This short lived band from France only released a trio albums, this being the first. Of Wars in Osyhria has been an absolute pleasure that has got me questioning my stance on Power Metal. First Sabaton blew me away and now this! Two totally different beasts but now I am seeing the lines that get blurred between the Symphonic Extreme Metal I love, for example Dimmu Borgir, and where Power Metal shares some similarities in embracing keys and strings. In particular, a relatively unknown outfit called Stormlord had a stunning fusion of Black Metal and this style of fantasy led symphony on their At The Gates Of Utopia record! The Metal was far more dominate and overpowering of its fantasy string section but the tone is very similar!
That initial comparison gave me an anchored entry into this record and swiftly did I grow to appreciate the absence of shouts and screams! Fairyland have given the spotlight to the layers of glorious synths ushering in hugely magical and imaginative soundscapes. Its actually the drum kit that brings in an extreme angle, driving the music along with thunderous intention, battering with an intensity to raise the stakes as the guitars tend to chug and churn underneath the rich symphony. Electrified lead licks and solos do occasionally blaze into the light but the keys are king here. Acording to the wiki only one keyboardist is employed at a time, I wonder how they pull of such a lavish sound live, its clearly layered and dense.
These songs dazzle there way through epic themes of might and magic, heroism in battle, good versus evil, all in a glorious stride that could encompass a typical Fantasy genre tone. Particularly Warcraft in places, echoing Glenn Stafford's genius soundtracks. Its wonderfully written, the songs continuously swoon in and out of oozing arrangements of gleaming melodies that give me goosebumps again and again. The balance is stunning, songs are structured with recurring sections that punch with weight after the dancing through progressive tangents tirelessly. Its sixty five minutes don't let up for a moment, a ceaseless magic that gushes forth right to the very end, the last few notes being admittedly underwhelming to bow out on.
Ive actually binged this record hard and its still working for me. I feel like Ive found another diamond that will be with more for the rest of time. The only weak spot Ive encountered is the vocals, Elisa Martin's operatic voice is a sturdy fit, powerful, strong and theatrical, only her accent puts a noticeable hindrance on the pronunciation of certain words. Its a minor qualm. Alongside her, the occasional chiming powerful male voices unite and plenty of choral voices enrich this avenue too. Its a thick and dense onslaught of instruments, crescendo by the lavish dance of stunning symphonies. Truly a marvelous record, can't wait for the next one!