With foundations of extreme and cultural aesthetic resolute and intact, Saor embarks on this latest venture through the shackles of familiarity. Thus initial listens spun a lukewarm drone of routine blast beats exchanging duties with its symphonic layer. Comprised of strings, Violin, Cello and effeminate voicings, this heathen tapestry enriches Saor's music with the spirit of Scottish highlands and its cultural heritage.
The metallic counterpart, comprised of pummeling drums and angular distortion guitars, stands somewhat in contrast as expectant extremities offers little to the embellish narratives and server as obvious amplifications of intensity, swelling energy but rarely feeling warranted in contrast to the rich underlaying musical themes.
Thus we have a record in peculiar imbalance. At a frequent pace, the collapses of roaring aggression give way to stunning arrangements of beloved highland melody. Beautiful in flow and holding grace with mother nature, a reoccurring sense of longing persists in these spirited melodies. They are the highlight in which to endure.
Sadly the majority of these earthly musical motifs rest in tandem between the two, layering in this gorgeous vision with familiar aesthetics that offer little new. Tired of bellowing screams and blazing blast beats, I found myself chiming with the serine acoustic guitar tones and cultured instruments, an aspect stunning on its lonesome.
The records most passionate passages emanate on their acoustic reverberations, often to be enveloped by that roaring beast. My tolerance of its metallic components rested on the whims of personal appetite. Sometimes energizing, at others a drain. Saor has matured strongly on a cultural front to deeper meaning but foundations strip this expression of greatness in my opinion. However, its still a very enjoyable record.
Rating: 6/10
