Thursday, 13 August 2020

Between The Buried And Me "Colors" (2007)

 

 Where to begin with colors? What an incredible album. I was barely a fan when this record first dropped. I might have mistakenly known Between The Buried And Me as a generic Hardcore band crossing into the trending Deathcore scene. Then suddenly this masterpiece falls from the sky. Although the music may have solidified in my mind, time passes and It always feels great to return to this lengthy epic. Sixty five minutes of relentless musical fire split into eight from one massive sprawling song!

It was obvious upon release but even more so having chewed through Queen's discography all these years later that they, among many other Progressive Rock greats, etched an eclectic identity to this album. Although the bands metallic edge is rooted in Metalcore and Technical Death Metal, Color's musical world consistently blur boundaries and genre lines, with a particular fondness for the jollity, wondrous and playful spirit of pantomime and a theatrical bustle, best imbued by Queen.

In colorful juxtaposing bursts the musics bounces between its two worlds effortlessly. Tunneling barrages of technical riffage, frantic fretwork and sonic grooves switch into the smooth and illustrious. Graceful pianos, chirpy organs and harmonious singing shape up its eclectic sections which do get less of the airtime in the onslaught of brutality. The same can be said vocally, shaping up from forceful shouts of harshness to soaring sung melodies of grace. They tend to match the instrumental intensity.

On the fantastical journey, a lot of the music resides in the brutal camp of stomping technical showmanship but its best moments always come from the breaks, the blurring of lines and influxes of cultural sound, Backyard Bluegrass and French street music to point out a couple stand out moments. Although it is necessary to have this intensity to make way for the calm, it comes in droves and the records slowest parts are when the brutality gets drawn out, self involved and monotonous.

The composition also stacks a lot of the best material into the first few songs. A minor drawback on a record every fan of Extreme music should check out. It stands apart from other Progressive Metal records in its ability to so naturally flip the switch on intensity and provide some polar extremes even if not in proportion to one another. Giving it a few spins again tended to highlight flaws with a mind for examination and thought sharing, this blog, but it was also a pure delight to get deep into these songs again! A wonderful album to have in the collection.

Favorite Tracks: Informal Gluttony, Ants Of The Sky, Prequel To The Sequel

Rating: 9/10