumentals highlight this Bad Boy Records formula candidly.
With typical features from Puff, DMX, Jay-Z, The Lox and many more, the album gets by on a run of the mill routine. The later, however, elevates! 24 Hours To Live lays down a firm concept, asking a question and letting everyone run through their answers verse by verse. Its a great setup for visual raps that The LOX dominate! The following I Need To Be sinks to a low with very questionable topicality that seems to just slip under the radar of controversy when it comes up in Hip Hop music.
The closing Jealous Guy is an amusing piss take. A tongue in cheek jab at "the haters". These rappers drop some ruthless off key singing over top of the smooth R&B singers beneath. Fun once but an earache after the third spin. Overall, this album felt very average, with little memorable to take away. It feels like the hype and promise of the record label made this one a success. Not bad but firmly average at best.
Rating: 4/10