Thursday, 13 December 2018

Paris "The Devil Made Me Do It" (1990)


Thanks to a fantastic documentary series on Netflix I got to learn about regional scenes that rarely make it to the forefront of Hip Hop discussion. Learning about the the bay area of San Fransisco, militant rapper Paris caught my ear with his uncanny resemblance to rap god Rakim. Given the year of its release, this makes perfect sense. Despite a lack of originality in tone and flow he makes his distinction with fiery, statement driven, political and pro-Islam rap. Its to the tune of Public Enemy and Lakim Shabazz, who's Pure Righteousness is sampled in the opening Scarface Groove song. The name dropping is relevant, Paris wears his influences on his sleeve as an amalgamation of key artists of this era. This extends to the production too, the beats present a firm flavor of Bomb Squad meets Eric B, with James Brown samples too. The sound essentially fits in a year behind contemporaries however this may be my prior knowledge not allowing Paris to slip into the correct spot in history. Then again, this is a really overlooked and forgotten record. Its only had a handful of re-pressings and is difficult to get a physical copy of.

Historical pickings aside, this is a strong record. He may have that firm and steady flow defined by Rakim but he executes it with attitude and flair for stringing coherent and tricky rhymes schemes others would stumble over. Its creative too, taking on a variety of flows and experimenting with reverb and rhymes split over multiple takes. It gives the record interesting creative tangents between the tried and tested formula. Lyrically its very socially conscious and pro-black political, taking on police brutality and systemic racism with an unapologetic militant approach. Short story telling interludes like Warning and The Hate That Hate Made flavor the songs with rich backstory as a couple of tracks step of the gas with braggadocio and other subject matter. Its the black nationalism that grabs the attention and if you agree with his perspectives or not, hes certainly a talent getting his view across.

A younger me would of lapped this up back in my 90s Hip Hop binge days. Now the style is so explored in my mind its hard for the beats to make much of an impact. One can't help but notice these gorgeous synth baselines though, the sort you might hear in Industrial music. That and DJ Mad Mike's love of scratching and sampling creates jarring instrumentals that pair beats and sources rigidly. The result aesthetic is it own and a clear vision for variety is forged as many cuts and variations make it onto the album, keeping its flow exciting alongside the shifting themes of Paris. The title track gets a shout for being a killer tune. A prime example of the records strengths in full cohesion. The beat is dark, gritty and bombastic, Its synth sampling takes on vibes not often heard in Hip Hop. This record isn't trying to charm you with smooth slick Jazz sounds, bar Mellow Madness, or overt grooves. It creates a crowded atmosphere built on punchy, snapy sounds that amount to sometinhg it can call its own, even if the building blocks are in plain sight.


Favorite Tracks: Scarface Groove, Brutal, On The Prowl, The Devil Made Me Do It, Mellow Madness
Rating: 7/10