Friday, 18 February 2022

Ozzy Osbourne "The Ultimate Sin" (1986)

 

When it comes to legends of Heavy Metal, can there be anyone more legendary than Ozzy? I'm more familiar with his days in Black Sabbath, having never gone to deep into his solo career. Ironically the one album that did it for me is his least favorite, The Ultimate Sin. Upon release it became a commercial peak for the singer, charting well in the states where he flourished as a lone name. Siting reasons of artistic repetition and staleness, again ironically may also signal the very thing I adore about it most.

 To my mind, the album captures the essence of big theatrical arena filling Heavy Metal the 80s. The big hair, garish outfits stage antics and oldschool lighting rigs fill my imagination. Perhaps I've watched too many classic Ozzy concerts on youtube for my own good. I adore how the record hinges on Osbournes distinct voice, he gives the music a sincere emotional edge over its hard hitting, guitar rocking riot of big power chord riffs and lighting guitar solos, all so nostalgically typical of the times.

Jack E Lee is a phenomenal talent, a prolific guitarist, not just technically with his flashy showmanship and dazzling fretwork but with song structures that respond to Ozzy's direction. Swiftly does the music transition out of head banging mode into emotional surges, with key shifts and deliciously plucked acoustic guitars chords. Its fits so snugly together, a band in unison. Soussan and Castillo are equally competent in the rhythm section, providing a powerful footing for Ozzy and Lee to shine.

This "autopilot" Ozzy describes is probably why track after track is so well written. Rather than look for a new artistic direction they churn out the hits as they know how to make them and boy do they make them well. A few songs get a little cheesy with cliched rock and roll lyrics but a lot of the themes are far more moving and meaningful, including the anti-war song Killer Of Giants, one of my favorites on the record. Its lush opening guitars are simply wonderful. Dark, sleek, steely and covered in reverb.

When it comes to critique, the nostalgic lens tends to distort my perception as I adore the dated production and tropes of the 80s Heavy Metal. That's why I tune in, when wanting to capture the spirit and feeling of that era. This one has it in droves! Writing now reminds me of my Dio exploration. I really have no excuse not to throw a few Ozzy albums into rotation like I never did in the past. I just stuck with this one!

Rating: 8/10